Woodland Dreams

In Woodland Dreams, young readers say goodnight to beloved woodland animals as they prepare to sleep. This sweet bedtime book is at once a picture book and a lullaby, pairing familiar bedtime routines with nonfiction elements. Little ones will follow along as each animal returns to their warm and cozy woodland home. • Each adorable animal has their own special nighttime routine. • Charming illustrations by celebrated artist Marc Boutavant • Each animal is presented in an approachable, sleep-affirming way. And once every creature is tucked in tight, shhh . . . It's time for everyone to say goodnight. From the fox curling up in her den to the turtle dozing off in his shell, Woodland Dreams will send your little one off to sleep with a gentle and loving goodnight. • The lyrical text is perfect for bedtime read-alouds, engaging little readers with beautiful illustrations and a cozy rhyming narrative. • Ideal for children ages 3 to 5 years old • Perfect for parents, grandparents, and caregivers • You'll love this book if you love books like Time for Bed by Mem Fox, The Goodnight Train by June Sobel, and If Animals Kissed Good Night by Ann Whitford Paul.

In Woodland Dreams, young readers say goodnight to beloved woodland animals as they prepare to sleep. This sweet bedtime book is at once a picture book and a lullaby, pairing familiar bedtime routines with nonfiction elements. Little ones will follow along as each animal returns to their warm and cozy woodland home. • Each adorable animal has their own special nighttime routine. • Charming illustrations by celebrated artist Marc Boutavant • Each animal is presented in an approachable, sleep-affirming way. And once every creature is tucked in tight, shhh . . . It's time for everyone to say goodnight. From the fox curling up in her den to the turtle dozing off in his shell, Woodland Dreams will send your little one off to sleep with a gentle and loving goodnight. • The lyrical text is perfect for bedtime read-alouds, engaging little readers with beautiful illustrations and a cozy rhyming narrative. • Ideal for children ages 3 to 5 years old • Perfect for parents, grandparents, and caregivers • You'll love this book if you love books like Time for Bed by Mem Fox, The Goodnight Train by June Sobel, and If Animals Kissed Good Night by Ann Whitford Paul.

This analysis opens with a historical review of dream interpretation, exploring the structure, theory, and function of dreams in primitive cultures and examining their predominant symbols, types, and forms. Focusing on Native American dreams, the study defines their significance to the individual and their relationship to the culture pattern.

There have been many books written by and about people who have undergone horrible experiences in life. My purpose in writing this account is not to describe the atrocities that I experienced. It is to chronicle the recovery process and explain how I coped as a child, and how I am coping now, with Dissociative Identity Disorder. There are other personalities in my body. DID is very confusing and very scary. If by recording my strategies in book form, I can help even one person to deal with their own distress and either remain, or become, a functional member of society, I will consider this account a success. When I first began to put my account in book form, I thought I would group the verses together according to the feelings expressed in them. I did a few verses that way before I discovered that most of the verses portrayed a number of different feelings. As I continued compiling the manuscript I decided to include them in the order that seemed to fit them. I tried to keep them in the order they were written, but as I had already mixed them up that proved to be impossible. I tried very hard not to include any verses more than once. Please excuse me for any duplicates.

Celebrate the promise and potential of spring in this effervescent follow-up to Woodland Dreams. Oh, the promise of spring and a new day! A honeybee, bear cub, bunny, squirrel, fawns, and more wake up as the landscape brims and bursts with spring firsts. In this beautifully illustrated picture book follow-up to their beloved bedtime book, Karen Jameson and Marc Boutavant offer a lyrical and reassuring ode to the morning and a celebration of a new season, affirming the power of greeting the day with energy, positivity, and hope. Readers will adore the heartwarming illustrations and tender moments between animal parents and children. Perfect read-aloud to share over breakfast, with a preschool class for morning storytime, or on the first day of spring. STUNNING ILLUSTRATIONS: Marc Boutavant's detail-rich and incredibly sweet illustrations will rivet young readers as they move through spring-infused scenes filled with woodland animals and flowers. SOOTHING NARRATIVE: In addition to reinforcing concepts like emotional security and unconditional love, the lyrical, rhyming text creates a warm and connected reading experience. EDUCATIONAL CHILDREN'S BOOK: Animals featured in their natural habitats offer a great way to learn about and increase our appreciation of nature. Perfect selection as an Earth Day book for kids! CRITICAL ACCLAIM FOR WOODLAND DREAMS: "Jameson displays a rare gift for harmonious language and rhyme. . . . Sweet fare for bed- or naptimes, with a light frosting of natural history." –Kirkus Reviews, starred review; "[A] classic-feeling narrative that features graceful verse and detailed artwork." –Publishers Weekly Perfect for: Parents, grandparents, and caregivers looking for a sweet springtime book for children Fans of Woodland Dreams and author Karen Jameson's children's books Fans of Marc Boutavant's picture books Parents looking for a book with meaningful parent-child connections Gift givers seeking a sweet and engaging present or Easter basket addition

In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.