Violentologies

Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.

Based upon two decades of in-depth investigative reporting in Colombia's conflict zones, this explosive volume integrates text, photography, and design to communicate the horrors that paramilitary groups, such as the "United Self-Defense Forces of Colombia" (as well as the other sides of the conflict in response to the violence), inflicted and continue to inflict on Colombia. An instant classic of journalism and South American political history.

This anthology explores the many and varied connections between pacifism, politics, and feminism. Each topic is often thought about in academic isolation; however, when we consider how they intersect and interact, it opens up new areas for discussion and analysis.

The majorconflicts between the Global North and the South can be expected toresult from the confrontation of alternative conceptions of democracy,mainly between liberal or representative democracy and participatorydemocracy. The hegemonic model of democracy, while prevailing on aglobal scale, guarantees no more than low-intensity democracy. Inrecent times, participatory democracy has exhibited a new dynamic,engaging mainly subaltern communities and social groups that fightagainst social exclusion and the suppression of citizenship. In thiscollection of reports from the Global South-India, South Africa,Mozambique, Colombia, and Brazil-De Sousa Santos and his colleaguesshow how, in some cases, the deepening of democracy results from thedevelopment of dual forms of participatory and representativedemocracy, and points to the emergence of transnational networks ofparticipatory democracy initiatives. Such networks pave one of the waysto the reinvention of social emancipation. This is volume 1 of the Reinventing Social Emancipation project, edited by Boaventura de Sousa Santos.

By challenging more common analyses that point to the existence of a "post-conflict scenario" in Colombia and those that resist the narrative of "success", both of which operate within the logic of presence/absence of violence, this book proposes instead that we think of "post-conflict" in terms of the transformation of the rules on the use of violence. The analysis unfolds in two parts: the first explores the conditions of possibility of the Colombian “success story” and the web of criteria legitimizing the “success”, as well as the silencing mechanisms allowing for Colombia to circulate internationally as a formula to be replicated in other parts of the world; the second, focuses on the historicization of the mechanisms through which new rules are transmitted among the professionals of the public force, specifically the transformations of military schools and training centers in Colombia from times of “war” to “peace”. The author argues that key to this transformation is a unique discursive articulation around the “military professional” which slides from “citizen-soldier” to “expert-soldier”.

In Context: Violence and Contemporary Art in Colombia -- Salcedo's Influences: Artists, Works, Practices -- The Six Visual Strategies -- Organic and Ephemeral: Materiality in Salcedo's Most Recent Works -- Inherent Vice and the Ship of Theseus / Narayan Khandekar -- Artist Biography and Exhibition History

Violence is the plague of our civilization. Its many tentacles – domestic violence, criminal violence, sexual abuse, terrorism, state violence, revolution, war and genocide tentacles – threaten us. The new discipline of traumatology amply describes the consequences of violence. But there is as yet no corresponding discipline of violentology to explain why violence occurs in the first place. Inexorably, Paul Valent was drawn professionally to take the leap from healing the minds of victims to trying to understand the minds of perpetrators. Valent unpicks the minds of perpetrators in each field of violence. He develops a lens for illuminating violence, whether individual or international, primitive or spiritual. We come to understand how aggressions that helped our species to survive now threaten it with extinction. Valent explains his thesis by recounting many stories. One story interwoven throughout is his own. A child who survived the Holocaust, he examines the minds of his perpetrators in his quest to prevent future violence. Violence, for Valent, is not an isolated feature of the human condition. Surprisingly close to violence are struggles for love. Readers also learn about that aspect of humanity.

Since 1964, Colombia has been embroiled in internal armed conflict among guerrilla groups, paramilitary militias, and the country’s own military. Civilians in Colombia face a range of abuses from all sides, including killings, disappearances and rape—and more than four million have been forced to flee their homes. The oral histories in Throwing Stones at the Moon describe the most widespread of Colombia’s human rights crises: forced displacement. Speakers recount life before displacement, the reasons for their flight, and their struggle to rebuild their lives. NARRATORS INCLUDE: MARIA VICTORIA, whose fight against corruption as a hospital union leader led to a brutal attempt on her life. In 2009, assassins tracked her to her home and stabbed her seven times in the face and chest. Since the attack, Julia has undergone eight facial reconstructive surgeries, and continues to live in hiding. DANNY, who at eighteen joined a right-wing paramilitary’s training camp. Initially lured by the promise of quick money, Danny soon realized his mistake and escaped to Ecuador. He describes his harrowing escape and his struggle to survive as a refugee with two young children to support.