A Guide Through C S Lewis Space Trilogy

"In this fascinating guide Martha Sammons, author of A Guide Through Narnia, takes the reader on an adventure of discovery as she explores the depths of Lewis' vision. Here is a behind-the-scenes look at why Lewis wrote the Trilogy, the medieval cosmology that informs it, the role of Arthurian legend in That Hideous Strength, the sources for major and minor characters, and countless other fascinating details." --

C.S. Lewis's Ransom Trilogy, better known as "the Space Trilogy", is a much-neglected and yet critically important part of Lewis' works. It has captivated and bewildered readers since its publication, and though hundreds of books about Lewis have been written, few seek to navigate the maze that is Lewis's "space-travel story." These books are a distillation in novel form of one of Lewis' favorite subjects, a subject whose melody is woven into almost everything that Lewis ever wrote: the medieval model of the cosmos. Deeper Heaven is a guide and companion through the magical web of medieval cosmology, ancient myth, and critique of modern philosophies that makes up the oft-maligned "Space Trilogy." A student and teacher of literature and history herself, Christiana Hale will walk you through the Trilogy one step at a time, with eyes fixed where Lewis himself fixed his: on Deep Heaven and beyond. In the process, many questions will be answered: What does Christ have to do with Jupiter? Why does Lewis care so much about the medieval conception of the heavens? Why should we? And, perhaps the most puzzling question of all: why is Merlin in That Hideous Strength?

Regarded as one of the best authorities on the fiction of C.S. Lewis, Thomas Howard presents in this work brilliant new insights into Lewis' fiction and helps us to see things we may not have seen nor appreciated before. Focusing on Narnia, the space trilogy and Til We Have Faces, Howard explores with remarkable clarity the moral vision in the imaginary world of the master storyteller Lewis.

Sanford Schwartz offers a penetrating new reading of Lewis's celebrated Space Trilogy. Taken together, Schwartz's readings call into question Lewis's self-styled image as a "dinosaur" out of step with the main currents of modern thought. Far from a simple struggle between an old-fashioned Christian humanism and a newfangled heresy, Lewis's Space Trilogy should be seen as the searching effort of a modern religious apologist to sustain and enrich the former through critical engagement with the latter.

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains conna?tre knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.

"She had begun by dreaming simply of a face. Its expression was frightening because it was frightened. The face belonged to a man who was sitting hunched up in one corner of a little square room with white-washed walls - waiting, she thought, for those who had him in their power to come in and do something horrible to him. At last the door was opened...She could not make out what the visitor was proposing to him, but she did discover that the prisoner was under sentence of death. Whatever the visitor was offering him was something that frightened him more than that. The visitor, still smiling his cold smile, unscrewed the prisoner's head and took it away. Then all became confused." "The third novel in C.S. Lewis's classic sci-fi trilogy begins with Jane Studdock's horrific nightmare. The next morning she sees the same face in a newspaper - a brilliant French scientist guillotined for poisoning his wife. Jane has the growing feeling that she is being warned of something real and sinister. Her husband, Mark, meanwhile, is drawn into the National Institute for Co-ordinated Experiments, which is engaged in a plan to control human life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The world is in peril - and so are our souls. In this fresh reading of C. S. Lewis' science fiction trilogy, the members of the Cosmic Colloquy draw on their diverse backgrounds to create a commentary filled with observations, interpetations, and significance.