Waiting For Godot And Endgame

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett's "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.

Gathers together interpretations of Beckett's best-known plays, illustrating a range of theoretical approaches from deconstruction to reader-response theory, psychoanalysis and feminism. Steven Connor has written books on Dickens, Beckett and Postmodernist culture.

The Icon Readers' Guides series assembles a comprehensive collection of extracts from critical essays, reviews and articles, providing the reader with ready access to the most influential writings on a single text, or related texts.

The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book, first published in 1994, provides thirteen introductory essays on every aspect of Beckett's work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the 'trilogy' and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett's bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.

Four characters play a game of life, concluding with the exit of one character and the immobility of the remaining three, in a study of man's relationship to his fellows

Samuel Beckett was awarded the Nobel Prize for Literature in 1969; his literary output of plays, novels, stories and poetry has earned him an uncontested place as one of the greatest writers of our time. Endgame, originally written in French and translated into English by Beckett himself, is considered by many critics to be his greatest single work. A pinnacle of Beckett’s characteristic raw minimalism, it is a pure and devastating distillation of the human essence in the face of approaching death.

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett’s "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.

Gathers together interpretations of Beckett's best-known plays, illustrating a range of theoretical approaches from deconstruction to reader-response theory, psychoanalysis and feminism. Steven Connor has written books on Dickens, Beckett and Postmodernist culture.