Women On The Verge Of Home

This book explores the idea of "home." Using feminist scholarship and ethnographically grounded readings of historical, literary, and cultural texts, contributors interrogate the comfortable and stable contours of home and ask what it means to women in different social, class, sexual, ethnic, and racial contexts in different times and places. Giving voice to diverse women's understandings of home, the book includes stories of elite white U.S. and Canadian women, rural poor and peasant white women in the United States and France, a British Caribbean freed slave woman, and others.

This book explores the idea of "home." Using feminist scholarship and ethnographically grounded readings of historical, literary, and cultural texts, contributors interrogate the comfortable and stable contours of home and ask what it means to women in different social, class, sexual, ethnic, and racial contexts in different times and places. Giving voice to diverse women's understandings of home, the book includes stories of elite white U.S. and Canadian women, rural poor and peasant white women in the United States and France, a British Caribbean freed slave woman, and others.

Martin pens a warm, funny, and intimate diary of her voyage into the world of therapy, which she calls the strangest journey of my life. Martin's fantastic journey of self-awareness is heartbreaking and hilarious--Julie Klam, author of "Please Excuse My Daughter."

This text analyses director Pedro Almodovar's insights into gender, sexuality and subjectivity in his film Women on the Verge of a Nervous Breakdown. The author draws on a range of psychoanalytic and critical concepts and sees the film as an account of the often tyrannical spell of sexual desire, of the anxieties of relationships and families, but also of the possibilities of personal liberation. Peter William Evans also discusses the recent history of Spain and ties the film's concerns into the social revolution which occurred after the death of Franco.

DIVExplores issues of gender, race and national identity in Japan, by taking up for critical analysis an emergent national trend, in which some urban Japanese women turn to the West--through study abroad, work abroad, and romance with Westerners-- in order/div

Over the past few decades, many young Japanese women have emerged as Japan’s most enthusiastic “internationalists,” investing in study or work abroad, or in romance with Western men as opportunities to circumvent what they consider their country’s oppressive corporate and family structures. Drawing on a rich supply of autobiographical narratives, as well as literary and cultural texts, Karen Kelsky situates this phenomenon against a backdrop of profound social change in Japan and within an intricate network of larger global forces. In exploring the promises, limitations, and contradictions of these “occidental longings,” Women on the Verge exposes the racial and erotic politics of transnational mobility. Kelsky shows how female cosmopolitanism recontextualizes the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the “modern” West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West. While transnational movement is not available to all Japanese women, Kelsky shows that the desire for the foreign permeates many Japanese women’s lives. She also reveals how this feminine allegiance to the West—and particularly to white men—can impose its own unanticipated hegemonies of race, sexuality, and capital. Combining ethnography and literary analysis, and bridging anthropology and cultural studies, Women on the Verge will also appeal to students and scholars of Japan studies, feminism, and global culture.

In thinking about the evolution of the role of women in society over the past hundred years, Piero San Giorgio appeals to women as wives and mothers, calling on them to appreciate the fragility of our world and the impermanence of our civilization. Piero is attuned to the reality that as our contemporary society collapses, a woman will find herself in an extremely vulnerable position: the law will no longer protect her or her children, while the males battle for survival. Piero explains the specifics of survivalism for women, teaching them how to independently cope with the looming catastrophe and survive. The practical sections on preparation are followed by testimonials by 23 real women, of different nationalities, ages, social strata, sexual orientations and marital status, who have already embarked on the path of survivalism. They give advice-very practical and realizable, and not just to women but also to men-on becoming autonomous and independent from the system, and on becoming prepared for all things and at all times.

Fans of Monday's Not Coming and Girl in Pieces will love this award-winning novel about a girl on the verge of losing herself and her unlikely journey to recovery after she is removed from anything and everyone she knows to be home. Moving from Trinidad to Canada wasn't her idea. But after being hospitalized for depression, her mother sees it as the only option. Now, living with an estranged aunt she barely remembers and dealing with her "troubles" in a foreign country, she feels more lost than ever. Everything in Canada is cold and confusing. No one says hello, no one walks anywhere, and bus trips are never-ending and loud. She just wants to be home home, in Trinidad, where her only friend is going to school and Sunday church service like she used to do. But this new home also brings unexpected surprises: the chance at a family that loves unconditionally, the possibility of new friends, and the promise of a hopeful future. Though she doesn't see it yet, Canada is a place where she can feel at home--if she can only find the courage to be honest with herself. "A hopeful story about finding one's place."-Kirkus Reviews, Starred review