World Of Worldly Gods

"In World of Worldly Gods, Kelzang T. Tashi offers the first comprehensive examination of the tenacity of Shamanic Bon practices, as they are lived and contested, in the presence of the invalidating force-Buddhism. Through a rich ethnography of Goleng and nearby villages in central Bhutan, he investigates why people, despite shifting contexts, continue to practice and engage with Bon that has survived over a millennium of impatience from a dominant Buddhist religious structure. Against the backdrop of long-standing debates around practices unsystematically identified as 'Bon', and how they relate to what anthropologists refer to as syncretism, he reframes the often stale and scholastic debates by providing the most clear and succinct statement on how these practices should be conceived in the region. Kelzang T. Tashi argues that the reasons for the tenacity of Bon practices and beliefs amid censures by the Buddhists are manifold and complex. While a significant reason for the persistence of Bon is the recency of formal Buddhist institutions in Goleng, he demonstrates that Bon beliefs are so deeply embedded in village social life that some Buddhists paradoxically feel it necessary to reach a rather awkward accommodation with the Bon priests. Through an analysis of the relationship between Shamanistic Bon and Buddhism, and the contemporary dynamics of Bhutanese society, Kelzang T. Tashi tackles the longstanding concern of anthropology: cultural persistence and change, discusses the mutual accommodation and syncretism between Buddhism and Bon, and offers fresh perspectives on the central distinguishing features of Great and Little Traditions"--

In World of Worldly Gods, Kelzang T. Tashi offers the first comprehensive examination of the tenacity of Shamanic Bon practices, as they are lived and contested in the presence of an invalidating force: Buddhism. Through a rich ethnography of Goleng and nearby villages in central Bhutan, Tashi investigates why people, despite shifting contexts, continue to practice and engage with Bon, a religious practice that has survived over a millennium of impatience from a dominant Buddhist ecclesiastical structure. Against the backdrop of long-standing debates around practices unsystematically identified as 'bon', this book reframes the often stale and scholastic debates by providing a clear and succinct statement on how these practices should be conceived in the region. Tashi argues that the reasons for the tenacity of Bon practices and beliefs amid censures by the Buddhist priests are manifold and complex. While a significant reason for the persistence of Bon is the recency of formal Buddhist institutions in Goleng, he demonstrates that Bon beliefs are so deeply embedded in village social life that some Buddhists paradoxically feel it necessary to reach some kind of accommodation with Bon priests. Through an analysis of the relationship between Shamanic Bon and Buddhism, and the contemporary dynamics of Bhutanese society, this book tackles the longstanding concern of anthropology: cultural persistence and change. It discusses the mutual accommodation and attempted amalgamation of Buddhism and Bon, and offers fresh perspectives on the central distinguishing features of Great and Little Traditions.

"Finally, Demerath places within a comparative context the commonly held view that America is the world's most religious nation and argues that our country is not "more religious" but "differently religious." He concludes that the United States represents a unique combination of congregational religion, religious pluralism, and civil religion."--Jacket.

The most comprehensive scholarly survey of Karl Barth’s theology ever published Karl Barth, arguably the most influential theologian of the 20th century, is widely considered one of the greatest thinkers within the history of the Christian tradition. Readers of Karl Barth often find his work both familiar and strange: the questions he considers are the same as those Christian theologians have debated for centuries, but he often addresses these questions in new and surprising ways. The Wiley Blackwell Companion to Karl Barth helps readers understand Barth’s theology and his place in the Christian tradition through a new lens. Covering nearly every topic related to Barth’s life and thought, this work spans two volumes, comprising 66 in-depth chapters written by leading experts in the field. Volume One explores Barth’s dogmatic theology in relation to traditional Christian theology, provides historical timelines of Barth’s life and works, and discusses his significance and influence. Volume Two examines Barth’s relationship to various figures, movements, traditions, religions, and events, while placing his thought in its theological, ecumenical, and historical context. This groundbreaking work: Places Barth into context with major figures in the history of Christian thought, presenting a critical dialogue between them Features contributions from a diverse team of scholars, each of whom are experts in the subject Provides new readers of Barth with an introduction to the most important questions, themes, and ideas in Barth’s work Offers experienced readers fresh insights and interpretations that enrich their scholarship Edited by established scholars with expertise on Barth’s life, his theology, and his significance in Christian tradition An important contribution to the field of Barth scholarship, the Wiley Blackwell Companion to Karl Barth is an indispensable resource for scholars and students interested in the work of Karl Barth, modern theology, or systematic theology.

This volume contains a wide-ranging survey of musics of the world in historical and social contexts, from ancient times to the present day. It begins by describing aspects of musical style and function in relation to the early developments of civilizations, as background to a study of later transformations. It then describes, in some detail, musical traditions of Africa and Asia, in relation to history/geography and to other aspects of culture. A compendium of information currently available as well as a dialectical examination of musical causation and function, this book aims to lead students, teachers, and those who practice Western music towards a deeper understanding of the various musical traditions that contribute to the modern, multicultural environment.

The Essays of Michel de Montaigne (1877) is a collection of essays and letters by Michel de Montaigne. Originally published in French as Essais (1580), this edition was translated by English poet Charles Cotton in the late-17th century and republished by William Carew Hazlitt, the grandson of renowned English essayist and critic William Hazlitt. “No man living is more free from this passion [of sorrow] than I, who yet neither like it in myself nor admire it in others, and yet generally the world, as a settled thing, is pleased to grace it with a particular esteem, clothing therewith wisdom, virtue, and conscience. Foolish and sordid guise!” In his masterful essays, Michel de Montaigne eschews the typical distancing required of the authorial voice in order to investigate public matters through a personal lens. As the subject of his own musings, he provides both a stirring self-portrait and an invaluable new voice that will resonate throughout Western literature. Unlike the Enlightenment thinkers who would follow in his footsteps, Montaigne is skeptical of the possibility of human certainty and takes an ethical stand against the European colonial project in the Americas and elsewhere. At times serious, at others tongue-in-cheek, his wide-ranging topics include conscience, politics, sorrow, solitude, fear, friendship, war, and poetry. The Essays of Michel de Montaigne were written at a crossroads in human history—between Renaissance and Enlightenment, Catholicism and Protestantism, Montaigne argues that to look outward requires we first look within, and that the quest for happiness requires us to accept what we cannot know. With a beautifully designed cover and professionally typeset manuscript, this edition of The Essays of Michel de Montaigne is a classic of French philosophy reimagined for modern readers.