White As Silence Red As Song

Hailed as Italy’s The Fault in Our Stars, this Italian bestseller is now available for the first time in English. “I was born on the first day of school, and I grew up and old in just two hundred days . . .” Sixteen-year-old Leo has a way with words, but he doesn’t know it yet. He spends his time texting, polishing soccer maneuvers, and killing time with Niko and Silvia. Until a new teacher arrives and challenges him to give voice to his dreams. And so Leo is inspired to win over the red-haired beauty Beatrice. She doesn’t know Leo exists, but he’s convinced that his dream will come true. When Leo lands in the hospital and learns that Beatrice has been admitted too, his mission to be there for her will send him on a thrilling but heartbreaking journey. He wants to help her but doesn’t know how—and his dream of love will force him to grow up fast. Having already sold over a million copies, Alessandro D’Avenia’s debut novel is considered Italy’s The Fault in Our Stars. Now available in English for the first time, this rich, funny, and heartwarming coming-of-age tale asks us to explore the meaning—and the cost—of friendship, and shows us what happens when suffering bursts into the world of teenagers and renders the world of adults speechless.

The school year is finished, exams are over and summer stretches before seventeen-year-old Federico, full of promise and opportunity. But then he accepts a request from one of his teachers to help out at a youth club in the destitute Sicilian neighbourhood of Brancaccio. This narrow tangle of alleyways is controlled by local mafia thugs, but it is also the home of children like Francesco, Maria, Dario, Totò: children with none of Federico's privileges, but with a strength and vitality that changes his life forever. Written in intensely passionate and lyrical prose, What Hell Is Not is the phenomenal Italian bestseller about a man who brought light to one of the darkest corners of Sicily, and who refused to give up on the future of its children.

Musings on joy and suffering, midlife and meaning, by a National Book Award–nominated poet and essayist praised for his “fine ear” (Publishers Weekly). Midway through the journey of his life, Dan Beachy-Quick found himself without a path, unsure how to live well. Of Silence and Song follows him on his resulting classical search for meaning in the world and in his particular, quiet life. In essays, fragments, marginalia, images, travel writing, and poetry, Beachy-Quick traces his relationships and identities. As father and husband. As teacher and student. As citizen and scholar. And as poet and reader, wondering at the potential and limits of literature. Of Silence and Song finds its inferno—and its paradise—in moments both historically vast and nakedly intimate. Hell: disappearing bees, James Eagan Holmes, Columbine, and the persistent, unforgivable crime of slavery. And redemption: in the art of Marcel Duchamp, the pressed flowers in Emily Dickinson’s Bible, and long walks with his youngest daughter. Curious, earnest, and masterful, Of Silence and Song is an unforgettable exploration of the human soul. Praise for the writing of Dan Beachy-Quick: “Intelligent, compassionate, exquisite . . . a unique voice.” —Cole Swensen “Rich, profound, fascinating.” —Los Angeles Times

This is a true story on early underground communist party, their process of struggle with nationalist party. The major roller is a Hakka people, whose really work and life in his communist career, retrospect along with the roller experience is his Hakka people cultural background research; first expose the top secret of communists real life and work in that certain period. It is a really mirror reflect the Hakka people live, and based the real history events.

From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter's relationship with folk/fairy tales, but this book uses a newly available archive containing Carter's folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter's prose as a vehicle for the singing voice, and reveals a writing style imbued with 'songfulness' informed by her singing praxis. Reading Carter's texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, 'voice' and 'breath', how Carter steeped her writing with folk song's features to produce 'canorography': song-infused prose. Concluding with a discussion of Carter's profound influence on songwriters, focusing on the author's interview with Emily Portman, this book invites us to reimagine Carter's prose as audial event, dissolving boundaries between prose and song, between text and reader, between word and sound, in an ever-renewing act of sympathetic resonance.

First published to enormous acclaim in 1973, this book became a classic that revolutionized the way children are taught to read and write poetry. The celebrated poet Kenneth Koch conveys the imaginative splendor of great poetry--by Blake, Donne, Stevens, Lorca, and others--and then shows how it maybe taught so as to help children write poetry of their own. For this edition, the author has written a new introduction and a special afterword for teachers.

The first overview of all Joseph Roth’s journalism: traveling across a Europe in crisis, he declares,“I am a hotel citizen, a hotel patriot.” The Hotel Years gathers sixty-four feuilletons: on hotels; pains and pleasures; personalities; and the deteriorating international situation of the 1930s. Never before translated into English, these pieces begin in Vienna just at the end of the First World War, and end in Paris near the outbreak of the Second World War. Roth, the great journalist of his day, needed journalism to survive: in his six-volume collected works in German, there are three of fiction and three of journalism. Beginning in 1921, Roth wrote mostly for the liberal Frankfurter Zeitung who sent him on assignments throughout Germany - the inflation, the occupation, political assassinations - and abroad, to the USSR, Italy, Poland and Albania. And always: “I celebrate my return to lobby and chandelier, porter and chambermaid.”