Ania Malina

En 1944, à l'hôpital de Laon, Jamie, un soldat anglais, rencontre Ania, une petite Polonaise de quinze ans, dont la jambe a été brisée par un éclat d'obus. Ania est seule au monde. Ainsi commence l'histoire d'une fascination. Le couple formé par l'ancien soldat et la jeune fille entreprend une errance à travers l'Europe. C'est une vie précaire, difficile parce que l'argent manque, parce que Jamie a peur qu'on lui prenne l'adolescente : un médecin suisse, le docteur Kessler, devient une sorte de rival. Mais surtout Ania est un personnage ambigu, dont l'érotisme se nimbe de poésie, dont le mystère débouche sur la folie. Les images violentes et baroques de ce roman créent un univers riche et poétique. Sur les thèmes du sang, de la mort, des limites de la possession, du mutisme de l'enfance, se révèle un talent neuf et tout à fait original.

Paris is one city that you should endeavor to know over the course of a lifetime, and not just in one or two visits. It is the center of the civilized universe, and it belongs to everyone—even to those who see it only in their dreams. The City of Light has bestowed on millions the gift of the incandescent present, an image or experience into which all life is condensed and reflected upon for years to come. Travelers’ Tales Paris captures the romance of the world’s favorite city through stories that entertain, inform, and touch the heart. John Gregory Dunne reveals the manic pleasures of driving in the city’s chaotic traffic. Joseph Diedrich and Katya Macklovich explore romantic encounters that could only happen here. Herbert Gold and David Applefield take aim at the nostalgia surrounding The Left Bank, one reveling in its literary past, the other urging the visitor to reach out to a new, modern Paris in the outlying area of Montreuil. Tim O’Reilly and Coleman Lollar evoke the appeal of unexpected tourist sites, and Marcel Laventurier recounts his harrowing escape from the Nazis on a train bound for occupied Paris in a tale you will never forget.

NOW A MAJOR MOTION PICTURE STARRING JESSICA CHASTAIN AND RALPH FIENNES • A haunting novel exploring the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party. “Surprising and dark and excellent . . . a sinister and streamlined entertainment.”—The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Economist • The Guardian • Library Journal David and Jo Henniger, a doctor and a children's book author, in search of an escape from their less than happy lives in London, accept an invitation to attend a bacchanal at their old friends' home, deep in the Moroccan desert. But as a groggy David navigates the dark desert roads, two young men spring from the roadside, the car swerves . . . and one boy is left dead. When David and Jo arrive at the party, the Moroccan staff, already disgusted by the rich, hedonistic foreigners in their midst, soon learn of David's unforgivable act. Then the boy's irate Berber father appears, and events begin to spin beyond anyone's control. With spare, evocative prose, searing sensuality, and a gift for the unexpected, Lawrence Osborne memorably portrays the privileged guests wrestling with their secrets amid the remoteness and beauty of the desert landscape. He gradually reveals the jolting backstory of the young man who was killed and leaves David’s fate in the balance as the novel builds to a shattering conclusion.

In one of the first scholarly book in English on Miron Białoszewski (1922–1983), Joanna Niżyńska illuminates the elusive prose of one of the most compelling and challenging postwar Polish writers. Niżyńska’s study, exemplary in its use of theoretical concepts, introduces English-language readers to a preeminent voice of Polish literature. Niżyńska explores how a fusion of seemingly irreconcilable qualities, such as the traumatic and the everyday, imbues Białoszewski’s writing with its idiosyncratic appeal. Białoszewski’s A Memoir of the Warsaw Uprising (1977, revised 1991) describes the Poles’ heroic struggle to liberate Warsaw from Nazi occupation in 1944 as harrowing yet ordinary. His later prose represents everyday life permeated by traces of the traumatic. Niżyńska closely examines the topic of autobiography and homosexuality, showing how Białoszewski discloses his homosexuality but, paradoxically, renders it inconspicuous by hiding it in plain sight.

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

"On a summer break on the Greek island of Hydra, two girls make a startling discovery: a young Arab man washed up on shore, a migrant from Syria and a casualty of the crisis raging against across the sea. When a simple plan to help the stranger goes horrifically wrong, all must face the consequences they have set in motion"--