A Guide To Postmodern Architecture In London

Line drawings of postmodern buildings built in London 1970s to 1990s. A short descriptive text accompanies each illustration. Includes photographs of postmodern details.

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Since the early days as rolling hills crisscrossed with streams, London has come a long way to be one of the most exciting and innovative cities in the world. From the first Roman settlement 2000 years ago to the high tech and high rise buildings of today, the history of London is a story of experimentation, determination and triumph. A city at the cutting edge of style and fashion, rising from every fire, every attack, every setback. The Architecture Lover’s Guide to London takes a journey through history, looking at some of the most significant buildings, as well as the people who have shaped this city.

Guide to London's Contemporary Architecture provides a guide to the wealth of architecture completed in London. The book first offers information on the buildings located in the City of London and the Docklands. These include the Broadgate Complex, Alban Gate, Bracken House, Whitechapel Art Gallery, Queen Street offices, Girozentrale Vienna, Minster Court, Billingsgate Securities Market, Canary Wharf, Financial Times Printing Works, Isle of Dogs Neighborhood Center, Reuters Technical Services Centre, and the David Mellor building. The publication examines the structures found in the East End, West End, and north London. Discussions focus on Sainsbury Wing, National Gallery, Sackler Gallery, Queen Elizabeth II Conference Center, Richmond House, Clore Gallery, Lauriston Studios, Leyton Fire Station, Lisson/Bell Street galleries, Lisson Grove offices and flats, Sainsbury supermarket and housing, Crowndale Centre, Nightingale house, and the Bisterne Avenue apartments. The text takes a look at the edifices located in west London, including Richmond Riverside, Sterling Hilton Hotel, Thames Wharf Studios, St Mary's Church, Barnes, Metropolis Studios, and the Fowler/Jestico house. The publication is a dependable reference for architects and design engineers interested in the architecture of London.

A curated collection of Postmodern architecture in all its glorious array of vivid non-conformity This unprecedented book takes its subtitle from Postmodernist icon Robert Venturi's spirited response to Mies van der Rohe's dictum that 'less is more'. One of the 20th century's most controversial styles, Postmodernism began in the 1970s, reached a fever pitch of eclectic non-conformity in the 1980s and 90s, and after nearly 40 years is now enjoying a newfound popularity. Postmodern Architecture showcases examples of the movement in a rainbow of hues and forms from around the globe.

Two expert writers, Sujata Burman and Rosa Bertoli, have joined forces with architectural photographer Taran Wilkhu to create an unashamedly confident guide to the must-see buildings in London, spanning all the architectural styles: from Art Deco to postmodern, brutalist to futuristic. Over 50 buildings are included alongside four maps with guided city walks.

Chronicling the last radical architectural group of the twentieth century – NATØ (Narrative Architecture Today) – who emerged from the Architectural Association at the start of the 1980s, this book explores the group’s work which echoed a wider artistic and literary culture that drew on the specific political, social and physical condition of 1980s London. It traces NATؒs identification with a particular stream of post-punk, postmodern expression: a celebration of the abject, an aesthetic of entropy, and a do-it-yourself provisionality. NATØ has most often been documented in reference to Nigel Coates (the instigator of NATØ), which has led to a one-sided, one-dimensional record of NATؒs place in architectural history. This book sets out a more detailed, contextual history of NATØ, told through photographs, drawings, and ephemera, restoring a truer polyvocal narrative of the group’s ethos and development.

Madan Sarup has now revised his accessible and popular introduction to post-structuralist and postmodern theory. A new introductory section discusses the meaning of such concepts as modernity, postmodernity, modernization, modernism, and postmodernism. A section on feminist criticism of Lacan and Foucault has been added, together with a new chapter on French feminist theory focusing on the work of Hélène Cixous, Luce Irigaray, and Julia Kristeva. The chapter on postmodernism has been significantly expanded to include a discussion of Lyotard's language games and his use of the category "sublime." This chapter ends with a discussion of the relationship between feminism and postmodernism. A further chapter has been added on the work of Jean Baudrillard, a cult figure on the current postmodernist scene, whose ideas have attained a wide currency. The chapter includes a new section on postmodern cultural practices as revealed in architecture, TV, video, and film. Suggestions for further reading are now listed at the end of each chapter and are upgraded and annotated. In tracing the impact of post-structuralist thought not only on literary criticism but on such disciplines as philosophy, politics, psychoanalysis, the social sciences, and art, this book will be essential reading for those who want a clear and incisive introduction to the theories that continue to have widespread influence.