Wolf S Mouth

In 1944 Italian officer Captain Francesco Verdi is captured by Allied forces in North Africa and shipped to a POW camp in Michigan’s Upper Peninsula, where the senior POW, the ruthless Kommandant Vogel, demands that all prisoners adhere to his Nazi dictates. His life threatened, Verdi escapes from the camp and meets up with an American woman, Chiara Frangiapani, who helps him elude capture as they flee to the Lower Peninsula. By 1956 they have become Frank and Claire Green, a young married couple building a new life in postwar Detroit. When INS agent James Giannopoulos tracks them down, Frank learns that Vogel is executing men like Frank for their wartime transgressions. As a series of brutal murders rivets Detroit, Frank is caught between American justice and Nazi vengeance. In Wolf ’s Mouth, the recollections of Francesco Verdi/Frank Green give voice to the hopes, fears, and hard choices of a survivor as he strives to escape the ghosts of history.

From the author of the Man Booker shortlisted The Quickening Maze In the Wolf’s Mouth follows the lives of four very different men, all of them navigating the chaos and horror brought about by the Second World War. Fighting for the Allies are Will Walker, an ambitious English Field Security Officer and Ray Marfione, a wide-eyed Italian-American infantryman who dreams of home and the movies. Meanwhile in Sicily, Angilù, a young shepherd caught up in corruption and Cirò Albanese, a sinister Mafioso, are fighting their own battles with devastating consequences.

From the villainous beast of “Little Red Riding Hood” and “The Three Little Pigs,” to the nurturing wolves of Romulus and Remus and Rudyard Kipling’s The Jungle Book, the wolf has long been a part of the landscape of children’s literature. Meanwhile, since the 1960s and the popularization of scientific research on these animals, children’s books have begun to feature more nuanced views. In Picturing the Wolf in Children’s Literature, Mitts-Smith analyzes visual images of the wolf in children’s books published in Western Europe and North America from 1500 to the present. In particular, she considers how wolves are depicted in and across particular works, the values and attitudes that inform these depictions, and how the concept of the wolf has changed over time. What she discovers is that illustrations and photos in works for children impart social, cultural, and scientific information not only about wolves, but also about humans and human behavior. First encountered in childhood, picture books act as a training ground where the young learn both how to decode the “symbolic” wolf across various contexts and how to make sense of “real” wolves. Mitts-Smith studies sources including myths, legends, fables, folk and fairy tales, fractured tales, fictional stories, and nonfiction, highlighting those instances in which images play a major role, including illustrated anthologies, chapbooks, picture books, and informational books. This book will be of interest to children’s literature scholars, as well as those interested in the figure of the wolf and how it has been informed over time.

In 1944 Italian officer Captain Francesco Verdi is captured by Allied forces in North Africa and shipped to a POW camp in Michigan’s Upper Peninsula, where the senior POW, the ruthless Kommandant Vogel, demands that all prisoners adhere to his Nazi dictates. His life threatened, Verdi escapes from the camp and meets up with an American woman, Chiara Frangiapani, who helps him elude capture as they flee to the Lower Peninsula. By 1956 they have become Frank and Claire Green, a young married couple building a new life in postwar Detroit. When INS agent James Giannopoulos tracks them down, Frank learns that Vogel is executing men like Frank for their wartime transgressions. As a series of brutal murders rivets Detroit, Frank is caught between American justice and Nazi vengeance. In Wolf ’s Mouth, the recollections of Francesco Verdi/Frank Green give voice to the hopes, fears, and hard choices of a survivor as he strives to escape the ghosts of history.

Shortlisted for the Juan E. Mendez Book Award for Human Rights in Latin America “Chilling and nuanced ... a murder mystery but also, more important, a portrait of a nation where no one knows what to believe, or whom to trust."--Mark Bowden, The New York Times Book Review "Epic ... deeply reported and riveting."--NPR Online Former AP Mexico bureau chief Katherine Corcoran's pulsating investigation into the murder of a legendary woman journalist on the verge of exposing government corruption in Mexico. Regina Martínez was no stranger to retaliation. A journalist out of Mexico's Gulf Coast state of Veracruz, Regina's stories for the magazine Proceso laid out the corruption and abuse underlying Mexican politics. She was barred from press conferences, and copies of Proceso often disappeared before they made the newsstands. In 2012, shortly after Proceso published an article on corruption and two Veracruz politicians, and the magazine went missing once again, she was bludgeoned to death in her bathroom. The message was clear: No journalist in Mexico was safe. Katherine Corcoran, then leading the Associated Press coverage of Mexico, admired Regina Martínez's work. Troubled by the news of her death, Corcoran journeyed to Veracruz to find out what had happened. Regina hadn't even written the controversial article. But did she have something else that someone didn't want published? Once there, Katherine bonded with four of Regina's grief-stricken mentees, each desperate to prove who was to blame for the death of their friend. Together they battled cover-ups, narco-officials, red tape, and threats to sift through the mess of lies-and discover what got Regina killed. A gripping look at reporters who dare to step on the deadly “third rail,” where the state and organized crime have become indistinguishable, In the Mouth of the Wolf confronts how silencing the free press threatens basic protections and rule of law across the globe.

When a freak accident involving an infallible gambler, a truck full of chickens and a gas pump leaves an easygoing young man named Iple deaf, he decides to travel to Antarctica. Tagging along with a team of contrary, often childish scientists, he is the sole member of the expedition to keep his head as the days stretch and the nights become non-existent. While wandering the tundra Iple finds the frozen body of a runaway scientist whose ghost asks him to detour towards an enormous sheet of translucent ice. Below the sheet, with her four legs in the air, is Isabella, a dinosaur and the last DNA repository of a wealth of human and pre-human knowledge. What follows is a mesmerizing detour into our species’ fear and wonder at the nature of prediction. Paul Fattaruso’s vision is a statisticians wet dream and a mystics worst nightmare…or is it the other way around? Fattaruso, trained as a poet, spins a lyrical and highly visual modern day fable, a creation myth for the generation whose gods look more like dinosaurs than any monster before or since.