Watching Women S Liberation 1970

In 1970, ABC, CBS, and NBC--the “Big Three” of the pre-cable television era--discovered the feminist movement. From the famed sit-in at Ladies’ Home Journal to multi-part feature stories on the movement's ideas and leaders, nightly news broadcasts covered feminism more than in any year before or since, bringing women's liberation into American homes. In Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News, Bonnie J. Dow uses case studies of key media events to delve into the ways national TV news mediated the emergence of feminism's second wave. First legitimized as a big story by print media, the feminist movement gained broadcast attention as the networks’ eagerness to get in on the action was accompanied by feminists’ efforts to use national media for their own purposes. Dow chronicles the conditions that precipitated feminism's new visibility and analyzes the verbal and visual strategies of broadcast news discourses that tried to make sense of the movement. Groundbreaking and packed with detail, Watching Women's Liberation, 1970 shows how feminism went mainstream--and what it gained and lost on the way.

Selected by Choice magazine as an Outstanding Academic Title Dow discusses a wide variety of television programming and provides specific case studies of The Mary Tyler Moore Show, One Day at a Time, Designing Women, Murphy Brown, and Dr. Quinn, Medicine Woman. She juxtaposes analyses of genre, plot, character development, and narrative structure with the larger debates over feminism that took place at the time the programs originally aired. Dow emphasizes the power of the relationships among television entertainment, news media, women's magazines, publicity, and celebrity biographies and interviews in creating a framework through which television viewers "make sense" of both the medium's portrayal of feminism and the nature of feminism itself.

From the late 1960s to the mid-1980s, in the midst of the Cold War and second-wave feminism, the RCMP security service – prompted by fears of left-wing and communist subversion – monitored and infiltrated the women’s liberation movement in Canada and Quebec. Just Watch Us investigates why and how this movement was targeted, weighing carefully the presumed threat its left-wing ties presented to the Canadian government against the defiant challenge its campaign for gender equality posed to Canadian society. Based on a close reading of thousands of pages of RCMP documents declassified under Canada’s Access to Information Act and the corresponding Privacy Act, Just Watch Us demonstrates that the security service’s longstanding anti-Communist focus distorted its threat assessment of feminist organizing. Combining gender analysis and critical approaches to state surveillance, Christabelle Sethna and Steve Hewitt consider the machinations of the RCMP, including its bureaucratic evolution, intelligence-gathering operations, and impact, as well as the evolution of the women’s liberation movement from its broad transnational influences to its elusive quest for unity among women across lines of ideology and identity. Significantly, the authors also grapple with the historiographical, methodological, and ethical difficulties of working with declassified security documents and sensitive information. A sharp-eyed inquiry into spy policies and tactics in Cold War Canada, Just Watch Us speaks to the serious political implications of state surveillance for social justice activism in liberal democracies.

Seminar paper from the year 2003 in the subject Cultural Studies - Basics and Definitions, grade: 1,7 (A-), University of Heidelberg (Institute for Translation, Heidelberg), course: Bad Girls, New Men': Gender in Britain Since 1960, 42 entries in the bibliography, language: English, abstract: The analysis "The Womens Movement in the 70s" examines the rising of the Women's Liberation Movement in the 1970s in Britain; it discusses and debates the different steps taken by women towards greater freedom and the continual fight for their rights. It does not only focus on the achievements made in this time, but also points out the change the Liberation Movement underwent and the conflicts which arose as a consequence of it.

A personal history of life, love and women’s liberation In this powerful memoir Sheila Rowbotham looks back at her life as a participant in the women’s liberation movement, left politics and the creative radical culture of a decade in which freedom and equality seemed possible. She reveals the tremendous efforts that were made to transform attitudes and feelings, as well as daily life. After addressing the first British Women’s Liberation Conference at Ruskin College, Oxford in 1970, she went on to encourage night cleaners to unionise, to campaign for nurseries and abortion rights. She played an influential role in discussions of socialist feminist ideas and her books and journalism attracted an international readership. Written with generosity and humour Daring to Hope recreates grassroots networks, communal houses and squats, bringing alive a shared impetus to organise collectively and to love without jealousy or domination. It conveys the shifts occurring in politics and society through kernels of personal experience. The result is a book about liberation in the widest sense.

"The story of the U.S. women's movement and television in the 1970s has been told primarily in two, often coordinating, ways: through feminist reform efforts that originated outside of the television industry and through feminist impact on on-air representations of women. Producing Feminism augments these accounts by exploring the effects of the women's movement on television production. Centering women who worked in television across a variety of occupations--including writers, producers, clerical staff, researchers, consultants, hosts, actors, and commentators--illustrates the changes they brought to workplace dynamics and protocols and norms of making television. These workers' interventions demonstrate the need to look at work processes and experiential qualities of television workplaces, along with onscreen representations that emerge from these sites of production, to understand more fully how feminism affected television. Research conducted for Producing Feminism features archival research and interviews; these materials reveal feminist influences on television that were not always visible to the public nor manifested onscreen, the conditions of television workplaces and experiences of women working in television, and the myriad strategies women workers used to reform the industry"--

In this richly detailed firsthand history of the contemporary Women's Liberation Movement (WLM), scholar-activist Carol Giardina argues against the prevalent belief that the movement grew out of frustrations over the male chauvinism experienced by WLM founders active in the Black Freedom Movement and the New Left. Instead, she contends, it was the ideas, resources, and skills that women gained in these movements that were the new and necessary catalysts for forging the WLM in the 1960s. Giardina uses a focused study of the WLM in Florida to tap into the common theory and history shared by a relatively small band of Women's Liberation founders across the country. Drawing on a wealth of interviews, autobiographical essays, organizational records, and published writings, Freedom for Women brings to light information that has been previously ignored in other secondary accounts about the leadership of African American women in the movement. It also explores activists' roots in other movements on the left. Comprehensive, serendipitous, and carefully formulated, Giardina's work is a vivid portrait of the people and events that shaped radical feminism.

Chronology of events--The women's liberation movement explained--The view from the past--Equal rights, NOW!--:The women's liberation movement,1967-1977--The feminist agenda,1970-1980--Biographies: the women who shaped the women's liberation movement--Primary documents of the women's liberation movement.