Anderby Wold

Mary Robson is a young Yorkshire woman, married to her solid, unromantic cousin, John. Together they battle to preserve Mary's neglected inheritance, her beloved farm, Anderby Wold. This labour of love - and the benevolent tyranny of traditional Yorkshire ways - have made Mary old before her time. Then into her purposeful life comes David Rossitur, red-haired, charming, eloquent: how can she help but love him? But David is a young man from a different England, radical and committed to social change. As their confrontation and its consequences inevitably unfold, Mary's life and that of the calm village of Anderby are changed forever.

Despite much recent interest in the area of urban governance, little work has been done on the changing ethical standards of urban leaderships, 'governing' institutions or the policing of public life. Yet the issue of ethical standards in public life has become a central concern in contemporary public discourse; with issues of public probity, moral order and personal standards re-emerging as central features of political debate. This volume places these debates into their historical perspective by examining the linkages between processes of 'modernisation', urbanisation and the ethical standards of governance and public life. It considers how ethical debates arise as a result of differential access to positions of authority and from competition for public resources. The contributions are drawn from a wide range of scholarly and disciplinary backgrounds and provide a broad analysis of the phenomenon of corruption, assessing how debates about corruption arose, the narratives used to criticise established modes of public conduct and their consequences for urban leadership.

Winifred Holtby (1898–1935) is best-known today for her friendship with fellow feminist and pacifist Vera Brittain and for her last novel, South Riding. This is the first monograph to provide a literary criticism of Holtby’s social philosophy and presents in-depth readings of all her major works as well as some of her less well-known writing.

This book re-evaluates the rural English novel in the twentieth century in relation to the recognised artistic responses to modernity. It argues that the most important writers in this tradition have had a very significant bearing on the trajectory of English cultural life through the modernist period and beyond.

Organised into sections on society, culture, politics and the economy, and embracing subjects as diverse as women novelists and village crafts, this book argues that almost everywhere we look in the countryside between the wars there were signs of new growth and dynamic development.

Vera Brittain is most widely known as the woman who immortalized a lost generation in her haunting autobiography of the Great War, TESTAMENT OF YOUTH. Writer, pacifist and feminist, she condemned her provincial background but remained acutely conscious of the conventional elements in her own character; she revealed a richly emotional life in her writing but was outwardly sober and reserved; she possessed a fierce desire for fame and recognition but was ready to sacrifice both on matters of principle. This biography - comprehensive, authoritative and immensely readable - confirms Vera Brittain's stature as one of the most remarkable women of our time.

T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.

Winifred Holtby was a prolific journalist and writer whose most famous work South Riding is on many university courses. She was an active campaigner for several progressive causes during the inter-war period such as pacifism, feminism and most important to her, racial equality and harmony in South Africa. She was the subject of Vera Britain's Testament of Friendship. She was essentially a 'woman in her time' and yet could also be seen as an index to many of the progressive movements which were around in the pre-war days and in this sense she was indeed a 'clear stream'. Written in a wonderfully accessible style interspersed with excellent research as well as warmth from one born in the same district as Winifred herself this is the definitive biography of a woman ahead of her time.