Yeah Buddy

Best known for winning the Mr. Olympia title eight times, and for lifting every heavy weight in existence (including an 800-pound squat for two easy reps), Ronnie Coleman came from humble beginnings. Born in rural Louisiana to a single mother, Ronnie rose from poverty to achieve his lifelong goal of becoming the best bodybuilder in history. In the process, he learned about life, victory, triumph, defeat, hard work, determination, discipline, glory and adversity. In this book, Ronnie tells us the story his life, from his own perspective, all the way from childhood to the present. He covers, in great detail, all aspects of his journey, from his eight Olympias and his quest to become a muscleman, to the difficult years working at a fast food restaurant, to his love life, to the birth of his daughters, to the relationship with his mother, the rise of his supplement brand, to his back problems, and everything in between. With insights from bodybuilding legends like Arnold Schwarzenegger, Lee Haney, Jay Cutler, Phil Heath, Kevin Levrone, Flex Wheeler, and many others, Ronnie holds nothing back and truly exposes his life in a way he was never done before. "Ronnie became a whole new dimension. It was unbelievable. He showed bodybuilders that there was a whole other way of size and proportion."Arnold Schwarzenegger, 7-time Mr. Olympia (1970-1975, 1980), Hollywood superstar and former Governor of California. "The unbelievable story of the greatest bodybuilder the world has ever known." Men's Health Magazine "In the world of professional Bodybuilding the name Ronnie Coleman stands alone. There has never been an athlete physically able or willing to take the sport beyond the limits of human expectations. Ronnie, did it to the extent that the sport may never witness again."Lee Haney, 8-time Mr. Olympia (1984-1991)"Ronnie Coleman was my idol and someone I looked up to tremendously. Ronnie trained his ass off. He was a very humble guy. I respected him so much."Jay Cutler 4-time Mr. Olympia, (2006-2007, 2009-2010)

The “thoroughly fun . . . [and] crazy good” memoir about one man’s life and how it was changed by the legacy of a rockabilly legend (Chicago Sun-Times). Buddy Holly, icon: black horn-rimmed glasses, blue jeans, a white T-shirt, white socks, loafers, and “Peggy Sue.” Not so much to Gary W. Moore. Admitting he “grew up in a Rock & Roll vacuum,” Gary favored jazz. He couldn’t name a single Buddy Holly song. Buddy Rich? Yes. But that changed in a single evening when Gary was dragged along to a Winter Dance Party in Cedar Falls, Iowa—a tribute to Buddy’s final, tragic 1959 tour. It was headlined by musician extraordinaire John Mueller, whose uncanny recreation of the legend was hailed by Buddy’s own brother Travis as “the best I’ve ever seen.” It took just one song to seize Gary’s heart and soul. From then on, for Gary, it was everything Buddy. In this inspiring “rock-and-rollercoaster of a read”, Moore shares his personal journey to learn more about Buddy’s life, music, his influence, his impact, and the times in which he lived (Bill Guertin, author of Reality Sells). He’d meet Buddy’s friends and family, celebrities, Buddy Holly fans, and make a new friend himself in John Mueller. The result is “as American as apple pie and as compelling as Don McLean’s legendary hit about The Day the Music Died” (James Riordan, New York Times–bestselling author).

“A book that should be read . . . Smith brings an alchemic talent to describing physical labor.” —The New York Times Book Review “Beautiful, funny, and harrowing.” – Sarah Smarsh, The Atlantic “Remarkable . . . this is the book that Hillbilly Elegy should have been.” —Kirkus Reviews A vivid window into the world of working class men set during the Bakken fracking boom in North Dakota Like thousands of restless men left unmoored in the wake of the 2008 economic crash, Michael Patrick Smith arrived in the fracking boomtown of Williston, North Dakota five years later homeless, unemployed, and desperate for a job. Renting a mattress on a dirty flophouse floor, he slept boot to beard with migrant men who came from all across America and as far away as Jamaica, Africa and the Philippines. They ate together, drank together, argued like crows and searched for jobs they couldn't get back home. Smith's goal was to find the hardest work he could do--to find out if he could do it. He hired on in the oil patch where he toiled fourteen hour shifts from summer's 100 degree dog days to deep into winter's bracing whiteouts, all the while wrestling with the demons of a turbulent past, his broken relationships with women, and the haunted memories of a family riven by violence. The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles of America's marginalized boomtown workers—the rough-hewn, castoff, seemingly disposable men who do an indispensable job that few would exalt: oil field hands who, in the age of climate change, put the gas in our tanks and the food in our homes. Smith, who had pursued theater and played guitar in New York, observes this world with a critical eye; yet he comes to love his coworkers, forming close bonds with Huck, a goofy giant of a young man whose lead foot and quick fists get him into trouble with the law, and The Wildebeest, a foul-mouthed, dip-spitting truck driver who torments him but also trains him up, and helps Smith "make a hand." The Good Hand is ultimately a book about transformation--a classic American story of one man's attempt to burn himself clean through hard work, to reconcile himself to himself, to find community, and to become whole.

The Sixth Edition of William A. Corsaro and Judson G. Everitt′s groundbreaking text discusses children and childhood from a sociological perspective—providing in-depth coverage of social theories of childhood, the peer cultures and social issues of children and youth, and children and childhood within the frameworks of culture and history. This revised edition has been thoroughly updated to incorporate the latest research and the most pertinent information so readers can engage in powerful discussions on a wide array of topics.

*INSTANT NEW YORK TIMES BESTSELLER* One of Barack Obama's Recommended Reads for Summer • New York Times Notable Book • NPR’s Best Books of 2021 • Washington Post’s Best Thriller and Mystery Books of the Year • TIME Magazine’s 100 Must-Read Books of 2021 • New York Public Library’s Best Books of the Year • Goodreads Choice Award Nominee • Book of the Month’s Book of the Year Finalist “Provocative, violent — beautiful and moving, too.” —Washington Post “Superb...Cuts right to the heart of the most important questions of our times.” —Michael Connelly “A tour de force – poignant, action-packed, and profound.” —Milwaukee Journal Sentinel A Black father. A white father. Two murdered sons. A quest for vengeance. Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed of his father's criminal record. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy. Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys. Provocative and fast-paced, S. A. Cosby's Razorblade Tears is a story of bloody retribution, heartfelt change - and maybe even redemption. “A visceral full-body experience, a sharp jolt to the heart, and a treat for the senses...Cosby's moody southern thriller marries the skillful action and plotting of Lee Child with the atmosphere and insight of Attica Locke.” —NPR

This marvelously theatrical play is the story of a disturbed young man and his friendship with a disenchanted preacher in southern Indiana in the early 1930s. When the boy was young he almost drowned. This trauma, and the loss of his mother in the same accident, has left him deathly afraid of water. The preacher, set on breaking away from a long line of Kentucky family preachers, is determined not to do what he does best. He works as a mechanic for the boy’s father. The town doesn’t have a preacher and the women try to persuade him to preach – while he tries to persuade the child to wash. When the preacher finally gets the boy in the river and is washing him, the townspeople mistake the scene for a baptism. They descend on the event and, in the confusion, the boy drowns.