What Can I Say

Travis Barker’s soul-baring memoir chronicles the highlights and lowlights of the renowned drummer’s art and his life, including the harrowing plane crash that nearly killed him and his traumatic road to recovery—a fascinating never-before-told-in-full story of personal reinvention grounded in musical salvation and fatherhood. After breaking out as the acclaimed drummer of the multiplatinum punk band Blink-182, everything changed for Travis Barker. But the dark side of rock stardom took its toll: his marriage, chronicled for an MTV reality show, fell apart. Constant touring concealed a serious drug addiction. A reckoning did not truly come until he was forced to face mortality: His life nearly ended in a horrifying plane crash, and then his close friend, collaborator, and fellow crash survivor DJ AM died of an overdose. In this blunt, driving memoir, Barker ruminates on rock stardom, fatherhood, death, loss, and redemption, sharing stories shaped by decades’ worth of hard-earned insights. His pulsating memoir is as energetic as his acclaimed beats. It brings to a close the first chapters of a well-lived life, inspiring readers to follow the rhythms of their own hearts and find meaning in their lives.

All over the world, children are taught to say, “Thank you”. Surveys show that saying “Thank you” is ingrained in us from a very early age. Yet, the Bible says that in the last days men shall be unthankful! This beautiful work by the celebrated author, Dag Heward-Mills, teaches us how we can remain thankful, and describes what happens to those who do not give thanks. You will be blessed and encouraged to be amongst those who are thankful, as you browse through these anointed pages.

This book discusses the issues involved and so enables you to make your own informed decision.

Perfect for fans of See You in the Cosmos and Where the Watermelons Grow, author Jenn Bishop's latest novel tells the moving story of a boy determined to uncover the truth. Nothing is going right this summer for Drew. And after losing his dad unexpectedly three years ago, Drew knows a lot about things not going right. First, it’s the new girl Audrey taking over everything at the library, Drew’s sacred space. Then it’s his best friend, Filipe, pulling away from him. But most upsetting has to be the mysterious man who is suddenly staying with Drew’s family. An old friend of Mom’s? Drew isn’t buying that. With an unlikely ally in Audrey, he’s determined to get to the bottom of who this man really is. The thing is, there are some fears—like what if the person you thought was your dad actually wasn’t—that you can’t speak out loud, not to anyone. At least that’s what Drew thinks. But then again, first impressions can be deceiving.

Who of us cannot remember the pain and humiliation of being rejected by our classmates? However thick-skinned or immune to such assaults we may become as adults, the memory of those early exclusions is as palpable to each of us today as it is common to human experience. We remember the uncertainty of separating from our home and entering school as strangers and, more than the relief of making friends, we recall the cruel moments of our own isolation as well as those children we knew were destined to remain strangers. In this book Vivian Paley employs a unique strategy to probe the moral dimensions of the classroom. She departs from her previous work by extending her analysis to children through the fifth grade, all the while weaving remarkable fairy tale into her narrative description. Paley introduces a new rule—“You can’t say you can’t play”—to her kindergarten classroom and solicits the opinions of older children regarding the fairness of such a rule. We hear from those who are rejected as well as those who do the rejecting. One child, objecting to the rule, says, “It will be fairer, but how are we going to have any fun?” Another child defends the principle of classroom bosses as a more benign way of excluding the unwanted. In a brilliant twist, Paley mixes fantasy and reality, and introduces a new voice into the debate: Magpie, a magical bird, who brings lonely people to a place where a full share of the sun is rightfully theirs. Myth and morality begin to proclaim the same message and the schoolhouse will be the crucible in which the new order is tried. A struggle ensues and even the Magpie stories cannot avoid the scrutiny of this merciless pack of social philosophers who will not be easily caught in a morality tale. You Can’t Say You Can’t Play speaks to some of our most deeply held beliefs. Is exclusivity part of human nature? Can we legislate fairness and still nurture creativity and individuality? Can children be freed from the habit of rejection? These are some of the questions. The answers are to be found in the words of Paley’s schoolchildren and in the wisdom of their teacher who respectfully listens to them.

An essential guidebook for honing business communication skills... Communications expert Dianna Booher provides an essential nine-point checklist for success in the art of communication and persuasion—for building solid relationships, and for increasing credibility in the workplace. With lessons from politics, pop culture, business, family life, and current events, the book identifies common reasons that communicators fail to accomplish their goals, along with examples and analyses of messages that succeed and those that fail.

Tongue twisters abound in this classic Dr. Seuss Beginner Book! "Bed Spreaders spread spreads on beds. Bread Spreaders spread butter on breads. And that Bed Spreader better watch out how he's spreading . . . or that Bread Spreader's sure going to butter his bedding." This riotous collection weaves together a wonderment of words designed to twist the lips. Wordsmiths and beginning readers will love Oh Say Can You Say? and treasure tackling these tangled tongue teasers. Originally created by Dr. Seuss, Beginner Books encourage children to read all by themselves, with simple words and illustrations that give clues to their meaning.

Weary of saccharine stories and tired themes when reading poetry for children? Angered at seeing your children indoctrinated into adhering to patriarchy, neoliberal capitalism, and general compliance with authority each time they open a book of verse? I Can Say Interpellation remedies these problems by reconfiguring some of the best-known children's rhymes for political purpose. Taking French theorist Guy Debord's idea of detournement (a deflection or divergence of existing visual images and mass media), and applying it to children's poetry, experimental poet Stephen Cain redeploys the rhymes and images of well-known juvenile poems against their dominant messages. The result is a new poetic landscape where the Fox in Socks becomes Marx on a Box, where Goodnight Moon is a meditation on possible nuclear annihilation, and The Owl and the Pussycat features debates on the importance of pre-emptive military strikes to U.S. foreign policy. Humorous, yet politically insightful, I Can Say Interpellation is for very smart kidsï¿1/2and for adults who want to keep them that way.