Wrigley S British Columbia Directory

Excerpt from Wrigley's British Columbia Directory, 1918: In Four Main Sections, Year Book of British Columbia, a Compilation of the Wonderful Resources of British Columbia, Summarized From Official Sources; Gazetteer and Alphabetical Directory, Describing 2010 Cities, Towns, Villages, Settlements and Places Railway. For the election of the new coun cil, which for the first time in the history of the united colonies was preponderatingly representative in character, the colony was divided into eight electoral districts, con sisting of Victoria city, Victoria district, Nanaimo, New Westminster, Hope, Yale and Lytton, Lillooet and Clinton, and Cari boo and Kootenay. Of these, Victoria city returned two members. The election was held in November, and the council met in January, 1871. The chief work of the session was, of course, the ratification of the terms of union previously agreed upon. This done. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A distillation of sixty-seven of the best and most important plates from the original three volumes of the bestselling of the Historical Atlas of Canada.

In October 1890, Eugene T. Kingsley’s life changed irrevocably when he was injured in a fall between two rail cars while working as a brakeman on the Northern Pacific Railway. Following the amputation of both his legs, Kingsley became radicalized and joined the Socialist Labor Party in San Francisco. His activism eventually brought him to Vancouver, B.C. where he founded the Socialist Party of Canada. A self-described “uncompromising enemy of class rule and class robbery,” Kingsley wrote prolifically on the exploitation of wage slaves by the capitalist class. Also known as a passionate orator, he went on to become one of the most prominent socialist intellectuals of his day. Class Warrior is a collection of Kingsley’s writing and speeches that underscores his tremendous impact on Canadian political discourse.

This book argues that mobility is the central theme of the interwar mode of design known today as Art Deco. It is present on the very surfaces of Art Deco objects and architecture – in iconography and general formal qualities (whether the zigzag rectilinear forms ­popular in the 1920s or curvilinear streamlining of the 1930s). By focussing on mobility as a means of tying the seemingly disparate qualities of Art Deco together, Michael Windover shows how the surface-level expressions correspond as well with underpinning systems of mobility, including those associated with migration, transportation, commodity exchange, capital, and communication. Journeying across the globe – from a skyscraper in ­Vancouver, B.C., to a department store in Los Angeles, and from super-cinemas in Bombay (Mumbai) to radio cabinets in Canadian living rooms – this richly illustrated book examines the reach of Art Deco as it affected public ­cultures. Windover’s innovative perspective exposes some of the socio-­political consequences of this “mode of mobility” and offers some reasons as to how and why Art Deco was incorporated into everyday lifestyles around the world.

In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients. From this early example of tattooing as work, Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing’s place within wider society, Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career. Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered.