Visitor

Is there a future time when newcomers and visible minorities will be enabled to feel like they belong in Canada? Or will they have to accept their experience as visitors to Canada no matter how long they have lived here? These are some of the questions Anthony Stewart tackles eloquently and with considerable wit.

Elise is scared of everything - spiders, people, even trees. So she never goes out, night or day. One day a strange thing flies in through the window and lands at her feel. And then there comes a knock at her door. Elise has a visitor.

The current revival of the work of Maeve Brennan, who died in obscurity in 1993, has won her a reputation as a twentieth–century classic—one of the best Irish writers of stories since Joyce. Now, unexpectedly, Brennan's oeuvre is immeasurably deepened and broadened by a miraculous literary discovery—a short novel written in the mid–1940s, but till now unknown and unpublished. Recently found in a university archive, it is a story of Dublin and of the unkind, ungenerous, emotionally unreachable side of the Irish temper. The Visitor is the haunting tale of Anastasia King, who, at the age of twenty–two, returns to her grandmother's house—the very house where she grew up—after six long years away. She has been in Paris, comforting her disgraced and dying mother, the runaway from a disastrous marriage to Anastasia's late father, the grandmother's only son. "It's a pity she sent for you." the grandmother says, smiling with anger. "And a pity you went after her. It broke your father's heart."Anastasia pays dearly for the choice she made, a choice that now costs her her own strong sense of family and makes her an exile—a visitor—in the place she once called home. Penelope Fitzgerald, writing of Brennan's story "The Springs of Affection," said that it carries an "electric charge of resentment and quiet satisfaction in revenge that chills you right through." The same can be said of the The Visitor, Maeve Brennan's "lost" novel—the early work of an incomparable master.

"A COMPLEX, CREEPY, AND INSIDIOUS NOVEL ABOUT AMBITION." --THE GUARDIAN "READERS OF RUTH WARE AND GILLIAN FLYNN WILL LOVE IT." --LIBRARY JOURNAL (STARRED REVIEW) "FASCINATING, BRILLIANT, CREEPY." --GOOD HOUSEKEEPING If you had the perfect life . . . how far would you go to protect it? Professor Olivia Sweetman has worked hard to achieve the life of her dreams, with a high-flying career as a TV presenter and historian, three children, and a talented husband. Only one other person knows that Olivia's perfect life is in fact a desperate tangle of lies: Vivian Tester, the socially awkward, middle-aged housekeeper of a Sussex manor who found the Victorian diary of a pioneering female surgeon on which Olivia's new biography is based. In a gripping narrative that shifts between London, Sussex, and the idyllic South of France, Olivia and Vivian will learn knife-edged truths about themselves and discover just how far each will go to protect her reputation.

High Quality Professional trade Paperback Binding Visitor Book Ideal for Offices Hotels/Business/Guest Houses/BB Available In Various Colours Page Involves: Date, Name, Person to see, arrival/departure times 80 Double White Pages Of High Quality Over 1000 Entries Space and Spare ruled Pages for note taking. Dimensions: 21.59 x 21.59 cm (8.5" x 8.5"). (Extra Large Book Size.

Understanding the visitor experience provides essential insights into how museums can affect people’s lives. Personal drives, group identity, decision-making and meaning-making strategies, memory, and leisure preferences, all enter into the visitor experience, which extends far beyond the walls of the institution both in time and space. Drawing upon a career in studying museum visitors, renowned researcher John Falk attempts to create a predictive model of visitor experience, one that can help museum professionals better meet those visitors’ needs. He identifies five key types of visitors who attend museums and then defines the internal processes that drive them there over and over again. Through an understanding of how museums shape and reflect their personal and group identity, Falk is able to show not only how museums can increase their attendance and revenue, but also their meaningfulness to their constituents.