A Sangoma S Story The Calling Of Elliot Ndlovu

My body has two lives, the spiritual as well as the physical.' These are the words of Elliot Ndlovu, a traditional healer (sangoma) who lives deep in the Drakensberg Mountains of KwaZulu-Natal. He lives two lives, dividing time between his rural homestead and a world-class hotel and spa, constantly bridging the differences between these opposing worlds. As a young man, he was awoken in the dead of night by an apparition sent by his ancestors. In terror, he fled to a river where he was submerged until sunrise. On the bottom of a riverbed, he claimed to acquire all the knowledge of his cultural heritage to heal bodies and minds. Ndlovu is a natural conservationist and leader who believes in the preservation of indigenous flora, in the strength of community, and in ubuntu, the philosophy that the universal bonds of humanity are what bind us. KwaZulu-Natal's violent path to democracy mirrored his own turbulent journey through mental illness - his uthwasa, the necessary process of suffering to become a traditional healer. But torment and tragedy led to consultations with Oscar nominees in Hollywood, a meeting with the British Queen, and a Christmas visit from a former state president. Ndlovu's tales of storm-chasing and magical serpents may be challenging for some, but the poignancy of his story and unwavering belief in African traditional healing are what endear him to the most hardened cynic. Melanie Reeder has captured the essence of this modern sangoma. She sheds light on the beauty of Zulu culture, and clarifies misconceptions about traditional healing.

Pilgrimage in Practice: Narration, Reclamation and Healing provides an interdisciplinary approach to the topic. It reveals many aspects of the practice of pilgrimage, from its nationalistic facets to its effect on economic development; from the impact of the internet to questions of globalization; from pilgrimage as protest to pilgrimage as creative expression in such media as film, art and literature. Perhaps best understood as a form of heritage tourism or tourism with a conscience, pilgrimage (as with touristic travel) contains a measure of transformation that is often deep and enduring, making it a fascinating area of study. Reviewing social justice in the context of pilgrimage and featuring a diverse collection of interdisciplinary voices from across the globe, this book is a rich collection of papers for researchers of pilgrimage and religious and heritage tourism.

Exploring Indigenous Consciousness Disciplines in South Africa. What does happen in the mind of a trancing sangoma, the traditional healer of South Africa? Dr Ingo Lambrecht, a renowned clinical psychologist and a sangoma himself, explores this question, not only through his own personal experiences, but also through the words of powerful sangomas. This book skilfully interweaves personal experiences with scholarly research, into an unusual tapestry that carefully maps the specific trance states of sangomas. It explores some of the consciousness disciplines available to sangomas. The powerful sangomas not only share with Dr Lambrecht their own maddening pain during their spiritual initiation, but also speak of their effective techniques, practices and psi effects whilst in different trance states. The specific mapping of sangoma trance states is compared to other indigenous shamanic practices around the world. From this meticulous integrative work, a model of sangoma trance states emerges that has been endorsed by sangomas as being close to their own experiences of mastering their altered states of consciousness. A unique book.

The moving story of an expatriate coming to terms with her country's history, and her joyous spiritual and emotional rebirth as an African healer. • One of the first accounts of the mysterious sangomas, the healers of South Africa's black population. • A mystical journey that will appeal to those wishing to reunite with their roots and a more spiritual life. Set against the stirring backdrop of a crumbling apartheid regime, African Spirits Speak is the lyrical account of white South African Nicky Arden's journey into the world of the sangomas, the diviners, doctors, psychologists, and priests of South Africa's black population. While in her early twenties Nicky fled South Africa with her husband as the stranglehold of apartheid tightened on her native land. For twenty-two years they lived in California as expatriates--never once returning to their homeland--until a deep depression, followed by a spiritual awakening in the California desert, compelled Nicky to return to South Africa. During her visit, while exploring deep in the bush, she unexpectedly met an old black medicine woman--a sangoma. This meeting would change her life. Few white South Africans are even aware of the world of the sangomas, but this prophetic old woman saw in Nicky the spirit of a fellow healer and set the author on a mystical journey that would reunite her soul with its African roots. Thus began her astonishing and complex initiation into a nearly unknown world and her quest to discover the truth about herself and her heritage.

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.

It is 1998. The South African Truth and Reconciliation Commission is trying to make sense of over thirty years of human rights violations. In London, Lally, a white South African émigré, goes to dinner with Pim - a long-forgotten childhood friend - and his latterday English family. For Lally, adult existence has by choice remained transient, uprooted; a life of little consequence estranged from its own origins. But it is becoming clear that history will reach out, even to the inconsequential, and for Lally to seek out the truths of the child she must breach the hermetic safety of adult refuge. Moving between contemporary London and the rural South Africa of twenty years earlier, The Beneficiaries traces both the young woman's search for knowledge and self in a society that disallows individuality and the older woman's journey beyond apathy and disillusionment towards the renewal of vitality and hope. Exploring the shifting relations between memory, forgetting and denial, when the truth comes in many versions, and the inexorability of memory as the most merciless personal truth, The Beneficiaries is ultimately about the possibility of healing, in a nation and a human soul.