Writing Exile The Discourse Of Displacement In Greco Roman Antiquity And Beyond

The volume explores how Greek and Latin authors perceive and present their own (real or metaphorical) exile and employ exile as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.

The volume explores how Greek and Latin authors perceive and present their own (real or metaphorical) exile and employ exile as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.

Early Christians spoke about themselves as resident aliens, strangers, and sojourners, asserting that otherness is a fundamental part of being Christian. But why did they do so and to what ends? How did Christians' claims to foreign status situate them with respect to each other and to the larger Roman world as the new movement grew and struggled to make sense of its own boundaries? Aliens and Sojourners argues that the claim to alien status is not a transparent one. Instead, Benjamin Dunning contends, it shaped a rich, pervasive, variegated discourse of identity in early Christianity. Resident aliens and foreigners had long occupied a conflicted space of both repulsion and desire in ancient thinking. Dunning demonstrates how Christians and others in antiquity capitalized on this tension, refiguring the resident alien as being of a compelling doubleness, simultaneously marginal and potent. Early Christians, he argues, used this refiguration to render Christian identity legible, distinct, and even desirable among the vast range of social and religious identities and practices that proliferated in the ancient Mediterranean. Through close readings of ancient Christian texts such as Hebrews, 1 Peter, the Shepherd of Hermas, and the Epistle to Diognetus, Dunning examines the markedly different ways that Christians used the language of their own marginality, articulating a range of options for what it means to be Christian in relation to the Roman social order. His conclusions have implications not only for the study of late antiquity but also for understanding the rhetorics of religious alienation more broadly, both in the ancient world and today.

This volume aims to provide an interdisciplinary examination of various facets of being alone in Greco-Roman antiquity. Its focus is on solitude, social isolation and misanthropy, and the differing perceptions and experiences of and varying meanings and connotations attributed to them in the ancient world. Individual chapters examine a range of ancient contexts in which problems of solitude, loneliness, isolation and seclusion arose and were discussed, and in doing so shed light on some of humankind’s fundamental needs, fears and values.

This book focuses on literature and cinema in English or French by authors and directors not working in their native language. Artists with hybrid identities have become a defining phenomenon of contemporary reality following the increased mobility between civilisations during the postcolonial period and the waves of emigration to the West. Cinema and prose fiction remain the most popular sources of cultural consumption, not least owing to the adaptability of both to the new electronic media. This volume considers cultural products in English and French in which the explicitly multi-focal representation of authors' experiences of their native languages/cultures makes itself conspicuous. The essays explore work by the peripheral and those without a country, while problematising what might be meant by the widely used but not always well-defined term ‘bicultural’. The first section looks at films by such well-known filmmakers working in France as Bouchareb, Kechiche, Legzouli and Dridi, as well as the animated feature Persepolis. Here the focus is on the representation of human experience in spatial terms, exploring the appropriation of territory cohabited by ‘local’ people, newcomers and their children, haunted by the cultural memories of distant places. The second part is devoted to multicultural authors whose ‘native’ language was English, Russian, Polish, Hungarian or Spanish (Beckett, Herzen, Voyeikova, Triolet, Conrad, Hoffmann, Kristof, Dorfman), and their creative engagement with difference. A study of the emergence of multilingual writing in Montaigne and an autobiographical essay by Elleke Boehmer on growing up surrounded by English, Dutch, Afrikaans and Zulu frame the volume's chapters. The collection relishes the freedom provided by liberation from the confines of one language and culture and the delight in creative multilingualism. This book will be of significant interest to those studying the subject of biculturalism, as well as the fields of comparative literature and cinema.

In his book Josef Hrdlička opens the question of what exactly constitutes Exile Poetry, and indeed whether it amounts to a category as fundamental as Romantic or Bucolic lyricism. He covers the intricately complex and diverse topic of exile by exploring selected literary texts from antiquity to the present, giving due attention to writers that have influenced the exile discourse; from Ovid, Goethe and Baudelaire to the thinkers and poets of the 20th century like Adorno or Saint-John Perse. Against this backdrop of exile poetics, he turns his attention to Czech poets who left their homeland after the Communist Coup of 1948 and were notable contributors to Czech literature abroad. Hrdlička considers the works of Ivan Blatný, Milada Součková, Ivan Diviš and Petr Král, to show the continuity and changes in the western poetic tradition and expressions of exile.

Citizenship in Antiquity brings together scholars working on the multifaceted and changing dimensions of citizenship in the ancient Mediterranean, from the second millennium BCE to the first millennium CE, adopting a multidisciplinary and comparative perspective. The chapters in this volume cover numerous periods and regions – from the Ancient Near East, through the Greek and Hellenistic worlds and pre-Roman North Africa, to the Roman Empire and its continuations, and with excursuses to modernity. The contributors to this book adopt various contemporary theories, demonstrating the manifold meanings and ways of defining the concept and practices of citizenship and belonging in ancient societies and, in turn, of non-citizenship and non-belonging. Whether citizenship was defined by territorial belonging or blood descent, by privileged or exclusive access to resources or participation in communal decision-making, or by a sense of group belonging, such identifications were also open to discursive redefinitions and manipulation. Citizenship and belonging, as well as non-citizenship and non-belonging, had many shades and degrees; citizenship could be bought or faked, or even removed. By casting light on different areas of the Mediterranean over the course of antiquity, the volume seeks to explore this multi-layered notion of citizenship and contribute to an ongoing and relevant discourse. Citizenship in Antiquity offers a wide-ranging, comprehensive collection suitable for students and scholars of citizenship, politics, and society in the ancient Mediterranean world, as well as those working on citizenship throughout history interested in taking a comparative approach.

Two Thousand Years of Solitude: Exile After Ovid is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature and explores the responses to Ovid's portrait of his life in exile. Two millennia after his banishment, Ovid is still a potent symbol of the punished author, suffering in exile.