Age Of Shiva

India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera's reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev's drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.

"A stunning novel, proof that Manil Suri is a major storyteller of heart and intelligence." —Amy Tan The Age of Shiva is at once a powerful story of a country in turmoil and an "unflinchingly honest" portrait of maternal love—"intricately interwoven with the ancient rites and myths" (Booklist) crucial to India's history. Meera, the narrator, is seventeen years old when she catches her first glimpse of Dev, performing a song so infused with passion that it arouses in her the first flush of erotic longing. She wonders if she can steal him away from Roopa, her older, more beautiful sister, who has brought her along to see him. It is only when her son is born that Meera begins to imagine a life of fulfillment. She engulfs him with a love so deep, so overpowering, that she must fear its consequences. Meera's unforgettable story, embodying Shiva as a symbol of religious upheaval, places The Age of Shiva among the most compelling novels to emerge from contemporary India. Reading group guide included.

Following his debut novel "The Death of Vishnu," Suri returns with a mesmerizing story of modern India richly layered with themes from Hindu mythology.

THE AGE OF WAR! Zachary Bramwell, better known as the comics artist Zak Zap, is pushing forty and wondering why his life isn’t as exciting as the lives of the superheroes he draws. Then he’s shanghaied by black-suited goons and flown to Mount Meru, a vast complex built atop an island in the Maldives. There, Zak meets a trio of billionaire businessmen who put him to work designing costumes for a team of godlike super-powered beings based on the ten avatars of Vishnu from Hindu mythology. The Ten Avatars battle demons and aliens and seem to be the saviours of a world teetering on collapse. But their presence is itself a harbinger of apocalypse. The Vedic “fourth age” of civilisation, Kali Yuga, is coming to an end, and Zak has a ringside seat for the final, all-out war that threatens the destruction of Earth.

The Olympians appeared a decade ago, living incarnations of the Ancient Greek gods on a mission to bring permanent order and stability to the world. Resistance has proved futile, and now humankind is under the jackboot of divine oppression. Until former London police officer Sam Akehurst receives an invitation too tempting to turn down: the chance to join a small band of guerrilla rebels armed with high-tech weapons and battlesuits. Calling themselves the Titans, they square off against the Olympians and their ferocious mythological monsters in a war of attrition which some will not survive.

The great Lord Shiva is the destroyer of all that is evil in the three worlds of Heaven, Earth and Hell. He forms the Hindu Trinity of gods with Brahma, the creator and Vishnu, the preserver of mankind. This beautifully illustrated book tells the glorious tales of this mighty god - traditional tales from Hindu mythology that are passed on from generation to generation. Read of the fascinating legend of Sati, how Parvati became Lord Shiva's wife, how Shiva came to have a blue throat, why we celebrate the festival of Shivratri and why Ganga was tied up in Shiva's hair.

The present book throws new light on the gradual development of the concept of Rudra-Siva in his animal, phallic and human forms, since the days of the Harappa Civilization. It examines how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. The wide range and depth of the author's research fills a vital gap in the subject and his treatment of the entire subject is unique. This methodical study on Siva also contains an exhaustive bibliography.

In the not-so-distant future, India has fallen, and the world is on the brink of an apocalyptic war. An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme.