A Lament For Art O Leary

The famous 18th-century Irish poem, in which a wife mourns the loss of her murdered husband.

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

Frank O'Connor (1903-1966) is known primarily for his short stories, and fine ones they are. There are seventeen of them in this Reader, and the best of them, in the words of Richard Ellmann "stir those facial muscles which, we are told, are the same for both laughing and weeping." Except for the masterpiece, "Guests of the Nation," the stories included here have been out of print for twenty years, and one story had been previously unpublished. But this is a Reader and it celebrates the creative diversity of one of this century's finest writers. Here one can also sample O'Connor's skillful translations of Irish poetry, including "The Lament for Art O'Leary." There are a number of self-portraits, including "Meet Frank O'Connor" and "Writing a Story-One Man's Way." The final section includes a number of O'Connor's finest essays, from pieces on Yeats, Joyce, and Mozart, to ones on English and Irish pubs and one simply titled, "Ireland": "No one who does not love the sense of the past should ever come near us; nobody who does, whatever our faults may be, should give us the hard word."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Repossessions is an exceptional achievement, illustrating as it does the unique work of a poet and literary scholar, well-known for his original thinking and accessible approach to literary subjects in Irish. Although he has published widely in Irish language journals and has edited with Thomas Kinsella the highly acclaimed An Duanaire/Poems of the Dispossessed, this is the first time that the full breadth of his critical work has been made available in English. Using translations of the original texts for his commentary, the author begins with an examination of the work of Sean O Riordain and Nuala Ni Dhomhnaill. There follows discussions on seventeenth and eighteenth century poetry, Brian Merriman, the renowned Lament for Art O'Leary, the world of Aogan O Rathaille, and an examination of the European context of Irish love poetry from the thirteenth century through to the mid-seventeenth century, acknowledged to be one of the most significant contributions to Irish literary history.

Kevin O’Leary shares invaluable secrets on entrepreneurship, business, money and life. Can you make millions just by “visualizing yourself rich” as some business prophets suggest? Don’t buy it, says Kevin O’Leary. If you want to be a successful entrepreneur and amass wealth, you’re going to have to work for it. But the good news is: with the right guidance, focus and perseverance, you can turn entrepreneurial vision into lucrative reality and have the personal freedom that only wealth can buy. Kevin O’Leary would know. The much-feared and revered Dragon on the immensely popular show Dragons’ Den (and Shark Tank in the U.S.) started his company in his basement with a $10,000 loan from his financially savvy mother. A few years later, Kevin sold that company for more than four billion dollars. In this compelling, candid and, above all else, brutally honest business memoir, Kevin provides engaging, practical advice and lessons that will give anyone a distinct competitive edge.