Waddle Like A Duck

It's time to play let's pretend--and walk like the animals! Show how well you can mimic our friends in the wild, five different creatures are hiding behind the flaps, all surrounded by their natural environments. Who is waddling by the pond? Golden-yellow ducks are passing by a blue pond, ringed by lime-green frogs, a flowery garland, and a tropical sky. Who is nibbling at the leaves--well, only a giraffe that tall! Streeeeeetch that neck as far as you can. And right near the koalas, bouncing up and down, is a kangaroo with a little baby tucked tightly in her pouch. Hens peck in the yard, near smaller fuzzy chicks, and in the branches, not too far from a butterfly, a slithering snake unfolds and wraps itself around them. Children will have tons of fun twisting and stretching and bending their bodies--while they learn animal facts and names and enjoy reading! 10 pages (all in color), 7 3/8 x 7 3/8.

A determined duck pleads for grapes at the most unlikely of places: a lemonade stand. The story and song in this comical, musical picture book will delight both adults and children, who can play the song aloud while learning important lessons about persistence and compassion.

Duck & Goose fans of every age will want to honk, quack, dance and sing along with the New York Times bestselling pair in this fun board book, which includes a link to an original Duck & Goose song! Now an animated series, available to stream on Apple TV+! Want to learn the Duck & Goose song and dance? Join Duck & Goose at their dance party! With easy-to-follow moves, like first jump forward and then jump back, Duck & Goose, Let’s Dance! is sure to get little bodies wiggling. This lively board book features lyrics from an original song by Lauren Savage and Ross Gruet, so put on your dancing shoes and get ready to “walk like a duck, honk like a goose, and flap your fuzzy tail feathers, too.” Here’s the perfect addition to any Duck & Goose library. To download the Duck & Goose song, visit duckandgoosesong.com.

No other nonhuman source has served as the basis for more metaphors than animals. Speaking of Animals is a dictionary of animal metaphors that are current in American English. It is comprehensive, historical, and metaphor-based. Each entry refers to the other dictionaries that catalog that same metaphor, and the dates of first appearance in writing are supplied, where possible, for both the metaphor and the name of the source. The main text is organized alphabetically by metaphor rather than by animal or animal behavior; all the metaphors are classified according to their animal source in a list at the end of the book. An animal metaphor is a word, phrase, or sentence that expresses a resemblance or similarity between someone or something and a particular animal or animal class. True metaphors are single words, such as the noun tiger, the verb hog, and the adjective chicken. Phrasal metaphors combine true metaphors with other words, such as blind tiger, hog the road, and chicken colonel. Other animal metaphors take the form of similes, such as like rats leaving a sinking ship and prickly as a hedgehog. Still others take the form of proverbs, such as Don't count your chickens before they hatch and Let sleeping dogs lie. The horse is the animal most frequently referred to in metaphors, followed closely by the dog. The Bible is the most prolific literary source of animal metaphors, followed closely by Shakespeare.

The purpose of this volume is to "unseal" or reveal the mysteries in the prophecy of Daniel. The book of Daniel is the ONLY example in the entire bible of a prophecy that was "shut up" and/or "sealed" in antiquity. This is a mysterious phrase and is the reason the book is NOT well understood to the present time. The "shutting up" or "sealing" of the book must mean that the full and complete MEANING of the prophecy would NOT be revealed to the understanding of men. That is, until the arrival of a time period called "the time of the end." (See Dan. 12:9) This appears to be the exact case because there are things in the prophecy that clearly have NOT been correctly understood to this very day. Examples of these misunderstood things in the prophecy include: (1) The meaning of the phrase, "the time of the end." (2) The historical identity of the "willful king" of Dan. 11:36. (3) The true meaning of the word "indignation" in 8:19 & 11:36. (4) The historical connection between the "sale of the land" in 11:39 AND the "willful king" of 11:36. (5) The separation of the prophecy between ancient and modern. This approximate1900 years time span is seen between 11:39 and 40. . The first mention of "sealing" is seen in 8:26, where the Archangel Gabriel instructs Daniel to "shut thou up the vision, for it shall be for many days." Gabriel is referring to Daniel's vision of chapter 8. It seems the "shutting up" of that vision contributes to the later "sealing" of the entire book. In 12: 4, the Archangel Gabriel instructed Daniel to "shut up the words and seal the, BOOK ( even) to the time of the end." (KJV) Note: The word "even" is a suppled word as it does not appear in the original. The Septuagint (LXX) uses the word "to" instead of "even." Gabriel instructed Daniel to seal the book in 12:4, but he tells Daniel in 12:9 to-- : "Go thy way, Daniel: for the words are closed up and sealed till the time of the end." Gabriel must have assumed that Daniel had effectively "sealed" the book according to his previous instructions. The mysterious phrase "the time of the end' is mentioned 5 times in the prophecy. Some writers have said this is a short period of several decades time that will occur just before the end of human history on earth. However, one must assume from these verses that the TRUE MEANING of the prophecy would then be fully understood at or during the "time of the end." Most writers have assumed the existence of only ONE "time of the end" in the book. However, it is easily proved there are two such periods and they are parallels of each other. The first period occurred at the end of the Jewish "era." The second period will occur at the end of the Gentile "era." The present volume is a calculated attempt to "unseal" the prophecy. One reason for this idea is that the world now "lives" in the last "time of the end." After all, the prophecy states that it would be "sealed to the time of the end." The clear inference is that it would be "unsealed" at (or during( that time period. Because of a decades long, prayerful and diligent historical search, every mystery in the prophecy has now been revealed in the present volume. The prophecy can now be fully understood for the first time since the archangel Gabriel (and Daniel) "sealed" it over 2000 years ago.

Early in his life, John Walsh made a commitment that he would do whatever the Lord told him to do, even if he didn't understand why. This commitment provided a foundation for his life. He has followed God's direction from the heartland of America to a bustling market in Cambodia, from a bus in Jerusalem to a water taxi in Bangkok. John doesn't seek God's direction in every decision he makes, but he has found that God steps in whenever he needs to change course. This book tells about a few times when God interfered with John's plans. This usually brought about a battle of wills between a man and the master of his destiny. The stories of these struggles are written in a casual, authentic voice that invites you to pour a cup of coffee and join John on the front porch. He will touch your heart with his hard-earned insights and delight you with his adventures around the world.

Mit Ruby on Rails hat eine völlig neue Denkweise in der Web-Entwicklung Einzug gehalten. Das Buch versetzt Programmierer in die Lage, in kurzer Zeit Designs zu erstellen und konzise Codes zu programmieren - elegant und wartungsfreundlich. Das Buch benennt und beschreibt grundlegende Designstrategien, die aus dem New Web hervorgingen, und demonstriert deren Anwendung mit Ruby-on-Rails-basierten Beispielen. Zentrale Ziele des Buches sind es, zum einen aus guten Rails-Programmierern perfekte Rails-Designer zu machen, zum anderen Entwickler, die mit anderen Frameworks arbeiten, die Designstrategien von Rails zu erläutern, damit sie diese für ihre Entwicklungsprojekte souverän einsetzen können. Das Buch ist in der Sprache der Rails-Community verfasst. Ausführlich dargestellt werden u. a. REST-basiertes Design, Ajax oder Web-Services. Das Werk wird ohne Zweifel seinen festen Platz in der Rails-Literatur einnehmen: als Grundlagenwerk moderner Web-Designs, das für Ruby-on Rails-Entwickler schon bald unverzichtbar sein wird.

Living with Myasthenia Gravis: The Struggle Is Real: This Is My Story By: C.M. Lewis Being diagnosed with Myasthenia Gravis, or MG for short, C.M. Lewis shares this true story of her experience with this invisible rare non-contagious autoimmune disease. Having this illness takes considerable strength, as it tirelessly attacks her body, but C.M. Lewis proves that she is a warrior and is motivational for those who may be experiencing this illness as well.