What The Devil Knows

Sebastian St. Cyr thought a notorious killer had been brought to justice until a shocking series of gruesome new murders stuns the city in this thrilling historical mystery from the USA Today bestselling author of Who Speaks for the Damned. It's October 1814. The war with France is finally over and Europe's diplomats are convening in Vienna for a conference that will put their world back together. With peace finally at hand, London suddenly finds itself in the grip of a series of heinous murders eerily similar to the Ratcliffe Highway murders of three years before. In 1811, two entire families were viciously murdered in their homes. A suspect--a young seaman named John Williams--was arrested. But before he could be brought to trial, Williams hanged himself in his cell. The murders ceased, and London slowly began to breathe easier. But when the lead investigator, Sir Edwin Pym, is killed in the same brutal way three years later and others possibly connected to the original case meet violent ends, the city is paralyzed with terror once more. Was the wrong man arrested for the murders? Bow Street magistrate Sir Henry Lovejoy turns to his friend Sebastian St. Cyr, Viscount Devlin, for assistance. Pym's colleagues are convinced his manner of death is a coincidence, but Sebastian has his doubts. The more he looks into the three-year-old murders, the more certain he becomes that the hapless John Williams was not the real killer. Which begs the question--who was and why are they dead set on killing again?

Sebastian St. Cyr investigates the mysterious life and death of a nobleman convicted of murder in this enthralling new historical mystery from the USA Today bestselling author of Why Kill the Innocent.... It's June 1814, and the royal families of Austria, Russia, and the German states have gathered in London at the Prince Regent's invitation to celebrate the defeat of Napoléon and the restoration of monarchical control throughout Europe. But the festive atmosphere is marred one warm summer evening by the brutal murder of a disgraced British nobleman long thought dead. Eighteen years before, Nicholas Hayes, the third son of the late Earl of Seaford, was accused of killing a beautiful young French émigré and transported to Botany Bay for life. Even before his conviction, Hayes had been disowned by his father, and few in London were surprised when they heard the ne'er-do-well had died in disgrace in New South Wales. But those reports were obviously wrong. Recently Hayes returned to London with a mysterious young boy in tow--a child who vanishes shortly after Nicholas's body is discovered. Sebastian St. Cyr, Viscount Devlin, is drawn into the investigation by his valet, Jules Calhoun, an old friend of the dead man. With Calhoun's help, Sebastian begins to piece together the shattered life of the late Earl's ill-fated youngest son. Why did Nicholas risk his life and freedom by returning to England? And why did he bring the now-missing young boy with him? Several nervous Londoners had reason to fear that Nicholas Hayes had returned to kill them. One of them might have decided to kill him first.

The Devil Knows Latin is a provocative and illuminating examination of contemporary American culture. Its range is broad and fascinating. Whether discussing the importance of Greek and Latin syntax to our society, examining current trends in literary theory, education, and politics, or applying a classical perspective to contemporary films, Christian Kopff (Professor of Classics at the University of Colorado) is at home and on the mark. He outlines the perils and possibilities for America in the coming decades with learning and verve—demonstrating that the highway to a creative and free future begins as a Roman road.

Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes - and enjoy a hell of a life-style - but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. After a year spent in 'retirement' Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case - just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize. But that's OK; Castor knows how to deal with the dead. It's the living who piss him off . . .

In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy. Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook. That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black. Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap. But on the eve of his sure conviction arrives a fateful telephone call. It's not the governor, but his long-lost uncle, Aidan O'Connell. A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers. Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center. Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.

An audacious thriller from a major new talent Life isn't panning out for Maureen Coughlin. At twenty-nine, the tough-skinned Staten Island native's only excitement comes from . . . well, not much. A fresh pack of American Spirits, maybe, or a discreet dash of coke before work. If something doesn't change soon, she'll end up a "lifer" at the Narrows, the faux-swank bar where she works one long night after another. But just like the island, the Narrows has its seamy side. After work one night, Maureen walks in on a tryst between her co-worker Dennis and Frank Sebastian, a silver-haired politico. When Sebastian demands her silence, Maureen is more than happy to forget what she's seen—until Dennis turns up dead on the train tracks the next morning. The murder sends Maureen careening out of her stultifying routine and into fast-deepening trouble. Soon she's on the run through the seedy underbelly of the borough, desperate to stop Sebastian before Dennis's fate becomes her own. With The Devil She Knows, Bill Loehfelm has written a pitch-black thriller in a fresh, compulsively readable voice, with pages that turn themselves. This is the real deal: a breakout novel by a writer whom Publishers Weekly has praised for his "superb prose and psychological insights."

In the dead of night at the height of the 1692 Salem mania, a dying smallpox victim collapses in prison while visiting a witch condemned to hang - Mary Bradbury, the great ancestor of famed writer Ray Bradbury.A delirious old man, Hopestill Foster, is brought before the Rev. Cotton Mather, the infamous witch-hunter and the most powerful man in ancient Boston, for a very private interrogation. Mather is desperate for answers about Foster's past because he knows it ties into his own.Better had he not asked.Over the course of the prisoner telling his story to the cleric, 60 years of a terrible history unfolds, at the heart of which is a monstrous secret about Mather's family that must not be allowed to escape the room where Foster is being held.Hopestill Foster, the novel's protagonist, a man inured to a lifetime of suffering and one to whom a great wrong was done by him and to him in his youth, ultimately has to decide. Pass on, leaving the wreckage of his life behind, or accept a final deadly mission to make things right.For Hopestill Foster, there is only one choice.David Joseph Kolb's Devil Knows: A Tale of Murder and Madness in America's First Century, a thrilling historical adventure in the grand storytelling tradition of Northwest Passage and Drums Along the Mohawk, breaks new literary ground about the very first American century - a nearly forgotten post-Pilgrim past when intolerance, misogyny and ignorance culminated in horrifying outrages against ordinary people.Yet it rediscovers, too, that hope was never lost, and that heroes were always among us.

Over the past thirty years, while the United States has turned either a blind or dismissive eye, Iran has emerged as a nation every bit as capable of altering America’s destiny as traditional superpowers Russia and China. Indeed, one of this book’s central arguments is that, in some ways, Iran’s grip on America’s future is even tighter. As ex–CIA operative Robert Baer masterfully shows, Iran has maneuvered itself into the elite superpower ranks by exploiting Americans’ false perceptions of what Iran is—by letting us believe it is a country run by scowling religious fanatics, too preoccupied with theocratic jostling and terrorist agendas to strengthen its political and economic foundations. The reality is much more frightening—and yet contained in the potential catastrophe is an implicit political response that, if we’re bold enough to adopt it, could avert disaster. Baer’s on-the-ground sleuthing and interviews with key Middle East players—everyone from an Iranian ayatollah to the king of Bahrain to the head of Israel’s internal security—paint a picture of the centuries-old Shia nation that is starkly the opposite of the one normally drawn. For example, Iran’s hate-spouting President Ahmadinejad is by no means the true spokesman for Iranian foreign policy, nor is Iran making it the highest priority to become a nuclear player. Even so, Baer has discovered that Iran is currently engaged in a soft takeover of the Middle East, that the proxy method of war-making and co-option it perfected with Hezbollah in Lebanon is being exported throughout the region, that Iran now controls a significant portion of Iraq, that it is extending its influence over Jordan and Egypt, that the Arab Emirates and other Gulf States are being pulled into its sphere, and that it will shortly have a firm hold on the world’s oil spigot. By mixing anecdotes with information gleaned from clandestine sources, Baer superbly demonstrates that Iran, far from being a wild-eyed rogue state, is a rational actor—one skilled in the game of nations and so effective at thwarting perceived Western colonialism that even rival Sunnis relish fighting under its banner. For U.S. policy makers, the choices have narrowed: either cede the world’s most important energy corridors to a nation that can match us militarily with its asymmetric capabilities (which include the use of suicide bombers)—or deal with the devil we know. We might just find that in allying with Iran, we’ll have increased not just our own security but that of all Middle East nations.The alternative—to continue goading Iran into establishing hegemony over the Muslim world—is too chilling to contemplate.