Zen Life

Written by the author of The Zen Book and Zen Cards, Zen Life is a compilation of 108 Zen stories and aphorisms, ancient and modern, which are meant to be opened at random and consulted for their wisdom and insights.

Explains what Zen is and how it came to America, how to practice Zen and incorporate it into daily living, and the Zen approach to the world.

A sustained exploration of the garden designs of a medieval Japanese Zen Buddhist monk

At a young age, we’re taught, that conditions in life decide how we should feel: satisfied or unsatisfied, happy or sad, or even angry. We’re conditioned to meet the expectations of others regarding how things should be or what we should do, think, and feel. When others are happy with us or do things that are pleasing, our emotional thermostat rises, and we feel good. When life doesn’t go according to expectations or someone is displeased with us, our emotional thermostat goes down. Th roughout time, we can lose our sense of self, who we are, and our happiness. In Zen Life Balance, author Darlene Alisa helps you feel a sense of internal peace, wherever you are in your life, regardless of the conditions or what anybody else thinks, says, or does. It’s about giving yourself permission to feel as good as you’re able in the current moment and not wait for others or outside conditions to change and adjust your emotional thermostat for you. Zen Life Balance is about looking for even the smallest reason to feel good, everywhere you go, no matter where you are in life. It’s about connecting with the best part of you every day and remembering that your happiness is up to you. Ultimately, you’re the one in control of how you want to feel.

This book, first published as Selling Water by the River in 1972, is a practical and inspirational manual for all who wish to practice Zen. Rōshi P.T.N.H. Jiyu-Kennett, the founder and former abbess of Shasta Abbey, expertly combines an introduction to the basic tenets of Buddhism with original translations of the teachings of Zen Masters Dōgen and Keizan.

Room by room, readers will discover simple and effective ways to translate the elements of Zen into modern living. There are also specially designed meditations to help one become more in tune with the environment, as well as fresh ideas for presenting food to enhance its particular characteristics. 200 full-color photos.

For many of us, the return of Zen conjures up images of rock gardens and gently flowing waterfalls. We think of mindfulness and meditation, immersion in a state of being where meaning is found through simplicity. Zen lore has been absorbed by Western practitioners and pop culture alike, yet there is a specific area of this ancient tradition that hasn’t been fully explored in the West. Now, in The Zen of Creativity, American Zen master John Daido Loori presents a book that taps the principles of the Zen arts and aesthetic as a means to unlock creativity and find freedom in the various dimensions of our existence. Loori dissolves the barriers between art and spirituality, opening up the possibility of meeting life with spontaneity, grace, and peace. Zen Buddhism is steeped in the arts. In spiritual ways, calligraphy, poetry, painting, the tea ceremony, and flower arranging can point us toward our essential, boundless nature. Brilliantly interpreting the teachings of the artless arts, Loori illuminates various elements that awaken our creativity, among them still point, the center of each moment that focuses on the tranquility within; simplicity, in which the creative process is uncluttered and unlimited, like a cloudless sky; spontaneity, a way to navigate through life without preconceptions, with a freshness in which everything becomes new; mystery, a sense of trust in the unknown; creative feedback, the systematic use of an audience to receive noncritical input about our art; art koans, exercises based on paradoxical questions that can be resolved only through artistic expression. Loori shows how these elements interpenetrate and function not only in art, but in all our endeavors. Beautifully illustrated and punctuated with poems and reflections from Loori’s own spiritual journey, The Zen of Creativity presents a multilayered, bottomless source of insight into our creativity. Appealing equally to spiritual seekers, artists, and veteran Buddhist practitioners, this book is perfect for those wishing to discover new means of self-awareness and expression—and to restore equanimity and freedom amid the vicissitudes of our lives.

Daisetz Teitaro Suzuki was a remarkable man. Throughout his long life he worked untiringly to bring the message of Zen, and Buddhism in general, to the West, and his reputation as a scholar and gifted teacher was internationally recognized. Above and beyond his scholarship, however, Suzuki touched in some special way everyone who met him. He embodied the satori—awakening—that he had experienced while still a young man studying with his own Zen master; his simplicity in the midst of complexity and his utter lack of intellectual snobbery combined to create an extraordinary impression of warmth, yet quiet authority. And indeed, he touched the lives of many—from theologians and philosophers to psychologists, poets, musicians, and artists the world over; thinkers as diverse as Thomas Merton, Paul Tillich, Carl Jung, Erich Fromm, Dr. Hu Shi, Allen Ginsberg, and Bernard Leach—to name a few. A Zen Life: D. T. Suzuki Remembered is a heartfelt tribute to this man. A very personal collection of essays, it provides an intimate view of what Suzuki meant to those who knew him. In the present volume Masao Abe, in collaboration with photographer Francis Haar, brings together some of the many accolades paid to Dr. Suzuki after his death in 1966. Several contributions were written especially for this volume, or appear here for the first time in English; these include the reminiscences of Mihoko Okamura, Suzuki's assistant and traveling companion for many years, as well as autobiographical essays of great interest by Suzuki. Most important, all the pieces, old and new, are now available in this volume for the broader reading public Suzuki deserves. In all the contributions one thing shines through—the sheer presence of D. T. Suzuki. Francis Haar's sensitive photographic portraits, counterpoised to the text, make this book one to treasure if you are already acquainted with Suzuki's life and work and a wonderful place to start, if you are not.