Women On The Verge

This text analyses director Pedro Almodovar's insights into gender, sexuality and subjectivity in his film Women on the Verge of a Nervous Breakdown. The author draws on a range of psychoanalytic and critical concepts and sees the film as an account of the often tyrannical spell of sexual desire, of the anxieties of relationships and families, but also of the possibilities of personal liberation. Peter William Evans also discusses the recent history of Spain and ties the film's concerns into the social revolution which occurred after the death of Franco.

DIVExplores issues of gender, race and national identity in Japan, by taking up for critical analysis an emergent national trend, in which some urban Japanese women turn to the West--through study abroad, work abroad, and romance with Westerners-- in order/div

Martin pens a warm, funny, and intimate diary of her voyage into the world of therapy, which she calls the strangest journey of my life. Martin's fantastic journey of self-awareness is heartbreaking and hilarious--Julie Klam, author of "Please Excuse My Daughter."

Joanie's ex-husband is having a baby with his new girlfriend. Joanie won't be having more babies, since she's decided never to have sex again. But she still has her teenaged daughter Caroline to care for. And thanks to the recession, her elderly mother Ivy as well. Her daughter can't seem to exist without texting, and her mother brags about "goggling,"-while Joanie, back in the workforce, is still trying to figure out her office computer. And how to fend off the advances of her coworker Bruce. Joanie, Caroline, and Ivy are stuck under the same roof, and it isn't easy. But sometimes they surprise each other-and themselves. And through their differences they learn that it is possible to undo the mistakes of the past.

Self Help.

"Absolutely essential, as is the underlying message that girls take care of each other when no one else will." —Booklist, Starred Review A 2020 YALSA Best Fiction for Young Adults Selection Girls on the Verge is an incredibly timely novel about a woman’s right to choose. Sharon Biggs Waller brings to life a narrative that has to continue to fight for its right to be told, and honored. Camille couldn't be having a better summer—she kills it as Ophelia in her community theater's production of Hamlet, catches the eye of the cutest boy in the play, and nabs a spot in a prestigious theater program. But on the very night she learns she got into the program, she also finds out she’s pregnant. She definitely can’t tell her parents. And her best friend Bea doesn’t agree with the decision Camille has made. Camille is forced to try to solve her problem alone...and the system is very much working against her. At her most vulnerable, Camille reaches out to Annabelle Ponsonby, a girl she only barely knows from the theater. Happily, Annabelle agrees to drive her wherever she needs to go. And in a last minute change of heart, Bea decides to come with. Over the course of more than a thousand miles, friendships will be tested and dreams will be challenged. But ultimately, the girls will realize that friends are the real heroes in every story. "[C]ompelling... This title offers realistic viewpoints on teenage pregnancy, along with what it is like to have the right to choose, wanting that right, and living knowing that you will be judged for having exercised it." —School Library Journal, Starred Review

This book explores the idea of "home." Using feminist scholarship and ethnographically grounded readings of historical, literary, and cultural texts, contributors interrogate the comfortable and stable contours of home and ask what it means to women in different social, class, sexual, ethnic, and racial contexts in different times and places. Giving voice to diverse women's understandings of home, the book includes stories of elite white U.S. and Canadian women, rural poor and peasant white women in the United States and France, a British Caribbean freed slave woman, and others.

In thinking about the evolution of the role of women in society over the past hundred years, Piero San Giorgio appeals to women as wives and mothers, calling on them to appreciate the fragility of our world and the impermanence of our civilization. Piero is attuned to the reality that as our contemporary society collapses, a woman will find herself in an extremely vulnerable position: the law will no longer protect her or her children, while the males battle for survival. Piero explains the specifics of survivalism for women, teaching them how to independently cope with the looming catastrophe and survive. The practical sections on preparation are followed by testimonials by 23 real women, of different nationalities, ages, social strata, sexual orientations and marital status, who have already embarked on the path of survivalism. They give advice-very practical and realizable, and not just to women but also to men-on becoming autonomous and independent from the system, and on becoming prepared for all things and at all times.