Whoopi Goldberg On Stage And Screen

The name Whoopi Goldberg conjures images of laughter, sex, surprise, versatility, African heritage and Jewish identity, to name a few. How did she become such a major player in Hollywood and the larger world? This book provides an overview of some of Goldberg’s most important efforts on Broadway and in motion pictures and television and the world of social activism. Major features include comparative analyses of Goldberg’s work in relation to that of such notable performers as Bert Williams, Jackie “Moms” Mabley, Richard Pryor, George Carlin, Billy Crystal, Robin Williams and Dave Chappelle, as well as in-depth analyses of her work as the fictional Celie in the major motion picture The Color Purple; her Oscar-winning role as the fictional Oda Mae Brown in Ghost and her cultural impact as an American woman working.

The name Whoopi Goldberg conjures images of laughter, sex, surprise, versatility, African heritage and Jewish identity, to name a few. How did she become such a major player in Hollywood and the larger world? This book provides an overview of some of Goldberg's most important efforts on Broadway and in motion pictures and television and the world of social activism. Major features include comparative analyses of Goldberg's work in relation to that of such notable performers as Bert Williams, Jackie "Moms" Mabley, Richard Pryor, George Carlin, Billy Crystal, Robin Williams and Dave Chappelle, as well as in-depth analyses of her work as the fictional Celie in the major motion picture The Color Purple; her Oscar-winning role as the fictional Oda Mae Brown in Ghost and her cultural impact as an American woman working.

In "Whoopi Goldberg: Beyond the Screen, Life, and Legacy," readers embark on an extraordinary journey through the life and times of one of Hollywood's most iconic and beloved figures. From her groundbreaking performances on stage and screen to her unwavering commitment to social justice and equality, Goldberg's story is a testament to the transformative power of talent, resilience, and authenticity. Born Caryn Elaine Johnson in New York City, Goldberg's journey from a struggling young artist to a cultural phenomenon is nothing short of remarkable. Through intimate interviews, behind-the-scenes anecdotes, and archival footage, readers are invited to explore the highs and lows of Goldberg's life and career, from her early struggles as a struggling actress to her meteoric rise to fame as a trailblazing entertainer. But Goldberg's story is not just about fame and fortune-it's about the power of perseverance to overcome adversity and make a difference in the world. From her groundbreaking role in "The Color Purple" to her unforgettable performances in films like "Ghost" and "Sister Act," Goldberg has used her platform to challenge stereotypes, spark important conversations, and inspire audiences around the world. Beyond her achievements in entertainment, Goldberg's legacy as a social activist and humanitarian is equally profound. From her outspoken advocacy for LGBTQ+ rights and women's empowerment to her tireless efforts to combat racial injustice and inequality, Goldberg has been a fearless champion for marginalized communities and underserved populations, using her voice to shine a light on issues that matter most. "Whoopi Goldberg: Beyond the Screen, Life, and Legacy" is more than just a biography-it's a celebration of the human spirit, a tribute to the power of art to provoke thought and inspire change, and a testament to the enduring legacy of a true trailblazer. Whether you're a longtime fan of Goldberg's work or simply someone who appreciates a compelling story of resilience and triumph, this book offers a captivating glimpse into the life and legacy of one of Hollywood's most iconic figures.

The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children’s books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: · DISNEY MUSICALS: ON FILM · DISNEY ADAPTATIONS: ON STAGE AND BEYOND · DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.

Black Lenses, Black Voices is a provocative look at films directed and written_and sometimes produced_by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field's leading authorities, introducing a new framework for women's comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women's comedy.

In Laughing Mad , Bambi Haggins looks at how this transition occurred in a variety of media and shows how this integration has paved the way for black comedians and their audiences to affect each other. Historically, African American performers have been able to use comedy as a pedagogic tool, interjecting astute observations about race relations while the audience is laughing. And yet, Haggins makes the convincing argument that the potential of African American comedy remains fundamentally unfulfilled as the performance of blackness continues to be made culturally digestible for mass consumption.