We Created Ch Vez

Poets and Prophets of the Resistance offers a ground-up history and fresh interpretation of the polarization and mobilization that brought El Salvador to the eve of civil war in 1980. Challenging the dominant narrative that university students and political dissidents primarily formed the Salvadoran guerrillas, Joaquín Chávez argues that El Salvador's socioeconomic and political crises of the 1970s fomented a groundswell of urban and peasant intellectuals who collaborated to spur larger revolutionary social movements. Drawing on new archival sources and in-depth interviews, Poets and Prophets of the Resistance contests the idea that urban militants and Roman Catholic priests influenced by Liberation Theology single-handedly organized and politicized peasant groups. Chávez shows instead how peasant intellectuals acted as political catalysts among their own communities first, particularly in the region of Chalatenango, laying the groundwork for the peasant movements that were to come. In this way, he contends, the Salvadoran insurgency emerged in a dialogue between urban and peasant intellectuals working together to create and execute a common revolutionary strategy--one that drew on cultures of resistance deeply rooted in the country's history, poetry, and religion. Focusing on this cross-pollination, this book introduces the idea that a "pedagogy of revolution" originated in this historical alliance between urban and peasant, making use of secular and Catholic pedagogies such as radio schools, literacy programs, and rural cooperatives. This pedagogy became more and more radicalized over time as it pushed back against the increasingly repressive structures of 1970s El Salvador. Teasing out the roles of little-known groups such as the politically active "La Masacuata" literary movement, the contributions of Catholic Action intellectuals to the New Left, and the overlooked efforts of peasant leaders, Poets and Prophets of the Resistance demonstrates how trans-class political and cultural interactions drove the revolutionary mobilizations that anticipated the Salvadoran civil war.

In Border Lives, Sergio Ch?vez moves past Tijuana's notorious image as a hub of sex, drugs, and crime to tell the story of the diverse group of individuals who use both sides of the U.S.-Mexico border as a resource to construct their livelihoods. Based on ethnographic observation and in-depth interviews, Ch?vez explores the complex and often contradictory ways in which the border influences the livelihood strategies and lifestyles of border crossers. The border shapes respondents' knowledge and relationships, controls their time, and allows them to convert U.S. wages into a Mexican standard of living without losing the social and cultural comforts of Tijuana-as-home. A substantial contribution to migration and labor studies, Border Lives provides empirical grounding to theories of how geographical borders shape human action.

Daniel and the author met during the summer of 2000, but it was not until two years later that Daniels extraordinary lifes journey was revealed. To Touch The Land is the true account of a foundling of Mexican descent, his struggles to escape physical and emotional abuse, his incredible crossing the border into the Western desert of the United States. To Touch The Land is a compelling story of survival of a teenager in a foreign country without knowledge of the language nor any official identity either in Mexico or the United States. Daniel exhorts us to recognize and treasure our American heritage and exposes the plight of the undocumented alien who has come to our shores by unconventional means. He asks us to look beyond the political demogoguery and see the humanity and frailty of those who ask to be woven into the great tapestry of our country and to contribute to as well as share in its greatness. He says, Its me, Daniel, your adopted son.

This book rethinks historical and contemporary theatre, performance, and cultural events by scrutinizing and theorizing the objects and things that activate stages, venues, environments, and archives.

This is the first book within the field of communication studies to map the terrain of Latina/o performance. Using rhetorical criticism and performance ethnography, the book examines performance from a variety of perspectives: from identity and community in everyday life, to how it intersects with popular culture. Discussions - from Ricky Martin to Chicana feminist pilgrimages to issues of diaspora - contribute to the book's argument that the relationship between rhetorical scholarship and emerging performance work has largely been ignored. Latina/o Communication Studies aims to challenge this split by creating a more complex and less Eurocentric understanding of rhetoric. This rich and informative book contributes to a more nuanced understanding of race and ethnicity and attests to the importance of Latina/o studies in the field of communication.