You Can Still Make A Killing

He wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there's just one thing I've got to take care of first. I've got to do something to make this right. Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system. You Can Still Make A Killing is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan's play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.

Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system. This is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight.

This collection of essays examines the contribution of British plays to key social, political, and intellectual debates since 2000. It explores some of the most pressing concerns that have dominated the public discourse in Britain in the last decade, focusing on their representation in dramatic texts. Each essay provides an in-depth analysis of one play, assessing its particular contribution to the debate in question. The book aims to show how contemporary drama has developed unique ways to present the complexities and ambiguities of certain issues with aesthetic as well as emotional appeal.

Using Marxism, anarchism, and social ecology to explore domination, power, and hierarchy, the author criticizes the use and abuse of animals in capitalist society and argues for the abolition of animal involvement in industry and as a human food source.

A world of "smart" devices means the Internet can kill people. We need to act. Now. Everything is a computer. Ovens are computers that make things hot; refrigerators are computers that keep things cold. These computers—from home thermostats to chemical plants—are all online. The Internet, once a virtual abstraction, can now sense and touch the physical world. As we open our lives to this future, often called the Internet of Things, we are beginning to see its enormous potential in ideas like driverless cars, smart cities, and personal agents equipped with their own behavioral algorithms. But every knife cuts two ways. All computers can be hacked. And Internet-connected computers are the most vulnerable. Forget data theft: cutting-edge digital attackers can now crash your car, your pacemaker, and the nation’s power grid. In Click Here to Kill Everybody, renowned expert and best-selling author Bruce Schneier examines the hidden risks of this new reality. After exploring the full implications of a world populated by hyperconnected devices, Schneier reveals the hidden web of technical, political, and market forces that underpin the pervasive insecurities of today. He then offers common-sense choices for companies, governments, and individuals that can allow us to enjoy the benefits of this omnipotent age without falling prey to its vulnerabilities. From principles for a more resilient Internet of Things, to a recipe for sane government regulation and oversight, to a better way to understand a truly new environment, Schneier’s vision is required reading for anyone invested in human flourishing.

A moving journey of the personal life of the author from his youth to the realization that he has been existing in what he describes as his "tunnel of darkness" and his seeking the love and serenity he has always been searching for. It has taken him 65 years reading books and articles and taking classes by celebrated authors like Wayne Dyer, Rev. Terry Cole Whittaker, Rabbi Philip Berg of the Kabbalah Centre, and James Redfield and his spending months at the Scientology Center learning about L. Ron Hubbard and his philosophy of life. In this book you will learn how to: Experience and accomplish your fantasies and dreams; You will discover how someone born in poverty can rise to the top of her world like Oprah Winfrey; You will learn why some humans are born and become a Martin Luther King and why another becomes a Charles Manson; You will find out why you were born and to whom and what your purpose in this life is. Enjoy your journey and "believe".

Special techniques for creating unique, artistic, close-up images Macro, or close-up, photography is gaining popularity, and this book covers all of the challenges associated with taking great close-ups: depth of field, focus, and exposure. Copublished with Photoworkshop.com, a leading online educational resource for both beginning and professional photographers, this task-oriented reference allows readers to learn by doing and offers outstanding examples and instructions.

Set during the early years of the First Liberian Civil War (1989 – 1996), this startling debut play by Diana Nneka Atuona tells the story of fourteen-year-old Martha who flees her country, disguised as a boy, when it's invaded by rebels. Investigated and cruelly interrogated, she is separated from her grandmother as they attempt to escape the conflict under false identities and, convincing in her boy's apparel, Martha is forced to join the rebels' army. Exposed to the violence of this brutal and seemingly misguided conflict, both as victim and perpetrator, Martha's experience of the First Liberian Civil War is one of excessive cruelty and, in particular, abuse against female prisoners of war. Liberian Girl received its world premiere at the Royal Court Upstairs, London in December 2014.