William Franklin Sands In Late Choson Korea

"After graduation from Georgetown University in 1896, William Franklin Sands joined the US diplomatic corps as second secretary in Tokyo. His year there sparked his interest in East Asia, so when a position in Korea opened, he took it, with the help of his influential father, an admiral in the US navy. For two years he served under US Minister Horace Allen until a more powerful position opened as chief dviser to the Korean government in 1900. As the most influential foreign adviser, Sands attempted to convince Emperor Kojong to undertake reforms and to promote Korean neutrality to keep the country independent. The author argues, however, that Sands was hampered by corrucpt officials who had the ear of the emperor, by the Japanese and the Russians who competed for influence and who tried to replace Sands with their own advisers, and, ironically, by Horace Allen. When he lost the confidence of Kojong and when the Russo-Japanese War broke out, Sands was forced out, having failed to maintain Korea's independence as Japan moved to take over. Although his subsequent activities included other diplomatic postings, teaching, and writing, he maintained an interest in Korea and offered his services as World War Two raged"--

This study examines William Franklin Sands, the high-ranking US advisor in the Korean government during the final years of the Choson dynasty. The author argues that his efforts to institute reform and achieve Korean neutrality were scuttled by Korean, Japanese, Russian, and US officials.

This study examines William Franklin Sands, the high-ranking US advisor in the Korean government during the final years of the Choson dynasty. The author argues that his efforts to institute reform and achieve Korean neutrality were scuttled by Korean, Japanese, Russian, and US officials.

The diplomat and scholar-official Min Yông-hwan (1861-1905), described by one contemporary Western observer as "undoubtably the first Korean after the emperor," is best remembered in Korean historiography for his pioneering diplomacy at the courts of Tsar Nicholas II and Queen Victoria in the late 1890s. Furthermore, he is considered to be the foremost patriot of Korea's Taehan era (1897-1907). This pioneering study of Min Yông-hwan is long overdue and provides us with a new perspective on a period of Korean history that still casts its shadow over the region today. This new biography of Min contributes substantially to our understanding of this period by looking beyond the established view of Korea as being polarized between reformists and reactionaries in the late Choson era. In doing so, it provides us with deeper insight into the full range of responses of the late Choson leadership to the dual challenges of internal stagnation and external intervention at the juncture of the nineteenth and twentieth centuries. It will be essential reading for anyone interested in the recent history of Korea, late nineteenth century imperialism, and Russian, Japanese, American, and British foreign policy in northeast Asia.

This book analyzes violence involving Catholics in the nineteenth-century world – revealing the motives for violence, showing the link between religious and secular grievances, and illuminating Catholic pluralism. Catholics and Violence in the Nineteenth-Century Global World is the first study to systematically analyze the link between faith and violent action in modern history. Focusing on incidents involving members of the Roman Catholic Church across the globe, the book offers a kaleidoscopic overview of situations in which physical or symbolic violence attended inner-Catholic, Catholic-secular, and interreligious conflicts. Focusing especially on the role of agency, the authors explore the motives behind, perceptions of, and legitimation strategies for religion-related violence, as well as evaluating debates about conflict and discussing the role of religious leadership in violent incidents. Additionally, they illuminate the complex ways in which religious grievances interacted with secular differences and highlight the plurality of Catholic standpoints. In doing so, the book brings to light the variety of ways in which religion and violence have interacted historically. Showing that the link between faith and violence was more nuanced than theoreticians of ‘religious violence’ suggest, the book will appeal to historians, social scientists, and religious scholars.

By expanding the definition of "epistle" to include any writing that addresses the intended receiver directly, JaHyun Kim Haboush introduces readers to the rich epistolary practice of Chos?n Korea. The Chos?n dynasty (1392-1910) produced an abundance of epistles, writings that mirror the genres of neighboring countries (especially China) while retaining their own specific historical trajectory. Written in both literary Chinese and vernacular Korean, the writings collected here range from royal public edicts to private letters, a fascinating array that blurs the line between classical and everyday language and the divisions between men and women. Haboush's selections also recast the relationship between epistolography and the concept of public and private space. Haboush groups her epistles according to where they were written and read: public letters, letters to colleagues and friends, social letters, and family letters. Then she arranges them according to occasion: letters on leaving home, deathbed letters, letters of fiction, and letters to the dead. She examines the mechanics of epistles, their communicative space, and their cultural and political meaning. With its wholly unique collection of materials, Epistolary Korea produces more than a vivid chronicle of pre- and early modern Korean life. It breaks new ground in establishing the terms of a distinct, non-European form of epistolography.

The publication of this general introduction to the art and archaeology of Korea coincides with the new permanent Korea gallery at the British Museum, promoting a wider interest in the country and its history. Aimed at a non-specialist audience, this book is readable and well illustrated. It and covers a vast time period from the Neolithic, c.6000 BC, to the present day. The remarkable culture of this country gradually unfolds through the descriptions and illustrations of Korean art, decorative objects, pottery and monuments, sculpture, crafts and ceramics.