We Never Went To The Moon

This is the classic "We Never Went to the Moon" by Bill Kaysing, which kicked off the entire moon hoax craze of the 1970s. Bill Kaysing was head of the technical presentations unit at the Rocketdyne Propulsion Field Laboratory from 1956 to 1963. This period encompassed the major planning for the engine and components of the Apollo project. During this time, Kaysing held security clearances with the U.S. Air Force and the Atomic Energy Commission.

"NASA began to doctor photos three years before the Apollo missions landed men on the moon..."Our space shuttles routinely blast-off into orbit, to revolve around the earth. There is not a single doubt that man has made it into space.However, there is much doubt as to whether any man has ever gone beyond the radiation shield provided by the Van Allen Belt, which completely surrounds the planet.As the reader will learn from the chapter titled "Sunstroke," once beyond that Van Allen shield, space is riven with deadly radiation from the sun and other galactic bodies."NASA Mooned America!" is a unique book, and as such, it requires a different format. The old adage "a picture is worth a thousand words" still holds true, and so the author, the legendary and controversial conspiracy researcher Ralph Ren�, has produced four pages of NASA-derived photos that will absolutely prove that NASA began to doctor photos three years before the Apollo missions allegedly landed men on the moon."The book that started the whole moon hoax craze..." -MUFON Journal"A classic work about a classic conspiracy..." -UFO Magazine"A theory that still holds water today..." -Jesse Ventura

Official publication of the Royal Observatory Greenwich's major exhibition The Moon, marking the 50th anniversary of Neil Armstrong's 'one small step', with the Apollo 11 Moon Landing.

A universal story about speaking, listening, and being heard. Margot loves space. Astronauts, the stars, and especially the moon landing. So she can’t understand why all of her attempts to communicate her passion fall on disinterested ears. Her mom is patient but distracted; her classmates would rather play kickball; and her teacher just wants her to focus and pay attention in class. Even so, Margot wishes she never had to talk about anything but space ever again. When she wakes up one morning and discovers she can only recite Neil Armstrong’s famous speech from the moon landing, Margot realizes she has an even bigger problem. How can Margot get everyone to pay attention and—more importantly—to hear what she’s really trying to say? This powerful picture book debut plays with themes of listening and communication to highlight the importance of a space of one’s own, no matter what your passion may be.

One of the most successful public relations campaigns in history, featuring heroic astronauts, press-savvy rocket scientists, enthusiastic reporters, deep-pocketed defense contractors, and Tang. In July 1969, ninety-four percent of American televisions were tuned to coverage of Apollo 11's mission to the moon. How did space exploration, once the purview of rocket scientists, reach a larger audience than My Three Sons? Why did a government program whose standard operating procedure had been secrecy turn its greatest achievement into a communal experience? In Marketing the Moon, David Meerman Scott and Richard Jurek tell the story of one of the most successful marketing and public relations campaigns in history: the selling of the Apollo program. Primed by science fiction, magazine articles, and appearances by Wernher von Braun on the “Tomorrowland” segments of the Disneyland prime time television show, Americans were a receptive audience for NASA's pioneering “brand journalism.” Scott and Jurek describe sophisticated efforts by NASA and its many contractors to market the facts about space travel—through press releases, bylined articles, lavishly detailed background materials, and fully produced radio and television features—rather than push an agenda. American astronauts, who signed exclusive agreements with Life magazine, became the heroic and patriotic faces of the program. And there was some judicious product placement: Hasselblad was the “first camera on the moon”; Sony cassette recorders and supplies of Tang were on board the capsule; and astronauts were equipped with the Exer-Genie personal exerciser. Everyone wanted a place on the bandwagon. Generously illustrated with vintage photographs, artwork, and advertisements, many never published before, Marketing the Moon shows that when Neil Armstrong took that giant leap for mankind, it was a triumph not just for American engineering and rocketry but for American marketing and public relations.

From the time Neil Armstrong took his first small steps and said his first words, he wanted to travel in space. Although everyone told him it was impossible, he never gave up. Tom Saunders' lilting lyrics tell the story of Armstrong's life, right up to the 'small step' and 'giant leap'. Brought to life by the award-winning illustrator Cynthia Nugent, his story will inspire children and their parents alike.

As the dust settles on the 30th anniversary of Apollo 11, information is now coming to light that throws into serious doubt the authenticity of the Apollo record. New evidence clearly suggests that NASA hoaxed the photographs taken on the surface of the Moon. These disturbing findings are supported by detailed analysis of the Apollo images by professional photographer David S Percy ARPS and physicist David Groves PhD. The numerous inconsistencies clearly visible in the Apollo photographic account are quite irrefutable. Recent research indicates that the errors evidenced in DARK MOON were deliberately planted by individuals determined to leave clues to the faking in which they were unwillingly involved. DARK MOON is the answer to the question-did the Apollo missions really land a man on the Moon and return him alive and well to Earth, or is the record incorrect?