Whickety Wack

Full of whacky humour, mischief, fun and learning, the book revolves around a bunch of school children. Each character has a distinct quality, which is revealed in the word play with names. The book has six short stories, and its target audience is children in the age group of 5-7 years. Glutton Hog Pigs Out : Greedy Glutton Hog picks on everyone’s lunch box, and finishes their food, much to their frustration. The children decide to teach him a lesson. The Magic Pencil : When Nerdy reveals that he enjoys doing his homework because he has a magic pencil to help him, his classmates are envious and decide to get the magic pencil for themselves.

This book makes the perfect addition to teachers' and librarians' story time selections, containing 25 educational and entertaining tales from around the world as well as proven storytelling techniques. Storytelling predates reading. Storytelling is a vibrant tradition in nearly every culture on earth. And of course, storytelling serves as a perfect medium for educating young children and early readers. Specifically intended for elementary school and public librarians, teachers, storytellers, and camp counselors, Tell Along Tales!: Playing with Participation Stories contains 25 adapted tales from Czechoslovakia, Germany, Ireland, Korea, Norway, Spain, and West Africa that are appropriate for kindergarten through sixth grade students. These stories are linked to standards and are full of fun audience participation, making them perfect for the library, classroom, camp, or home. The book will illuminate the best methods for telling a tale, describe various types of audience participation and how to encourage it, identify elements in a story that provide opportunity for participation, explain when to include audience participation, and share the author's proven audience management techniques.

From the writer crowned one of the smartest, funniest voices in modern America, this hotly anticipated debut collection of essays offers “a precious glimpse into how Ziwe’s uniquely fearless mind functions” (New York Magazine) Ziwe made a name for herself by asking guests like Alyssa Milano, Fran Lebowitz, and Chet Hanks direct questions. In Black Friend, she turns her incisive perspective on both herself and the culture at large. Throughout the book, Ziwe combines pop-culture commentary and personal stories, which grapple with her own (mis)understanding of identity. From a hilarious case of mistaken identity via a jumbotron to a terrifying fight-or-flight encounter in the woods, Ziwe raises difficult questions for comedic relief. From Black Friend’s Introduction: “Today, I learned that my book is ranked as the #1 new release in ‘Discrimination and Racism’ on Amazon. Wow. This is a huge honor, especially considering my stiff competition in the selfpublished manifestos space. Unfortunately, this victory is bittersweet. I worry that people may get the wrong idea and think that I am pro-racism when in actuality, I am indifferent. Still, I’d love to thank everyone who made this possible. I solemnly swear to write the most discriminatory book in American history. I hope I can make you proud. “Just kidding . . . I will not marginalize you . . . unless that’s your kink. This book of essays offers moments of extreme discomfort (and the subsequent growth) in my life around the role of ‘black friend.’ Black friends come in all shapes and sizes. Yet the archetype is often a two-dimensional character meant to support the non-black protagonists’ more complex humanity. Some black friends exist as the comic relief, like Donkey in any of the Shrek movies. Some are the sassy friend, like Louise from St. Louis in Sex and the City. Still others are the inexplicably sagacious companion, like Morpheus in The Matrix. It’s impossible for these individual portraits to reflect my complicated reality. To start, they are fictional. One of them is a talking ass. I do not exist just to move plot. While I am a supportive friend, I am not a supporting character. I am the protagonist of my perfectly imperfect story.”

With this volume, incorporating Ballads 244-305, Bertrand Harris Bronson completes his epic task of providing the musical counterpart to Francis James Child's collection of English and Scottish ballads. As in the previous volumes, the texts are linked with their proper traditional tunes, systematically ordered and grouped to show melodic kinship and characteristic variations developed during the course of oral transmission. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Amy has enough to deal with for one lifetime: a superstitious Chinese mother, a best friend whose mood changes as dramatically as her hair colour and a reputation at high school for being weird. The last thing she needs is to be haunted by Logan, a ghost from the 80s. He could be dangerous. He might also be Amy’s dream boy. Preloved is an engaging young adult novel by Australian author Shirley Marr. This paranormal romance about a sassy teenage girl stuck between the past and the present deals with issues of self-esteem and independence. For more YA fiction, read Shirley’s murder mystery Fury. To learn more about these books, visit www.shirleymarr.net “Preloved is full of warmth, humour and retro supernatural. Will appeal to girls who love Twilight … and especially to those who don’t.” The West Australian “This book is full of humour, warmth and a genuine understanding of the difficulties faced in our modern, multicultural society. 4/5 stars.” Bookseller+Publisher “An enjoyable, amusing and, on many occasions, very moving, read.” Viewpoint “Funny, touching, and convincingly set in a contemporary Australian city … many readers will identify with the issues raised in an original way in this enjoyable read.” Reading Time magazine “Preloved is a witty, likeable ride through a good thirty years’ worth of pop culture and karmic retribution, and beneath its glittery, hairsprayed veneer is a thoughtful discussion of the ways in which we’re connected to others in our lives, and how widely our actions extend — both in our present context and across time.” Read in a Single Setting

A life application exegesis of a book of the Bible is different and often hard to find, especially of one of the Epistles. Life application is not a historical document, nor is it a purely theological writing. It is the taking of the Word of God and applying to the daily life of the believer in order that the Christian may “live Christ” in his walk so that those around him may see God “lived out” and thus come to know him. As the believer becomes more adept at doing this, the Holy Spirit will be able to place that believer in more and more circumstances where he can use the believer, often without the believer even knowing that he is being used. It becomes natural to the believer. Jesus puts it this way. He said, “I am the vine, you are the branches. He that abideth in me, and I in him, the same bringeth forth much fruit.” All we have to do is hang in there. Jesus does the rest through his Holy Spirit. That is what life-application exegesis is all about. It is about living experiences of life with Christ so we may learn what Jesus wants to do in our lives to touch others. Just think—Jesus wants to use us to touch others. Blows your mind, doesn’t it?

Twelve-year-old Bone uses her Gift, which allows her to see the stories in everyday objects, to try to figure out why her best friend, Will Kincaid, suddenly lost his voice at age five. This supernatural historical mystery is the second title in the acclaimed and emotionally resonant Ghosts of Ordinary Objects series. In a southern Virginia coal-mining town in October 1942, Bone Phillips is learning to control her Gift: Bone can see the history of a significant object when she touches it. When her best friend, Will Kincaid, asks Bone to "read" the history of his daddy's jelly jar--the jelly jar that was buried alongside his father during the mine cave-in that killed him--Bone is afraid. Even before Bone touches it, she can feel that the jar has its own strange power. With her mother dead, her father gone to war, and Aunt Mattie's assault looming over Bone, she can't bear the idea of losing Will too. As Will's obsession with the jelly jar becomes dangerous, Bone struggles to understand the truth behind the jar and save him Featuring a beautiful, compelling voice, this novel weaves a story of mystery, family, and ultimately, love.

Winner of the Selma Jeanne Cohen Memorial Prize (2010) In this stunning new collection of reviews and essays, dance critic Marcia B. Siegel grapples with the floating identity of ballet, as well as particular ballets, and with the expanding environment of spectacle in which ballet competes for an audience. Drawn from a wide variety of published sources, these writings concentrate on canonical works of ballet and how the performances of these works have been changing in significant ways. Siegel writes with a keen awareness of the history and mythology that surround particular works, while remaining attentive to the new ways in which a work is interpreted and re-presented by contemporary choreographers and dancers. Through her readable and provocative writings, Siegel offers critical insight into performances of the past twenty-five years to give us a new understanding of ballet in performance. The volume includes over one hundred pieces on a variety of ballet topics, from specific dances and dancers to companies and choreographers, ranging from Swan Lake and The Nutcracker to Nijinsky, Balanchine, Tharp, and Morris to the Bolshoi, the Joffrey, the Miami City Ballet, the Boston Ballet, to name just a few. Ebook Edition Note: All images have been redacted.