Vodou Things

Pierrot Barra and his wife Marie Cassaise are the most astonishing artists that the author of this fascinating book has encountered in more than a decade of researching Vodou in Haiti. Inspired by dreams and psychic visions of Vodoun divinities, the couples' sculptures combine distant memories of Africa, the imagery of Catholic saints, Masonic regalia, and Hollywood Kitsch. 48 full-color photos.

The essays in this volume explore how two domains of human experience and action--religion and technology--are implicated in each other. Contrary to commonsense understandings of both religion (as an "otherworldly" orientation) and technology (as the name for tools, techniques, and expert knowledges oriented to "this" world), the contributors to this volume challenge the grounds on which this division has been erected in the first place. What sorts of things come to light when one allows religion and technology to mingle freely? In an effort to answer that question, Deus in Machina embarks upon an interdisciplinary voyage across diverse traditions and contexts where religion and technology meet: from the design of clocks in medieval Christian Europe, to the healing power of prayer in premodern Buddhist Japan, to 19th-century Spiritualist devices for communicating with the dead, to Islamic debates about kidney dialysis in contemporary Egypt, to the work of disability activists using documentary film to reimagine Jewish kinship, to the representation of Haitian Vodou on the Internet, among other case studies. Combining rich historical and ethnographic detail with extended theoretical reflection, Deus in Machina outlines new directions for the study of religion and/as technology that will resonate across the human sciences, including religious studies, science and technology studies, communication studies, history, anthropology, and philosophy.

The word “possession” is anything but transparent, especially as it developed in the context of the African Americas. There it referred variously to spirits, material goods, and people. It served as a watershed term marking both transactions in which people were made into things—via slavery—and ritual events by which the thingification of people was revised. In Spirited Things, Paul Christopher Johnson gathers together essays by leading anthropologists in the Americas that reopen the concept of possession on these two fronts in order to examine the relationship between African religions in the Atlantic and the economies that have historically shaped—and continue to shape—the cultures that practice them. Exploring the way spirit possessions were framed both by material things—including plantations, the Catholic church, the sea, and the phonograph—as well as by the legacy of slavery, they offer a powerful new way of understanding the Atlantic world.

Haitian Vodou is a fascinating spiritual tradition rich with ceremonies and magic, songs and prayers, dances and fellowship. Yet outside of Haiti, next to no one understands this joyous and profound way of life. ln Haitian Vodou, Mambo Chita Tann explores the historical roots and contemporary practices of this unique tradition, including discussions of: Customs, beliefs, sacred spaces, and ritual objects Characteristics and behaviors of the Lwa, the spirits served by Vodou practitioners Common misconceptions such as "voodoo dolls" and the zombie phenomenon Questions and answers for attending ceremonies and getting involved in a sosyete (Vodou house) Correspondence tables, Kreyol glossary, supplemental prayer texts, and an extensive list of reference books and online resources Well-researched, comprehensive, and engaging, Haitian Vodou will be a welcome addition for people new to Haitian spirituality as well as for students, practitioners, and academics.

Throughout Haitian history—from 17th century colonial Saint-Domingue to 21st century postcolonial Haiti—arguably, the Afro-Haitian religion of Vodou has been represented as an “unsettling faith” and a “cultural paradox,” as expressed in various forms and modes of Haitian thought and life including literature, history, law, politics, painting, music, and art. Competing voices and conflicting ideas of Vodou have emerged from each of these cultural symbols and intellectual expressions. The Vodouist discourse has not only pervaded every aspect of the Haitian life and experience, it has defined the Haitian cosmology and worldview. Further, the Vodou faith has had a momentous impact on the evolution of Haitian intellectual, aesthetic, and literary imagination; comparatively, Vodou has shaped Haitian social ethics, sexual and gender identity, and theological discourse such as in the intellectual works and poetic imagination of Jean Price-Mars, Dantes Bellegarde, Jacques Roumain, Jacques Stephen Alexis, etc. Similarly, Vodou has shaped the discourse on the intersections of memory, trauma, history, collective redemption, and Haitian diasporic identity in Haitian women’s writings such as in the fiction of Edwidge Danticat, Myriam Chancy, etc. The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche. The contributors of this book examine this constructed narrative from a multicultural voice that engages critically the discipline of ethnomusicology, drama, performance, art, anthropology, ethnography, economics, literature, intellectual history, philosophy, psychology, sociology, religion, and theology. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.

This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.

Moving stories of life in a country enduring an ongoing crisis Seven years after the deadliest earthquake in the history of the Western Hemisphere struck Haiti, the island nation remains in crisis, all but ignored by the international community. At the center of this crisis is Lavil—“The City” in Kreyol, as Port-au-Prince is known to Haitians—the cultural, political, and economic capital of Haiti and home to over 2.5 million resilient souls. This immersive and engrossing oral history collection gives voice to the continuing struggle of Haitian people to live, love and prosper while trying to rebuild their city and country after disasters both natural and man-made. Among the narrators: Juslene, who moved to Port-au-Prince as a child for educational opportunities but was instead forced to work as a restavek—an unpaid servant—and who maintains unwavering hope despite the loss of her family when the city was destroyed. Johnny and Denis, a teacher and his younger brother, who spent years hustling for work and looking out for each other in one of the city’s sprawling post-earthquake tent camps. Lamothe, a wry and well-read expert on Haiti’s clean water crisis, who is one of the many Port-au-Prince citizens dedicated to rebuilding his city and nation.

A working guide to the proper methods of interacting with the full Vodou pantheon • Includes the myths, cultural heritage, and ancestral lineage of the lwa and how to honor and serve them • Provides an introduction and guide that is especially useful for the solitary practitioner • Discusses the relationship between Vodou, Haitian culture, and Catholicism In The Haitian Vodou Handbook, Kenaz Filan, an initiate of the Société la Belle Venus, presents a working guide to the proper methods of interacting with the full Vodou pantheon, explaining how to build respectful relationships with the lwa, the spirits honored in Haitian Vodou, and how to transform the fear that often surrounds the Vodou religion. Until recently, the Haitian practice of Vodou was often identified with devil worship, dark curses, and superstition. Some saw the saint images and the Catholic influences and wrote Vodou off as a “Christian aberration.” Others were appalled by the animal sacrifices and the fact that the Houngans and Mambos charge money for their services. Those who sought Vodou because they believed it could harness “evil” forces were disappointed when their efforts to gain fame, fortune, or romance failed and so abandoned their “voodoo fetishes.” Those who managed to get the attention of the lwa, often received cosmic retaliation for treating the spirits as attack dogs or genies, which only further cemented Vodou’s stereotype as “dangerous.” Filan offers extensive background information on the featured lwa, including their mythology and ancestral lineage, as well as specific instructions on how to honor and interact fruitfully with those that make themselves accessible. This advice will be especially useful for the solitary practitioner who doesn’t have the personal guidance of a societé available. Filan emphasizes the importance of having a quickened mind that can read the lwa’s desires intuitively in order to avoid establishing dogma-based relationships. This working guide to successful interaction with the full Vodou pantheon also presents the role of Vodou in Haitian culture and explores the symbiotic relationship Vodou has maintained with Catholicism.