Vital Reenchantments

Not all charms fly at the touch of cold philosophy. Vital Reenchantments examines so-called cold philosophy, or science, that does precisely the opposite - rather than mercilessly emptying out and unweaving, it operates as a philosophy that animates. More specifically, Greyson closely examines how a specific group of "poet-in-scientists" of the late 1970s and 1980s directed attention to the "wondrous" unfolding of life, at a time when the counter-culture in particular had made the institution of science synonymous with technologies of alienation and destruction. In this vein, Vital Reenchantments takes up E.O. Wilson's Biophilia (1984), James Lovelock's Gaia (1979), and Carl Sagan's Cosmos (1980), in order to show how each work fleshes out scientific concepts with a unique attention to "affective wonder," understood as the experience of and attunement to novel effects. What is so unique about these works is that they reenchant the scientific world without pandering to what Richard Dawkins will later term "cosmic sentimentality." Carl Sagan may have said "We are made of starstuff," but he would never insist, as Joni Mitchell did in 1969, that "we've got to get ourselves back to the garden." Instead, they insist on a third way that does not rely on the idea of an ecological Eden - a vigorously vital materialism in which the affective trumps the sentimental. Further, the historical emergence of these works, all published within 5 years of each other, was no accident: each book responded to an ever deepening sense of environmental crisis, certainly, but along with it they responded to, perhaps more than marginally related, narratives of the large-scale disenchantment brought on by modernity or science, and more often than not a mixture of the two. Greyson argues that the persistence of these works and their affectively-charged scientific concepts in contemporary popular culture and ecological thought is no accident. As such, these works deserve recognition as far more than "popular science" and can be seen as essential contributions to more contemporary vital materialist thought and ecological theory. No doubt this talk of enchantment and wonder, so tied to immediate experience, can seem trivial in the face of any number of environmental crises (global warming first among these) that do not just appear ominously on the horizon, but loom as never before. The first task of this book thus to pose the same question that Jane Bennett does at the end of her own work on enchantment: "How can someone write a book about enchantment in such a world?" Does this approach really provide, as Latour phrases it, "a way to bridge the distance between the scale of the phenomena we hear about and the tiny Umwelt inside which we witness, as if it were a fish inside its bowl, an ocean of catastrophes that are supposed to unfold"? Ultimately, Vital Reenchantments argues that affective ecologies, properly attended to, point toward an open present, one that broadens the horizons of the "fish bowl" and allows us to imagine engendering futures that are neither naively hopeful nor hopelessly apocalyptic.

Not all charms fly at the touch of cold philosophy. Vital Reenchantments examines so-called cold philosophy, or science, that does precisely the opposite -- rather than mercilessly emptying out and unweaving, it operates as a philosophy that animates. More specifically, Greyson closely examines how a specific group of "poet-in-scientists" of the late 1970s and 1980s directed attention to the "wondrous" unfolding of life, at a time when the counter-culture in particular had made the institution of science synonymous with technologies of alienation and destruction. In this vein, Vital Reenchantments takes up E.O. Wilson's Biophilia (1984), James Lovelock's Gaia (1979), and Carl Sagan's Cosmos (1980), in order to show how each work fleshes out scientific concepts with a unique attention to "affective wonder," understood as the experience of and attunement to novel effects. What is so unique about these works is that they reenchant the scientific world without pandering to what Richard Dawkins will later term "cosmic sentimentality." Carl Sagan may have said "We are made of starstuff," but he would never insist, as Joni Mitchell did in 1969, that "we've got to get ourselves back to the garden." Instead, they insist on a third way that does not rely on the idea of an ecological Eden -- a vigorously vital materialism in which the affective trumps the sentimental. Further, the historical emergence of these works, all published within 5 years of each other, was no accident: each book responded to an ever deepening sense of environmental crisis, certainly, but along with it they responded to, perhaps more than marginally related, narratives of the large-scale disenchantment brought on by modernity or science, and more often than not a mixture of the two. Greyson argues that the persistence of these works and their affectively-charged scientific concepts in contemporary popular culture and ecological thought is no accident. As such, these works deserve recognition as far more than "popular science" and can be seen as essential contributions to more contemporary vital materialist thought and ecological theory. No doubt this talk of enchantment and wonder, so tied to immediate experience, can seem trivial in the face of any number of environmental crises (global warming first among these) that do not just appear ominously on the horizon, but loom as never before. The first task of this book thus to pose the same question that Jane Bennett does at the end of her own work on enchantment: "How can someone write a book about enchantment in such a world?" Does this approach really provide, as Latour phrases it, "a way to bridge the distance between the scale of the phenomena we hear about and the tiny Umwelt inside which we witness, as if it were a fish inside its bowl, an ocean of catastrophes that are supposed to unfold"? Ultimately, Vital Reenchantments argues that affective ecologies, properly attended to, point toward an open present, one that broadens the horizons of the "fish bowl" and allows us to imagine engendering futures that are neither naively hopeful nor hopelessly apocalyptic.

Since its inception in the 1970s, the Philosophy for Children movement (P4C) has affirmed children’s literature as important philosophical work. Theory, meanwhile, has invested in children’s classics, especially Lewis Carroll’s Alice books, and has also developed a literature for beginners that resembles children’s literature in significant ways. Offering a novel take on this phenomenon, Theory for Beginners explores how philosophy and theory draw on children’s literature and have even come to resemble it in their strategies for cultivating the child and/or the beginner. Examining everything from the rise of French Theory in the United States to the crucial pedagogies offered in children’s picture books, from Alison Bechdel’s graphic memoir Are You My Mother? and Lemony Snicket’s A Series of Unfortunate Events to studies of queer childhood, Kenneth B. Kidd deftly reveals the way in which children may learn from philosophy and vice versa.

A sociologist explores why “green cities” won’t fix everything—and urges us to celebrate urban life as it is Everywhere you look, cities are getting greener. The general assumption is clear: if something is unhealthy or bad about urban life today, then nature holds the cure. However, argues sociologist Des Fitzgerald, green spaces are not the panacea that people think. In The Living City, Fitzgerald tours the international green city movement that has flourished across the world and discovers the deep, sometimes troubling, roots of our desire to connect cities to nature. Talking to policy makers, planners, scientists, and architects, Fitzgerald suggests that underneath the wish to turn future cities green is another wish: to make the modern city, and perhaps the modern world, disappear altogether. Ultimately, he makes an argument for celebrating the contemporary city as it is—in all its noisy, constructed, artificial glory.

This book is devoted to the Anthropocene, the period of unprecedented human impacts on Earth’s environmental systems, and illustrates how Geographers envision the concept of the Anthropocene. This edited volume illustrates that geographers have a diverse perspective on what the Anthropocene is and represents. The chapters also show that geographers do not feel it necessary to identify only one starting point for the temporal onset of the Anthropocene. Several starting points are suggested, and some authors support the concept of a time-transgressive Anthropocene. Chapters in this book are organized into six sections, but many of them transcend easy categorization and could have fit into two or even three different sections. Geographers embrace the concept of the Anthropocene while defining it and studying it in a variety of ways that clearly show the breadth and diversity of the discipline. This book will be of great value to scholars, researchers, and students interested in geography, environmental humanities, environmental studies, and anthropology. The chapters in this book were originally published as a special issue of the journal Annals of the American Association of Geographers.

Through interviews with British herbalists, the importance of hidden experiences of meetings with plants is explored alongside how such 'enchantment' has influenced the narrative of their lives. Some herbalists have visible entryways into studying, such as personal experience of taking herbal medicine, a search for a new career or a love of nature. Other entryways are more hidden, with many noting 'crossings' and 'callings' with plants at a young age. This sensual ability of herbs raises questions about the agency of living plants and of herbal medicines, and about how the relationship between herbalists and plants may be reconceived. Meetings with plants and herbal medicines allow herbalists to draw easily from a diverse range of influences that others may see as incommensurable."This fascinating, original and challenging book convincingly explores modern-day herbalists understanding of their place in the complementary health world, against the backdrop of encroaching professionalisation, legitimacy and scientism. In his case study interviews with herbalists, Guy Waddell draws our attention to the enchanting power of plants and their agentic qualities. In his quest for greater understanding of their sensual power, the author rejects the conventional modernity/rationalisation thesis, seen both in the sensual- affective energy that herbalists draw upon and in the ontological implications of human/nonhuman crossings. This book is an excellent contribution to our understanding of Western herbal medicine and contemporary thought." - Dr Stuart McClean, PhD. Associate Professor in Public Health (Health and Wellbeing), University of the West of England"In the field of herbal medicine, few seem to know their history and the lessons it teaches us. In The Enchantment of Western Herbal Medicine, Dr Guy Waddell not only provides the reader with a detailed history of the trials and triumphs of British Phytotherapy, but also travels into uncharted territory looking at how herbalists come to find their passion for plants and the use of them to help heal others. This is a new area of research and exploring the entryways to practice though interviews and clinician narratives is both a fascinating undertaking and a unique way of understanding our own motivations and experiences as herbalists." - David Winston, RH(AHG), DSc (hc), author of Adaptogens; Herbs for Strength, Stamina and Stress Relief"Both compelling and challenging, Guy Waddell's unique book is filled with the voices of herbalists and makes essential reading for anyone on their own journey into herbalism or those interested in human- plant relationships. Here is a much-needed roadmap for all who are exploring the diverse choices between ancient and modern, science and tradition, evidence and intuition, and human and nonhuman agency. My congratulations to the author for so brilliantly signposting the fundamental unity that resides at the heart of herbal practice." - Phil Deakin. President of the National Institute of Medical Herbalists

An exploration of how Senegal has decolonised its cultural heritage sites since independence, many of which are remnants of the French empire.

An exploration of mathematical style through 99 different proofs of the same theorem This book offers a multifaceted perspective on mathematics by demonstrating 99 different proofs of the same theorem. Each chapter solves an otherwise unremarkable equation in distinct historical, formal, and imaginative styles that range from Medieval, Topological, and Doggerel to Chromatic, Electrostatic, and Psychedelic. With a rare blend of humor and scholarly aplomb, Philip Ording weaves these variations into an accessible and wide-ranging narrative on the nature and practice of mathematics. Inspired by the experiments of the Paris-based writing group known as the Oulipo—whose members included Raymond Queneau, Italo Calvino, and Marcel Duchamp—Ording explores new ways to examine the aesthetic possibilities of mathematical activity. 99 Variations on a Proof is a mathematical take on Queneau’s Exercises in Style, a collection of 99 retellings of the same story, and it draws unexpected connections to everything from mysticism and technology to architecture and sign language. Through diagrams, found material, and other imagery, Ording illustrates the flexibility and creative potential of mathematics despite its reputation for precision and rigor. Readers will gain not only a bird’s-eye view of the discipline and its major branches but also new insights into its historical, philosophical, and cultural nuances. Readers, no matter their level of expertise, will discover in these proofs and accompanying commentary surprising new aspects of the mathematical landscape.