Warrior Nation

Explores the ominous campaign to change a nation's definition of itself

By fending off repeated assaults on their land and governance, the Ojibwe people of Red Lake have retained cultural identity and maintained traditional ways of life.

During the century following George Washington’s presidency, the United States fought at least forty wars with various Indian tribes, averaging one conflict every two and a half years. Warrior Nations is Roger L. Nichols’s response to the question, “Why did so much fighting take place?” Examining eight of the wars between the 1780s and 1877, Nichols explains what started each conflict and what the eight had in common as well as how they differed. He writes about the fights between the United States and the Shawnee, Miami, and Delaware tribes in the Ohio Valley, the Creek in Alabama, the Arikara in South Dakota, the Sauk and Fox in Illinois and Wisconsin, the Dakota Sioux in Minnesota, the Cheyenne and Arapaho in Colorado, the Apache in New Mexico and Arizona, and the Nez Perce in Oregon and Idaho. Virtually all of these wars, Nichols shows, grew out of small-scale local conflicts, suggesting that interracial violence preceded any formal declaration of war. American pioneers hated and feared Indians and wanted their land. Indian villages were armed camps, and their young men sought recognition for bravery and prowess in hunting and fighting. Neither the U.S. government nor tribal leaders could prevent raids, thievery, and violence when the two groups met. In addition to U.S. territorial expansion and the belligerence of racist pioneers, Nichols cites a variety of factors that led to individual wars: cultural differences, border disputes, conflicts between and within tribes, the actions of white traders and local politicians, the government’s failure to prevent or punish anti-Indian violence, and Native determination to retain their lands, traditional culture, and tribal independence. The conflicts examined here, Nichols argues, need to be considered as wars of U.S. aggression, a central feature of that nation’s expansion across the continent that brought newcomers into areas occupied by highly militarized Native communities ready and able to defend themselves and attack their enemies.

The author of Sparta: Rise of a Warrior Nation continues his revealing history of the Ancient Greek city-state in this chronicle of its decline and defeat. Universally admired in 479 BC, the Spartans became masters of the Greek world by 402 BC, only for their state to collapse in the next generation. What went wrong? Was the fall of Sparta inevitable? In Sparta: Fall of a Warrior Nation, Philip Matyszak examines the political blunders and failures of leadership which combined with unresolved social issues to bring down the nation—even as its warriors remained invincible on the battlefield. The Spartans believed their society was above the changes sweeping their world. And by resisting change, they were doomed to be overwhelmed by it. But the Spartans refused to accept total defeat, and for many years their city exercised influence far beyond its size and population. This is a chronicle of political failure—one rich in heroes, villains, epic battles and political skullduggery. But it is also a lesson in how to go down fighting. Even with the Roman legions set to overwhelm their city, the Spartans never gave up

Once known for peacekeeping, Canada is becoming a militarized nation whose apostles—-the New Warriors-—are fighting to shift public opinion. New Warrior zealots seek to transform postwar Canada’s central myth-symbols. Peaceable kingdom. Just society. Multicultural tolerance. Reasoned public debate. Their replacements? A warrior nation. Authoritarian leadership. Permanent political polarization. The tales cast a vivid light on a story that is crucial to Canada’s future; yet they are also compelling history. Swashbuckling marauder William Stairs, the Royal Military College graduate who helped make the Congo safe for European pillage. Vimy Ridge veteran and Second World War general Tommy Burns, leader of the UN’s first big peacekeeping operation, a soldier who would come to call imperialism the monster of the age. Governor General John Buchan, a concentration camp developer and race theorist who is exalted in the Harper government’s new Citizenship Guide. And that uniquely Canadian paradox, Lester Pearson. Warrior Nation is an essential read for those concerned by the relentless effort to conscript Canadian history.

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

In a moment where unlawful pipelines are built on Indigenous territories, the RCMP make illegal arrests of land defenders on unceded lands, and anti-Indigenous racism permeates on social media; the government lie that is reconciliation is exposed. Renowned lawyer, author, speaker and activist, Pamela Palmater returns to wade through media headlines and government propaganda and get to heart of key issues lost in the noise. Warrior Life: Indigenous Resistance and Resurgence is the second collection of writings by Palmater. In keeping with her previous works, numerous op-eds, media commentaries, YouTube channel videos and podcasts, Palmater’s work is fiercely anti-colonial, anti-racist, and more crucial than ever before. Palmater addresses a range of Indigenous issues — empty political promises, ongoing racism, sexualized genocide, government lawlessness, and the lie that is reconciliation — and makes the complex political and legal implications accessible to the public. From one of the most important, inspiring and fearless voices in Indigenous rights, decolonization, Canadian politics, social justice, earth justice and beyond, Warrior Life is an unflinching critique of the colonial project that is Canada and a rallying cry for Indigenous peoples and allies alike to forge a path toward a decolonial future through resistance and resurgence.

War has always been close to the centre of British culture, but never more so than in the period since 1850. Warrior Nation explores the way in which images of battle, both literary and visual, have been constructed in British fiction and popular culture since this time. The rise of war reporting has helped to shape a society fascinated by conflict, and the development of mass communications has aided in the creation of mass-produced martial heroes and the relation of epic adventures for political ends. To achieve national goals, the notion of war has been promoted as an activity of high adventure and chivalrous enterprise and as a rite of passage to manhood. Using a wide range of media, Michael Paris focuses on how war has been "sold" to boys and young men and examines the "warrior" as a masculine ideal.