Violeta Among The Stars

suddenly I should have stayed at home, I should have stayed at home, I should have stayed at home, for some time, seconds, hours, I can do nothing, suddenly I stop Violeta is driving along a lonely stretch of late-night motorway, in the midst of a fearsome storm. When her tired eyes close for just a second, her car veers off the road, rolls down a muddy embankment, over and over, and comes to rest on an empty stretch of sodden ground. And as she lies amid the wreckage of her car, suspended between this world and the next, Violeta's life will quite literally flash before her eyes . . . Scenes from her past overlap with what happened right before the accident: her upbringing with her distant, critical mother; her father's mysterious double-life; her troubled relationship with her daughter; her life on the road as she drives between waxing product-selling appointments with breaks at motorway service stations, the abuse from other travellers mocking her size, the alcohol, the risky encounters with lorry drivers on filthy public toilet floors... Violeta Among the Stars weaves memories and feelings as Violeta reflects on her death, her life, her reality and her dreams. An astonishing portrait of a seemingly insignificant life, from one of Portugal's greatest living writers. Translated from the Portuguese by Ángel Gurría-Quintana Ángel Gurría-Quintana is a historian, journalist and literary translator from Spanish and Portuguese. He writes regularly for the books pages of the Financial Times, and his translations include the anthology Other Carnivals: Short Stories from Brazil and The Return, by Dulce Maria Cardoso. With the support of the Creative Europe Programme of the European Union

The first volume of critical essays on the contemporary Portuguese novel in English, this book theorizes the concept of the 'hypercontemporary' as a way of reading the novel after its postmodern period. This inquiry into the notion of the hypercontemporary in its literary and cultural articulations analyzes a varied group of works representative of the most vibrant novels published in Portugal since 2000. The editors' introductory chapter theorizes the concept of the hypercontemporary as one way of looking at the novel after its postmodern period – especially in its relation to questions of violence, memory and performativity. These essays show how the Portuguese novel has evolved in the past 25 years, and how, in their diversity, most of these novels exhibit several common traits, including new topics and writing strategies – sometimes developing further entropic lines characteristic of many Postmodern narratives – and themes of violence, rapid transformation, and the many threats to a contemporary world that seems mass-produced due to greater technological advances. Readings also discuss the use of innovative graphic forms available from current print technologies and global networks. The Hypercontemporary Novel in Portugal provides a necessary understanding of the current literary landscape of Portugal and, in the process, the aesthetics of hyperrealism or post-postmodernism.

NEW YORK TIMES BESTSELLER • This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century. “An immersive saga about a passion-filled life.”—People Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Through her father’s prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses everything and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. She tells her story in the form of a letter to someone she loves above all others, recounting times of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Her life is shaped by some of the most important events of history: the fight for women’s rights, the rise and fall of tyrants, and ultimately not one, but two pandemics. Through the eyes of a woman whose unforgettable passion, determination, and sense of humor carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

Everyone has gone away... We too should no longer be here. Luanda, 1975. The Angolan War of Independence has been raging for at least a decade, but with the collapse of the Salazar dictatorship, defeat for the Portuguese is now in sight. Thousands of settlers are fleeing back to Portugal to escape the brutality of the Angolan rebels. Rui is fifteen years old. He has lived in Luanda all his life and has never even visited the far-away homeland - although he has heard many stories. But now his family are finally accepting that they too must return, and Rui is filled with a mixture of excitement and dread at the prospect. But just as they are leaving for the airport, his father is taken away by the rebels, and the family must leave without him. Not knowing if the father is alive or dead - or if they will ever find out what has become of him, Rui, his mother and sister try to rebuild their lives in their new home. This turns out to be a five star hotel in a quiet, seaside suburb of Lisbon, where returnee families are crammed into luxurious rooms by the dozen. These palatial surroundings are a cruel contrast with the reality of returnee life. The hotel becomes a curious form of purgatory as the families wait to discover what will become of them - ever conscious of the fact that they are hardly welcome back in their homeland. Rui has his own personal struggle with his new life: growing up, dropping out of school, facing discrimination, and the ever-present worry over his mother's deteriorating health and his father's fate. And then one night Rui's father returns from the dead. Translated from the Portuguese by Ángel Gurría-Quintana

NEW YORK TIMES BESTSELLER • A darkly enchanting fantasy about a lying witch, a cursed prince, and a sinister prophecy that ignites their doomed destinies—perfect for fans of The Cruel Prince. “Everything you want from an enemies-to-lovers fantasy starring morally gray characters.”—BuzzFeed Violet is a prophet and a liar, influencing the royal court with her cleverly phrased—and not always true—divinations. Honesty is for suckers, like the oh-so-not charming Prince Cyrus, who plans to strip Violet of her official role once he’s crowned at the end of the summer—unless Violet does something about it. But when the king asks her to falsely prophesy Cyrus's love story for an upcoming ball, Violet awakens a dreaded curse, one that will end in either damnation or salvation for the kingdom—all depending on the prince’s choice of future bride. Violet faces her own choice: Seize an opportunity to gain control of her own destiny, no matter the cost, or give in to the ill-fated attraction that’s growing between her and Cyrus. Violet’s wits may protect her in the cutthroat court, but they can't change her fate. And as the boundary between hatred and love grows ever thinner with the prince, Violet must untangle a wicked web of deceit in order to save herself and the kingdom—or doom them all.

Josefa Ferrer, a famous Chilean singer and star, awakens one morning to read in the Santiago newspaper that her best friend, Violeta, has been involved in a brutal act of violence. Overwhelmed with regret and plagued with guilt for not having foreseen the tragedy, Josefa feels compelled to tell Violeta's life story--one marked by lost ideals, disillusionment, and grief--which is ultimately Josefa's story, too. Through the interwoven lives of these two women, Marcela Serrano explores how the demands of a woman's role as mother, wife, lover, and friend are frequently at odds with her own dreams and aspirations, and how easily the fragile bonds of friendship and family can be strained to the breaking point. For Josefa and Violeta, it is only in Antigua, under the watchful eyes of "the others"--a chorus of female ancestral spirits who testify to the women's defining moments of strength and courage--that Josefa and Violeta will discover that even in the aftermath of violence and betrayal they have control over their destinies and their redemption. Exquisitely crafted and written in beautiful, lyrical prose, Marcela Serrano's unforgettable novel about friendship, forgiveness, and second chances speaks to every woman who has experienced the wrenching divide between professional ambition and family responsibility, who has been torn between the excitement of illicit passion and the security of marriage, who has craved the thrill of success while yearning for solitude in an often chaotic, invasive world.

Patrícia desincarnated at nineteen years old. During her brief stay with us on earth she was a Spiritist by conviction and an active seeker of eternal truths. Her desincarnation was like going to sleep and waking up in the spiritual plane among friends. She was fascinated by what she saw, by the reports from companions that later on would come to us incarnates to dictate their adventure. Violets on the window describes the experiences of a person conscientious of what desincarnation means. It removes one more veil from the mystery of the afterlife. Simply, she tells of the beauty, the needs she met in the spiritual plane, talks about her needs and of the others. Needs such as: How would she eat? How would she dress? Would she feel cold or hot? Would she need to use the bathroom? Patrícia clearly describes the colony where she was taken, the learning center, the school, hospitals, houses, etc. Most importantly, Patrícia talks about the help she received from her spiritist relatives and of the moral support from her father exemplifying to many how to act when facing the physical death of a loved one. This wonderful story will delight all readers.

Love the Wild Swan is the culmination of thirty years of clinical and teaching experience, undertaken by child and adolescent psychoanalytic psychotherapist Judith Edwards. Along with new material, the book consists of previously published papers spanning Edwards’s entire career, which have been carefully selected to chart the journey that every clinician and human being makes, from babyhood to adult life. Edwards offers an example of how the evolution of meanings occur and how lifelong learning about the self and the other takes place. The book is divided into four parts, with sections on observation, clinical work, teaching theory, and links between these ideas and ongoing life in the form of the arts, through poetry, film and sculpture. Love the Wild Swan will be of interest to practitioners and clinicians, as well as appealing to anyone in the field of mental health who wishes to reflect on the nature of human development and growth.