World S Fair Day

Marisol shares her Colombian heritage with her class for World’s Fair Day. Domain-specific vocabulary and tight picture-text correlation will allow readers to learn about Colombia’s culture. Readers join Marisol’s class as they learn about the capital of Colombia and the foods Colombia is known for. This fiction title is paired with the nonfiction title Ximena Is from Colombia.

While reporting the events of the St. Louis World's Fair for her local newspaper in 1906, Laura Ingalls Wilder teams up with Alice Roosevelt to stop the inhuman Anthropological Games.

In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.

Written for people who are just completely sick of themselves, An Off Day In My World’s Fair contains more than 2,500 jokes and one-liners that offers readers one example of how to make nothing of themselves and being happy with the end results. A well-deserved getaway day. Willidau has taken leave of his senses to spend one day taking care of himself. Ken Willidau’s philosophy is that if you can’t get away from yourself take yourself away from you. Willidau treats himself fairly on his off day, amusing himself with all the things life has had to offer and throws it back at you. And you’ll be the one caught up in his escapism. Chapter exhibits make the day one to really remember and one to really forget. Among them, “Hall of Mirrors”, “The Food Building”, “A Rollercoaster Ride”, “The Freak Show”, “The Tunnel of Love” and “The Fireworks Extravaganza” make the day one of those once-in-a-lifetime experiences. The day is spent with a host of jokes using wit, dark humour, bottom 10 lists, tongue-in-cheek, plays on words and double entendre humour. Spending your day with Ken will take your mind off you while he goes out of his. An Off Day In My World’s Fair is a perfect read for those times when you know what to do with yourself and you just don’t care too.

Reid L. Neilson provides the first examination of Latter-day Saint participation in the 1893 Columbian Exposition, which was a watershed moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts, and marked the dramatic reengagement of the LDS Church with the outside, non-Mormon world after decades of isolation in America's Great Basin desert.

The 1964-1965 New York World's Fair was the largest international exhibition ever built in the United States. More than one hundred fifty pavilions and exhibits spread over six hundred forty-six acres helped the fair live up to its reputation as "the Billion-Dollar Fair." With the cold war in full swing, the fair offered visitors a refreshingly positive view of the future, mirroring the official theme: Peace through Understanding. Guests could travel back in time through a display of full-sized dinosaurs, or look into a future where underwater hotels and flying cars were commonplace. They could enjoy Walt Disney's popular shows, or study actual spacecraft flown in orbit. More than fifty-one million guests visited the fair before it closed forever in 1965. The 1964-1965 New York World's Fair captures the history of this event through vintage photographs, published here for the first time.

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it

Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "Master Builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World' s Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, the New York Times bestseller Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters. Meanwhile, the Fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock-and-roll right there in Queens. And as Southern civil rights efforts turned deadly, and violent protests also occurred in and around the Fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict. World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964-65 Fair was truly exceptional.