Worlds Apart

Over five years, sociologist Cynthia Duncan visited remote rural areas across the U.S. and conducted 350 in-depth interviews with the residents to unravel the ways in which poverty is perpetuated--and what can be done to alleviate the problem. Illustrations.

We are used to thinking about inequality within countries--about rich Americans versus poor Americans, for instance. But what about inequality between all citizens of the world? Worlds Apart addresses just how to measure global inequality among individuals, and shows that inequality is shaped by complex forces often working in different directions. Branko Milanovic, a top World Bank economist, analyzes income distribution worldwide using, for the first time, household survey data from more than 100 countries. He evenhandedly explains the main approaches to the problem, offers a more accurate way of measuring inequality among individuals, and discusses the relevant policies of first-world countries and nongovernmental organizations. Inequality has increased between nations over the last half century (richer countries have generally grown faster than poorer countries). And yet the two most populous nations, China and India, have also grown fast. But over the past two decades inequality within countries has increased. As complex as reconciling these three data trends may be, it is clear: the inequality between the world's individuals is staggering. At the turn of the twenty-first century, the richest 5 percent of people receive one-third of total global income, as much as the poorest 80 percent. While a few poor countries are catching up with the rich world, the differences between the richest and poorest individuals around the globe are huge and likely growing.

Worlds Apart presents a cohesive set of essays by leading thinkers on the subject of globalization, offering a thoughtful overview of the major environmental issues related to globalization in a clear, reasoned style. Framed by Gus Speth’s introduction and conclusion, essays range from Jane Lubchenco’s discussion of the scientific indicators of global environmental change to Robert Kates’ examination of the prospect that our growing global interconnectedness could lead a transition to a more sustainable world to Vandana Shiva’s impassioned plea for a new “living democracy” that counters the degrading, dehumanizing tendencies of the global economy. Other contributors include Maurice Strong on the Rio Earth Summit and the future course of environmentalism, José Goldemberg on energy, Jerry Mander on the inherent destructiveness of the global economic system, Stephan Schmidheiny on the forestry industry, and Daniel Esty and Maria Ivanova on global environmental governance. Edited by one of the world’s leading experts on international environmental issues, the book brings together the most respected thinkers and actors on the world stage to offer a compelling set of perspectives and a solid introduction to the social and environmental dimensions of globalization.

Worlds Apart is concerned with one of the new futures of anthropology, namely the advances in technologies which r eate an imagination of new global and local forms. It also analyses studies of the consumption of these forms and attempts to go beyond the assumptions that consumption either localises or fails to effect global forms and images. Several of the chapters are written by anthropologists who have specialised in material culture studies and who examine the new forms, especially television and mass commodities, as well as some new uses of older forms, such as the body. The book also considers the ways in which people are increasingly not the primary creators of these images but have become secondary consumers.

Owen and Bethany try to find their way back to each other after the fictional and nonfictional worlds are torn apart in the finale of this "New York Times"-bestselling series.

Focusing on Britain and America in the years 1550 to 1750, the book discusses the forms and conventions that structured both commerce and theatre.

Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias." Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.

Beth Richards writes: "My poetry probably reflects the inside image of my thoughts-sometimes very deep thoughts. I write from the heart and sometimes when I'm in a reflective mood my poetry is serious and somewhat philosophical " This collection of poems is a result of Beth's suggestion to Charles Muller that they produce a book that combines their gifts. Beth says: "Charles and I have led two very different lives, and it shows in our writing-hence the title Worlds Apart. Apart from having been born in different hemispheres, we are two very different people, but we appear to be kindred spirits in many ways. (Both born under the star sign of Leo!)" The poems by Charles Muller are perhaps more startling, with jagged images and sentences that cut like broken glass, sometimes exposing the raw nerves of life. Many of these were composed in the context of Apartheid South Africa and recall the violence and injustices of those times. Beth and Charles are also artists, and the cover depicts a painting by each of the poet-paintings that highlight their contrasting worlds.