Wiffle Lever To Full

'Personal and engaging . . . anyone who agrees that Star Wars was a defining moment of our collective childhood will love this book' - The Times 'Funny and affectionate' - Time Out 'Will have you hitching aboard the Millennium Falcon to a galaxy overflowing with infinite possibilities. ****' - Metro ************* In 1981, the eight-year-old Bob Fischer was entranced by Daleks, Vogons and crack Imperial Stormtroopers. Almost three decades later, Bob decides to rekindle the affair with a tour of the UK's sci-fi and cult TV conventions. Freewheeling from Doctor Who to Discworld, Star Wars to Star Trek and Robin of Sherwood to Red Dwarf, he combines misty-eyed memories with a terrifying travelogue of terrible, torturous . . . terror. Or something. In space, no one can hear you scream. And don't expect much sympathy in Peterborough, either.

Before Saturday March 26th 2005, "Doctor Who" had been off the air as a regular, new TV series for more than fifteen years; until a production team led by Russell T. Davies re-imagined the programme so successfully, so triumphantly, that it's become an instant Christmas tradition, a BAFTA winner, an international 'superbrand' and a number one rated show. It's even been credited with reinventing family TV. This is the first full-length book to explore the 'new Who' phenomenon through to the casting of Matt Smith as the new Doctor. It explores "Doctor Who" through contemporary debates in TV Studies about quality TV and how can we define TV series as both 'cult' and 'mainstream'. Further, the book challenges assumptions in focusing on the importance of breath-taking, dramatic moments along with narrative structures, and in analysing the significance of Murray Gold's music as well as the series' visual representations. Matt Hills is a lifelong "Who" fan and he also considers the role of fandom in the show's return. He investigates too the multi-generic identity, the monster-led format, and the time-travelling brand of BBC Wales' 'Doctor Who'. In the twenty-first century, TV is changing, but the last of the Time Lords has been more than ready: he's been fantastic.

The Twisted Roots of Folk Horror music. An exploration of the artists and their music who laid the foundations for future generations of Folk Horror musicians. Taking in Murder Ballads, Acid Folk, Occult Rock, The Blues and Traditional Folk Music as well as Film Soundtracks Twisted Roots is a collection of articles, interviews and album reviews from the likes of Maddy Prior, Jonny Trunk, Sharron Kraus, John Cameron and Candia McKormack and many more.

Harvest Hymns - the twisted roots and sweet fruits of folk horror music '. Volume Two Sweet Fruits' focuses on music that has been inspired and influenced by those artists, composers and albums covered in Vol.1 (Twisted Roots') to create the music that we now would consider to be `Folk Horror' - or that at least grazes in the same pastures as those artists. A mixture of interviews, articles and reviews from, about and with the likes of Adam Scovell, Moon Wiring Club, Drew Mullholland, Broadcast, The Devil & The Universe, Jim Jupp, Inkubus Sukkubus and A Year in the Country. Keep your eyes peeled for Scarecrows, Horn Dancers and Corn Rigs, Hamlets, Fetes and Villages, Black Eyed Dogs, Hanging Trees and the mist rising in Fields of Blackberries, Weeping Willows, the Rolling of the Stones, and the Great God Pan sat upon his throne... and beware of all that goes on Beyond the Wych Elm for there 'tis the Season of the Witch

Steve Berry decided to do something a little bit different to raise funds for Alzheimer's Research UK. A life-long DOCTOR WHO fan, he began to interview celebrities, writers, actors and people who had worked on DOCTOR WHO, asking for their earliest memories of the show that sent us cowering behind the sofa. Now he presents the fruits of his four years of labour - a beautiful, touching book containing short articles and touching memories of one of the most successful TV shows ever. 2013 marks the 50th anniversary of DOCTOR WHO - this is the perfect way to enjoy those 50 years! This revised and expanded edition includes over 30 new entries from people such as Sophia Myles, Ben Aaronovitch, John Leeson and many more Contributors include comedians Al Murray, Stephen Merchant, and Bill Oddie; actors Lynda Bellingham, Nicholas Parsons, and Rhys Thomas; writers Neil Gaiman, Jenny Colgan, Jonathan Ross and Charlie Brooker and politicians Louise Mensch and Tom Harris. In addition, there is input from a number of the writers, actors and production staff who were involved in creating DOCTOR WHO stories new and old.

The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.

This book provides readers with an introductory understanding of Inertial Electrostatic Confinement (IEC), a type of fusion meant to retain plasma using an electrostatic field. IEC provides a unique approach for plasma confinement, as it offers a number of spin-off applications, such as a small neutron source for Neutron Activity Analysis (NAA), that all work towards creating fusion power. The IEC has been identified in recent times as an ideal fusion power unit because of its ability to burn aneutronic fuels like p-B11 as a result of its non-Maxwellian plasma dominated by beam-like ions. This type of fusion also takes place in a simple mechanical structure small in size, which also contributes to its viability as a source of power. This book posits that the ability to study the physics of IEC in very small volume plasmas makes it possible to rapidly investigate a design to create a power-producing device on a much larger scale. Along with this hypothesis the book also includes a conceptual experiment proposed for demonstrating breakeven conditions for using p-B11 in a hydrogen plasma simulation. This book also: Offers an in-depth look, from introductory basics to experimental simulation, of Inertial Electrostatic Confinement, an emerging method for generating fusion power Discusses how the Inertial Electrostatic Confinement method can be applied to other applications besides fusion through theoretical experiments in the text Details the study of the physics of Inertial Electrostatic Confinement in small-volume plasmas and suggests that their rapid reproduction could lead to the creation of a large-scale power-producing device Perfect for researchers and students working with nuclear fusion, Inertial Electrostatic Confinement (IEC) Fusion: Fundamentals and Applications also offers the current experimental status of IEC research, details supporting theories in the field and introduces other potential applications that stem from IEC.