A Companion To Petronius

This is the first modern commentary on Petronius' Satyrica. It begins with basic background information, then surveys each episode in order that leading themes emerge. Finally, it gives an overview of Petronius' use of literary allusion and symbolism, and of his treatment of sex. All Latin and Greek quotations have been translated so that this volume may benefit both students of classical and comparative literature.

Courtney presents an overall interpretation of Petronius' Satyrica. He begins with basic background information, then surveys each episode in order that leading themes emerge.

This companion addresses a topic of continuing contemporary relevance, both cultural and literary. Offers both a wide-ranging exploration of the classical novel of antiquity and a wealth of close literary analysis Brings together the most up-to-date international scholarship on the ancient novel, including fresh new academic voices Includes focused chapters on individual classical authors, such as Petronius, Xenophon and Apuleius, as well as a wide-ranging thematic analysis Addresses perplexing questions concerning authorial expression and readership of the ancient novel form Provides an accomplished introduction to a genre with a rising profile

Slaves were property of their dominus, objects rather than persons, without rights: These are some components of our basic knowledge about Roman slavery. But Roman slavery was more diverse than we might assume from the standard wording about servile legal status. Numerous inscriptions as well as literary and legal sources reveal clear differences in the social structure of Roman slavery. There were numerous groups and professions who shared the status of being unfree while inhabiting very different worlds. The papers in this volume pose the question of whether and how legal texts reflected such social differences within the Roman servile community. Did the legal system reinscribe social differences, and if so, in what shape? Were exceptions created only in individual cases, or did the legal system generate privileges for particular groups of slaves? Did it reinforce and even promote social differentiation? All papers probe neuralgic points that are apt to challenge the homogeneous image of Roman slave law. They show that this law was a good deal more colourful than historical research has so far assumed. The authors’ primary concern is to make this legal diversity accessible to historical scholarship.

The Satyrica is a thrilling piece of literature credited to Petronius and written under the Roman emperor Nero. Schmeling's commentary offers readers an insightful analysis of this historically important text through philological, linguistic, historical, and narratological discussions, while highlighting issues surrounding its authorship.

The papers assembled in this volume explore a relatively new area in scholarship on the ancient novel: the relationship between an ostensibly non-philosophical genre and philosophy. This approach opens up several original themes for further research and debate. Platonising fiction was popular in the Second Sophistic and it took a variety of forms, ranging from the intertextual to the allegorical, and discussions of the origins of the novel-genre in antiquity have centred on the role of Socratic dialogue in general and Plato's dialogues in particular as important precursors. The papers in this collection cover a variety of genres, ranging from the Greek and Roman novels to utopian narratives and fictional biographies, and seek by diverse methods to detect philosophical resonances in these texts.

Argues that invisibility is a central motif in Apuleius' Metamorphoses, presenting a new interpretation of this Latin masterpiece.