Yellow Jack A Novel

"[An] erotic, disturbing novel . . . shimmers with intensity . . . irresistible."—New Orleans Times-Picayune Hailed by reviewers as "an electrifying debut" (Baltimore Sun) and "perhaps the best evocation of New Orleans ever to appear in print" (Richmond Times-Dispatch), Yellow Jack has given Southern literature its own intoxicating hybrid of Caleb Carr, Flannery O'Connor, and Vladimir Nabokov. Russell's "virtuoso storytelling, evocative prose and original conception mark [his first book] as a significant work that we can only hope will be followed by many more" (Chicago Tribune). Yellow Jack is a ribald, picaresque trip through an 1840s New Orleans saturated with sex, drugs, death, and corruption. In this "luminously haunting" (Entertainment Weekly) portrait of decadence, daguerrotypist Claude Marchand becomes hopelessly entangled with both a voodoo-adept octoroon mistress and the erotically precocious daughter of a prominent New Orleans family. "Russell has distilled the New Orleans of the mid-1800s, the terrible fever of the title, and the savage lives of the characters into a novel of terrible beauty."—Nashville Scene

Yellow Jack tracks the history of this deadly scourge from its earliest appearance in the Caribbean 350 years ago, telling the compelling story of a few extraordinarily brave souls who struggled to understand and eradicate yellow fever.

"[An] erotic, disturbing novel . . . shimmers with intensity . . . irresistible."—New Orleans Times-Picayune Hailed by reviewers as "an electrifying debut" (Baltimore Sun) and "perhaps the best evocation of New Orleans ever to appear in print" (Richmond Times-Dispatch), Yellow Jack has given Southern literature its own intoxicating hybrid of Caleb Carr, Flannery O'Connor, and Vladimir Nabokov. Russell's "virtuoso storytelling, evocative prose and original conception mark [his first book] as a significant work that we can only hope will be followed by many more" (Chicago Tribune). Yellow Jack is a ribald, picaresque trip through an 1840s New Orleans saturated with sex, drugs, death, and corruption. In this "luminously haunting" (Entertainment Weekly) portrait of decadence, daguerrotypist Claude Marchand becomes hopelessly entangled with both a voodoo-adept octoroon mistress and the erotically precocious daughter of a prominent New Orleans family. "Russell has distilled the New Orleans of the mid-1800s, the terrible fever of the title, and the savage lives of the characters into a novel of terrible beauty."—Nashville Scene

At the start of 1839, the small, south Louisiana town of New Iberia appears poised for prosperity. Acadian, French, English, and American immigrants have joined Spanish settlers in the area. Steamboats move up and down the Bayou Teche, carrying the products of the fertile land to market in New Orleans. Across the bayou, Hortense Duperier enjoys a privileged life in a grand brick house with her husband, Frederick, and their three children. Suddenly, Frederick's untimely death and financial reverses force her to manage the estate on her own. When signs of the dreaded yellow fever threaten an epidemic, Hortense turns to Felicite, an enslaved woman from Haiti. Together, the two women dispense Felicite's traditional remedies, defying the medical practices and social constraints of their time to save the young town.

NEW YORK TIMES BESTSELLER A new classic from the Pulitzer Prize-winning author of Gilead and Housekeeping. The long-awaited fourth and last of Marilynne Robinson's Gilead novels--one of the great works of contemporary literature. With Jack, Robinson takes her readers back to the small town of Gilead, Iowa, in 1956, to tell the story of John Ames Boughton, the godson of John Ames and the black sheep of his family. He's a ne-er do well and the beloved prodigal son who falls in love with and marries Della, a beautiful and brilliant African-American teacher he meets in segregated St. Louis. Their fraught, beautiful romance is one of Robinson's greatest achievements.

Set in New Orleans during the 1840s, a novel of erotic adventure and human corruption follows an apprentice of Louis Daguerre from the studio of his mentor, where he has just participated in inventing photography, to America, where he uses the new art to photograph the victims of Yellow Fever.

This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.

In this account, a journalist traces the course of the infectious disease known as yellow fever, “vividly [evoking] the Faulkner-meets-Dawn of the Dead horrors” (The New York Times Book Review) of this killer virus. Over the course of history, yellow fever has paralyzed governments, halted commerce, quarantined cities, moved the U.S. capital, and altered the outcome of wars. During a single summer in Memphis alone, it cost more lives than the Chicago fire, the San Francisco earthquake, and the Johnstown flood combined. In 1900, the U.S. sent three doctors to Cuba to discover how yellow fever was spread. There, they launched one of history's most controversial human studies. Compelling and terrifying, The American Plague depicts the story of yellow fever and its reign in this country—and in Africa, where even today it strikes thousands every year. With “arresting tales of heroism,” (Publishers Weekly) it is a story as much about the nature of human beings as it is about the nature of disease.