Women And The Mafia

The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women.

This volume focuses on women whose lives are entangled in the workings of the Mafia, drawing on courtroom testimonies, interviews, contemporary journalism and recent research. Individual narratives illuminate women's experiences, both as victims or active opponents.

Women in the Mafia are taking a leading role. They kill for revenge, buy arms, run extortion rackets, recycle drug money. Some want to be bosses themselves. Claire Longrigg has tracked these women down and they have talked to her at length. In this brave and vivid book she describes the traditional - and changing - role of women in the Cosa Nostra, both in Italy and the USA. She writes too, of how women have used their knowledge of the Mafia to escape from it, by turning informer to win freedom from violent marriages and to give their children a future. This movement has started a social revolution. The Mafia can no longer depend on women to be silent martyrs- in the future they will either be partners - or they will bring the organisation down.

In this comprehensive study of the role of women in the Italian mafia, Ombretta Ingrasci assesses the roles and spaces of women within traditionally male, patriarchal organized crime units. The study draws on an extensive range of research, legal reports and interviews with women involved with the mafia, public officials and police. Placed within a framework of political, social, cultural and religious history, post-1945, this book provides an excellent history of women and organized crime in modern Italy.

The role of women in the Italian mafias has long been overlooked. So who are they? Pure and virtuous Madonnas or dangerous Godmothers? Reduced to victim status and relegated to domestic life, women serve as the mafia's respectable facade: virtuous and docile. But, as Milka Kahn and Anne Veron reveal in this absorbing book, women have always been at the heart of Italy's criminal organisations. While the men are behind bars or on the run, it is left to their wives and mothers to uphold and pass on the 'family values'. Once widowed, some push their sons to vendetta; others become mafia chiefs in their own right. Yet many also decide to risk their lives, collaborating with the authorities and renouncing mafia society in search of normality.Through first-hand accounts of submission, complicity and revolt, Women of Honour paints a complex and fascinating portrait of the women in Italy's mafias who have overcome a culture of silence to share their extraordinary stories.--

Gender and Memory brings together contributions from around the world and from a range of disciplines--history and sociology, socio-linguistics and family therapy, literature--to create a volume that confronts all those concerned with autobiographical testimony and narrative, both spoken and written. The fundamental theme is the shaping of memory by gender. This paperback edition includes a new introduction by Selma Leydesdorff, coeditor of the Memory and Narrative series of which this volume is a part. Are the different ways in which men and women are recalled in public and private memory and the differences in men's and women's own memories of similar experiences, simply reflections of unequal lives in gendered societies, or are they more deeply rooted? The sharply differentiated life experiences of men and women in most human societies, the widespread tendencies for men to dominate in the public sphere and for women's lives to focus on family and household, suggest that these experiences may be reflected in different qualities of memory. The contributors maintain that memories are gendered, and that the gendering of memory makes a strong impact on the shaping of social spaces and expressive forms as the horizons of memory move from one generation to the next. They argue that in order to understand how memory becomes gendered, we need to travel through the realms of gendered experience and gendered language. Selma Leydesdorff is professor of oral history at the University of Amsterdam. Her publications include We Lived with Dignity and Trauma and (with Kim Lacy Rogers) Trauma: Life Stories of Survivors. Luisa Passerini is professor of cultural history at the University of Torino. Her publications include Europe in Love, Love in Europe: Imagination and Politics Between the Wars, Il mito d'Europa: Radici antiche per nuovi simboli, and Memoria e utopia: Il primato dell'intersoggettivit. Paul Thompson is research professor in sociology at the University of Essex and a fellow at the Institute of Community Studies, London. He is founder-editor of Oral History, and founder of the National Life Story Collection, British Library National Sound Archive. His previous publications include The Voice of the Past and The Edwardians.

NOW A MAJOR TV SERIES The electrifying, untold story of the women born into the most deadly and obscenely wealthy of the Italian mafias – and how they risked everything to bring it down. The Calabrian Mafia—known as the ’Ndrangheta—is one of the richest and most ruthless crime syndicates in the world, with branches stretching from America to Australia. It controls seventy percent of the cocaine and heroin supply in Europe, manages billion-dollar extortion rackets, brokers illegal arms deals—supplying weapons to criminals and terrorists—and plunders the treasuries of both Italy and the European Union. The ’Ndrangheta’s power derives from a macho mix of violence and silence—omertà. Yet it endures because of family ties: you are born into the syndicate, or you marry in. Loyalty is absolute. Bloodshed is revered. You go to prison or your grave and kill your own father, brother, sister, or mother in cold blood before you betray The Family. Accompanying the ’Ndrangheta’s reverence for tradition and history is a violent misogyny among its men. Women are viewed as chattel, bargaining chips for building and maintaining clan alliances and beatings—and worse—are routine. In 2009, after one abused ’Ndrangheta wife was murdered for turning state’s evidence, prosecutor Alessandra Cerreti considered a tantalizing possibility: that the ’Ndrangheta’s sexism might be its greatest flaw—and her most effective weapon. Approaching two more mafia wives, Alessandra persuaded them to testify in return for a new future for themselves and their children. A feminist saga of true crime and justice, The Good Mothers is the riveting story of a high-stakes battle pitting a brilliant, driven woman fighting to save a nation against ruthless mafiosi fighting for their existence. Caught in the middle are three women fighting for their children and their lives. Not all will survive.

The untold stories of the women who have risen to prominence and notoriety in Italy's mafia—many more ruthless than the fathers and husbands they replaced—and the octogenarian murderer who decades ago blazed a bloody trail for them to follow. In 1955 in a public market outside Naples, Italy, a pregnant teenage widow named Assunta “Pupetta” Maresca encounters the man she believes to be her husband's killer. Minutes later, police find the man dead, riddled with an astonishing 29 bullets. Pupetta is arrested and convicted for his death. "I killed for love," she declares in court, "and I'd do it again!" It is the middle of the twentieth century. Italy is impoverished after the war. Criminal organization are springing up where governments fail their citizens. Women are considered adjunct to the growth of the criminal class; they are mothers who train sons in the primacy of blood feuds, or they are daughters and sisters who deliver messages for imprisoned male relatives. But Pupetta changes that. She is heralded "Lady Camorra," and in prison she takes on legendary stature, with films and TV shows produced to capitalize on her outlaw image. The crime and even the killing does not stop there for Pupetta, and though she is arguably the first mafia godmother, she is not the worst. Some of the women who follow in her footsteps will meet terrible fates; others will lead their clans. But if CNN correspondent and Daily Beast Rome bureau chief makes one thing clear in The Godmother, it's that as women seize ever more control of Italy's criminal underworld, they are proving themselves more vicious, cunning and cutthroat than the men they replace.