William F Cody S Wyoming Empire

Celebrated showman of the Old West, William F. “Buffalo Bill” Cody took on another role unknown to most Americans, that of the western land developer and town promoter. In this captivating study, Robert E. Bonner demonstrates that the skills Cody acquired from decades in show business failed to prepare him for the demanding arena of business and finance. Bonner examines Cody’s efforts as president of the Shoshone Irrigation Company to develop the Big Horn Basin through large-scale irrigation and town development. This meticulously researched account shows us a Buffalo Bill preoccupied with making a buck and not at all shy about using his fame to do it. Cody spent huge sums, bullied partners, patronized state officials, and exercised his charm in pursuit of developing the high plains east of Yellowstone National Park. His efforts helped shape the city of Cody and the Big Horn Basin. With the famous Irma Hotel as a cornerstone, he built the first infrastructure of the Cody-Yellowstone tourist trade and connected his little Wyoming town with the wealth of the East through personal hospitality and travel. Laced with engaging anecdotes and featuring more than twenty photographs, William F. Cody’s Wyoming Empire is a much needed look at an overly mythologized character. There was more to William F. Cody than the Wild West show—and we cannot construct a full picture of the man without understanding his entrepreneurial activities in Wyoming.

Celebrated showman of the Old West, William F. “Buffalo Bill” Cody took on another role unknown to most Americans, that of the western land developer and town promoter. In this captivating study, Robert E. Bonner demonstrates that the skills Cody acquired from decades in show business failed to prepare him for the demanding arena of business and finance. Bonner examines Cody’s efforts as president of the Shoshone Irrigation Company to develop the Big Horn Basin through large-scale irrigation and town development. This meticulously researched account shows us a Buffalo Bill preoccupied with making a buck and not at all shy about using his fame to do it. Cody spent huge sums, bullied partners, patronized state officials, and exercised his charm in pursuit of developing the high plains east of Yellowstone National Park. His efforts helped shape the city of Cody and the Big Horn Basin. With the famous Irma Hotel as a cornerstone, he built the first infrastructure of the Cody-Yellowstone tourist trade and connected his little Wyoming town with the wealth of the East through personal hospitality and travel. Laced with engaging anecdotes and featuring more than twenty photographs, William F. Cody’s Wyoming Empire is a much needed look at an overly mythologized character. There was more to William F. Cody than the Wild West show—and we cannot construct a full picture of the man without understanding his entrepreneurial activities in Wyoming.

William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.

When William F. Cody introduced his Wild West exhibition to European audiences in 1887, the show soared to new heights of popularity and success. With its colorful portrayal of cowboys, Indians, and the taming of the North American frontier, Buffalo Bill’s Wild West popularized a myth of American national identity and shaped European perceptions of the United States. The Popular Frontier is the first collection of essays to explore the transnational impact and mass-cultural appeal of Cody’s Wild West. As editor Frank Christianson explains in his introduction, for the first four years after Cody conceived it, the Wild West exhibition toured the United States, honing the operation into a financially solvent enterprise. When the troupe ventured to England for its first overseas booking, its success exceeded all expectations. Between 1887 and 1906 the Wild West performed in fourteen countries, traveled more than 200,000 miles, and attracted a collective audience in the tens of millions. How did Europeans respond to Cody’s vision of the American frontier? And how did European countries appropriate what they saw on display? Addressing these questions and others, the contributors to this volume consider how the Wild West functioned within social and cultural contexts far grander in scope than even the vast American West. Among the topics addressed are the pairing of William F. Cody and Theodore Roosevelt as embodiments of frontier masculinity, and the significance of the show’s most enduring persona, Annie Oakley. An informative and thought-provoking examination of the Wild West’s foreign tours, The Popular Frontier offers new insight into late-nineteenth-century gender politics and ethnicity, the development of American nationalism, and the simultaneous rise of a global mass culture.

In 1863, the thirteen-year-old boy who would come to be called Comanche Jack was sent to the well to fetch water. Instead, he joined a wagon train bound for Santa Fe. Thus began the exploits of Simpson E. “Jack” Stilwell (1850–1903), a man generally known for slipping through Indian lines to get help for some fifty frontiersmen besieged by the Cheyenne at Beecher Island in 1868. Daring as his part in the rescue might have been, it was only one noteworthy episode of many in Comanche Jack Stilwell’s life—a life whose rollicking story is finally told here in full. In his later years, Stilwell crafted his own legend as a celebrated raconteur. Authors Clint E. Chambers (whose grandfather was Stilwell’s nephew) and Paul H. Carlson scour the available primary and secondary sources to find the unvarnished truth and remarkable facts behind the legend. In a crisp, fast-paced style, the narrative follows Stilwell from his precocious start as a teenage runaway turned teamster on the Santa Fe Trail to his later turns as lawyer, judge, U.S. marshal, hangman, and associate of Buffalo Bill Cody. Along the way, he learned Spanish, Comanche, and sign language, scouted for the U.S. Army, and became a friend of George A. Custer and an avowed, if failed, avenger of his kid brother Frank, an outlaw killed by Wyatt Earp. Unfolding against the backdrop of the Civil War, cattle drives, the Indian Wars, the Oklahoma land rush, and the rough justice of the Wild West, Comanche Jack Stilwell takes a true American character out of the shadows of history and returns to the story of the West one of its defining figures.

The first scholarly study of winter use in any national park examines the history of the conflict between the National Park Service and various interest groups over snowmobile use in Yellowstone--a highly-politicized, value-driven battle that has taken a serious toll on the NPS's ability to protect the park.