Woman S Power Man S Game

Woman's Power, Man's Game is a revealing and thoughtful analysis of women in antiquity, as portrayed in classical literature. The book features essays by 12 classicists who provide provocative examinations of significant aspects of female situations in antiquity.

This study analyzes the anonymous Tractatus de Mulieribus, a brief, virtually unknown Greek work, telling of fourteen outstanding women, Greek and barbarian, notable for their intelligence, initiative and courage. The first part of the book is a comprehensive introduction to the treatise and includes - in addition to the original text and an English translation - an examination of both the content and form of De Mulieribus, particularly as a catalogue of women. The times, methods, and purposes of the anonymous author are also investigated. Commentary-essays on the individual women then follow. A wide variety of sources are utilized in order to sketch the fullest possible portrait of each of these lively women. This book, the very first study of De Mulieribus, is a useful introduction to a remarkable treatise.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

In this book, Sarah Pomeroy seeks to reconstruct the lives and the world of Sparta's women--including how their legal status changed over time and how they held on to their surprising autonomy. Written by one of the leading authorities on women in antiquity, this is the first full-length study of Spartan women.

This book explores how women in antiquity influenced cultural spheres normailly thought of as male.

Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete. The book offers a systematic analysis of women’s tasks, holdings, and social and economic status in the Linear B tablets dating from the 14th and 13th centuries BCE, identifying how Mycenaean women functioned in the economic institutions where they were best attested - production, property control, land tenure, and cult. Analysing all references to women in the Mycenaean documents, the book focuses on the ways in which the economic institutions of these Bronze Age palace states were gendered and effectively extends the framework for the study of women in Greek antiquity back more than 400 years. Throughout, the book seeks to establish whether gender practices were uniform in the Mycenaean states or differed from site to site and to gauge the relationship of the roles and status of Mycenaean women to their Archaic and Classical counterparts to test if the often-proposed theories of a more egalitarian Bronze Age accurately reflect the textual evidence. The Linear B tablets offer a unique, if under-utilized, point of entry into women’s history in ancient Greece, documenting nearly 2000 women performing over fifty task assignments. From their decipherment in 1952 one major gap in the scholarly record remained: a full accounting of the women who inhabited the palace states and their tasks, ranks, and economic contributions. Women in Mycenaean Greece fills that gap recovering how class, rank, and other social markers created status hierarchies among women, how women as a group functioned relative to men, and where different localities conformed or diverged in their gender practices.

Presents a biographical dictionary profiling more than 500 important ancient Greek and Roman women, including when and where they lived, and notable accomplishments.

It has long been said that a woman's hair is her crowning glory. Indeed, throughout history, hair has remained an important cultural symbol of femininity. In medieval art, iconic images of long, flowing locks can express sexuality, and the cutting of a woman's hair often signals her feminine misbehavior. Artists of all kinds in the Middle Ages used women's long hair to manipulate their audience's estimation of their female figures. This interdisciplinary work explores the significance of women's hair in literature and art from the medieval period through 1525, putting into historical context the ways in which hair participates in construction of the female identity.