Volume 7 Tome Iii Kierkegaard And His Danish Contemporaries Literature Drama And Aesthetics

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, FÃ]drelandet, and KjÃ, benhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome III is dedicated to the diverse Danish sources that fall under the rubrics "Literature, Drama and Aesthetics." The Golden Age is known as the period when Danish prose first established itself in genres such as the novel; moreover, it was also an age when some of Denmark's most celebrated national poets flourished. Accordingly, this tome contains articles on Kierkegaard's use of the great Danish poets and prose writers, whose works are frequently quoted and alluded to throughout his writings. Kierkegaard regularly attended dramatic performances at Copenhagen's Royal Theater, which was one of Europe's leading playhouses at the time. In this tome his appreciation for the art of Denmark's best-known actors and actresses is traced. Finally, this tome features articles on the leading literary critics and aesthetic theorists of the Golden Age, who served as foils for Kierkegaard's own ideas.

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome III is dedicated to the diverse Danish sources that fall under the rubrics "Literature, Drama and Aesthetics." The Golden Age is known as the period when Danish prose first established itself in genres such as the novel; moreover, it was also an age when some of Denmark's most celebrated national poets flourished. Accordingly, this tome contains articles on Kierkegaard's use of the great Danish poets and prose writers, whose works are frequently quoted and alluded to throughout his writings. Kierkegaard regularly attended dramatic performances at Copenhagen's Royal Theater, which was one of Europe's leading playhouses at the time. In this tome his appreciation for the art of Denmark's best-known actors and actresses is traced. Finally, this tome features articles on the leading literary critics and aesthetic theorists of the Golden Age, who served as foils for Kierkegaard's own ideas.

The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence.Tome III is dedicated to the diverse Danish sources that fall under the rubrics Literature, Drama and Aesthetics. The Golden Age is known as the period when Danish prose first established itself in genres such as the novel; moreover, it was also an age when some of Denmark's most celebrated national poets flourished. Accordingly, this tome contains articles on Kierkegaard's use of the great Danish poets and prose writers, whose works are frequently quoted and alluded to throughout his writings. Kierkegaard regularly attended dramatic performances at Copenhagen's Royal Theater, which was one of Europe's leading playhouses at the time. In this tome his appreciation for the art of Denmark's best-known actors and actresses is traced. Finally, this tome features articles on the leading literary critics and aesthetic theorists of the Golden Age, who served as foils for Kierkegaard's own ideas.

The period of Kierkegaard's life corresponds to Denmark's "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark's most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard's thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome I is dedicated to exploring the sources that fall under the rubrics, "Philosophy, Politics and Social Theory." With regard to philosophy, Kierkegaard read the works of all the foremost Danish thinkers of the time and their German antecedents, in particular Kant, Schilling and Hegel. While he was sympathetic to individual ideas offered by this tradition, he was generally keen to criticize the German model of philosophy and to propose a new paradigm for philosophical thought that was more in tune with lived existence. Kierkegaard also experienced the dynamic period in history that saw the great upheavals throughout Europe in connection with the revolutions of 1848 and the First Schleswig War. While it has long been claimed that Kierkegaard was not interested in politics, recent research supports a quite different picture. To be sure, he cannot be regarded as a political scientist or social theorist in a traditional sense, but he was nonetheless engaged in the issues of his day, and in his works one can certainly find material that can be insightful for the fields of politics and social theory.

This last volume of Kierkegaard Research: Sources, Reception and Resources is a cumulative index to all the volumes of the series. The series was originally designed in a systematic fashion in order to make it as easily usable and accessible as possible. The individual parts of the series and the individual volumes have been organized to make it generally fairly simple to locate the main articles relevant for one’s research interests. However, the placement of some individual articles might not always be completely self-evident. Moreover, the sheer mass of material and information provided by the series makes a cumulative index a necessary accompanying resource. Further, given the scope of the series, it was inevitable that some names or topics are mentioned more than once in the series in different places beyond the main article ostensibly dedicated to them. The purpose of these indices is thus to help the readers to find an easy and direct way to the topics of their interest in the rich universe of Kierkegaard research. The material of the indices is divided into three tomes: Tome I is the Index of Names from A to K, Tome II covers the Index of Names from L to Z, while Tome III consists of the Index of Subjects and includes a complete overview of all the volumes, tomes and articles of the series.

Cover -- Half Title -- Title -- Copyright -- Contents -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, L-Z

Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, A-K

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.