Wild Thing

It's hard to find work as a doctor when using your real name will get you killed. So hard that when a reclusive billionaire offers Dr. Peter Brown, aka Pietro Brnwa, a job accompanying a sexy but self-destructive paleontologist on the world's worst field assignment, Brown has no real choice but to say yes. Even if it means that an army of murderers, mobsters, and international drug dealers -- not to mention the occasional lake monster -- are about to have a serious Pietro Brnwa problem. Facing new and old monsters alike, Dr. Brnwa's story continues in this darkly funny and lightning-paced follow up to Josh Bazell's bestselling debut.

Hailed for its astounding portrait of Jimi Hendrix, Philip Norman’s Wild Thing has become the definitive biography of rock’s most outrageous—and tragic—genius. Today, Jimi Hendrix (1942–1970) is celebrated as the greatest rock guitarist of all time. But before he was setting guitars and the world aflame, James Marshall Hendrix was a shy kid in Seattle, plucking at a broken ukulele. Bringing Hendrix’s story to vivid life against the backdrop of midcentury rock, and interweaving new interviews with friends, lovers, bandmates, and his family, Wild Thing vividly reconstructs Hendrix’s remarkable career, from playing segregated clubs on the Chitlin’ Circuit to achieving stardom in Swinging London.

Max is sent to bed without supper and imagines sailing away to the land of Wild Things,where he is made king.

Twelve-year-old Winnie Willis has a way with horses. She can gentle the wildest mare, but other parts of her life don't always come as easily. Along with her dad and sister, Lizzy, Winnie is learning how to live without her mom, who was also a natural horse gentler. As Winnie teaches her horses about unconditional love and blind trust, God shows Winnie that he can be trusted too. Readers will be hooked on the series' vivid characters, whose quirky personalities fill Winnie's life with friendship and adventure. In #1 Wild Thing, Winnie's fearful heart finally begins to trust God again as she tries to gentle the horse of her dreams, Wild Thing.

There are only two ways a human can cross the gates of Bloodstone Institute: as a familiar to one of the Blueblood vampires who attend the elite school or as a snack. I’m neither, but I have to get in at all costs. My brother made a big mistake, and now I have to fix it by stealing from the most powerful and cruel vampire to ever come to Bloodstone, Lucca Della Morte. If that wasn’t almost suicidal, I need to get it done before the spell concealing my human nature wears off. But I forget that I’m only pretending to be a vampire. I’m still human and susceptible to Lucca’s dangerous allure. His darkness calls to my soul. His savagery makes my blood sing. I’m falling for the dark prince, craving him in a visceral way that’s frightening and exciting at the same time. If he discovers my secret, he’ll destroy me. And yet, I can’t help wanting to get closer. I never thought I had a death wish until I met him.

Playing off the themes in the Caldecott Medal-winning children's book Where the Wild Things Are, this informative, practical, and encouraging guide will help parents guide boys down the path to healthy and authentic manhood. Wild Things addresses the physical, emotional, and spiritual parts of a boy, written by two therapists who are currently engaged in clinical work with boys and their parents and who are also fathers raising five sons. Contains chapters such as “Sit Still! Pay Attention!” “Deficits and Disappointments,” and “Rituals, Ceremonies, and Rites of Passage.”

"Everyday objects can have an extra dimension or quality that has no relation to functionality, form, a concept or a trend. So what is it that gives a particular glass an 'aura'? Why should one thing have more shine, passion and 'mystical allure' than another? A Wild Thing attempts to identify and describe these often intangible qualities. There seems to be an inner light that shines from certain things. Unlike the blinding spotlight of media and marketing, this light is gentle and clear and reflects the methodology and intention of the maker. Ancient craftsmen designed from a place of unity with matter and the cosmos, putting themselves at the service of the making process and thereby creating a moment of transference from maker to thing. A Wild Thing focuses on how this unity between a person, a thing and the universe can be attained through a particular manner of both designing and experiencing objects. This approach is in stark contrast to that of the star designer, who frequently conceives useless products that are nothing more than status symbols designed to generate wasteful consumption. In a series of essays, Hilde Bouchez reflects on design history and the latest movements within the design world. She also presents a phenomenological methodology that opens up a new, more poetic approach to everyday objects for both maker and consumer. The texts are linked by the author's search for a sustainability and meaning that transcends the organic component of materials"--Back cover.

Music agent Copeland tells of his lively life, from his childhood to his career in the alternative-music industry.