Who Killed Harlowe Thrombey

The reader, as a young detective, investigates a murder mystery. By choosing specific pages, the reader determines the outcome of the plot.

Using innovative interpretations of recent big budget films, Coronavirus Capitalism Goes to the Cinema interrogates the social, political and economic landscape during and prior to the COVID-19 crisis and provides lessons for advancing progressive politics in a post-pandemic age. By exploring numerous films including Avengers: Endgame, Once Upon a Time... In Hollywood, 1917, and Parasite, this short book provides a deep understanding about neoliberal society in a time of crisis. Facilitated by the ideas of Emma Goldman, Naomi Klein, Karl Marx, Noam Chomsky and many more, these movies are reinterpreted to point out our political blind spots, combat our non-COVID contagions and inoculate us into ideological herd immunity. From explorations of the supervillain-like decision-making of our political leaders to the inequalities in infection outcomes that sparked further Black Lives Matter protests, this book discusses the central social challenges we face today through the sights and sounds of some of the most beloved films of the very recent past. This entertaining and accessible book will reward readers who are interested in contemporary politics in the context of COVID-19, as well as cinephiles and movie-goers who want fresh interpretations of instant classics to help explain the world around them. More than just informative and amusing, this book is a call to action to those activists who want social change in the face of coronavirus capitalism.

A locked door, a dead body. A millionaire industrialist dies under suspicious circumstances by an overdose of a prescription medication. But there is one peculiar circumstance. The victim had contacted his attorney to change his will only days before his demise, making the death all the more suspicious. Could someone have murdered the man to keep him from rewriting his will? Or was the death a suicide, or even perhaps an accidental overdose? Whodunit? Certainly not the butler. But only the reader can tell. Each ending reflects an "alternate reality" in which different choices and character dynamics lead to different conclusions of the story. Find your favorite ending, for only the reader can decide if it was murder, suicide, an accident, or something else ... Each twist and turn in the investigation by the detective brings a different conclusion to the story. The ten unique alternate endings allow the reader to choose their own favorite solution to the mystery--ten novels in one book!

Choose Wisely! Once a literary bad boy, the only lines Professor Sebastian Swift does these days are Browning, Frost and Cummings. When a student he helped to disappear becomes a suspect in a murder, he races to find the boy and convince him to give himself up before his police chief lover figures out he's involved. Max likes being lied to even less than he likes sonnets. Yet his instincts--and his heart--tell him his boyfriend is being played and a dangerous enemy may not stop until Swift is heading up his own dead poet's society.

Since the release of Dungeons & Dragons in 1974, role-playing games (RPGs) have spawned a vibrant industry and subculture whose characteristics and player experiences have been well explored. Yet little attention has been devoted to the ways RPGs have shaped society at large over the last four decades. Role-playing games influenced video game design, have been widely represented in film, television and other media, and have made their mark on education, social media, corporate training and the military. This collection of new essays illustrates the broad appeal and impact of RPGs. Topics range from a critical reexamination of the Satanic Panic of the 1980s, to the growing significance of RPGs in education, to the potential for "serious" RPGs to provoke awareness and social change. The contributors discuss the myriad subtle (and not-so-subtle) ways in which the values, concepts and mechanics of RPGs have infiltrated popular culture.

Presents findings on the effects of hypnosis in reducing anxiety and pain in children with cancer and suggests that hypnotherapy offers real promise of pain relief without drugs.First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

When Nathan discovered a job lot of the first 106 adventures for sale on eBay, there was never any question that he would place a bid. When the books arrived, he lost himself in the old adventures. Yet, as he flicked through the pages, there was another story being written. In the margins of each book were the scribblings of the little boy who had once owned them, a little boy by the name of Terence John Prendergast. Terence wrote jokes and hints for adventurers following the same stories as him. More troubling, among the notes were intimations of a tormented childhood: of the boys and teachers who bullied him; of the things he hated about himself and had to improve; of his thoughts of suicide and his desperate need to find friends, be liked, and find somebody - anybody - to confide in. THE BOY IN THE BOOK is Nathan's poignant recreation of the discovery of the fragments of Terence Prendergast's diary, his quest to find the lost boy, and the friendship that resulted from their first meeting. In doing so, Nathan is forced to examine his own childhood - and, as his relationship with Terence deepens, he begins to believe that the two men are not so different, and to reflect on the darkness that can exist in childhood.