Another Kyoto

Another Kyoto is an insider's meditation on the hidden wonders of Japan's most enigmatic city. Drawing on decades living in Kyoto, and on lore gleaned from artists, Zen monks and Shinto priests, Alex Kerr illuminates the simplest things - a temple gate, a wall, a sliding door - in a new way. 'A rich book of intimate proportions ... In Kyoto, facts and meaning are often hidden in plain sight. Kerr's gift is to make us stop and cast our eyes upward to a temple plaque, or to squint into the gloom of an abbot's chamber' Japan Times 'Kerr and Sokol have performed a minor miracle by presenting that which is present in Kyoto as that which we have yet to see. I know that I will never pass a wall, or tread a floor, or sit on tatami the same way again' Kyoto Journal

Kyoto, Japan's ancient capital and modern-day center of tourism and traditional culture, is one of the world's most beautiful and historic cities. Founded nearly 1,300 years ago and undamaged by the war, Kyoto today is the home of over 1,600 Buddhist temples, 400 Shinto shrines, countless national treasures and 17 World Heritage sites, including the famed Golden Pavilion, Nijo Castle and Kiyomizu Temple. This book presents 29 easy–to–follow walking tours through Kyoto's history, its many unique districts and scenic areas full of charm and character. You'll discover not only the most renowned sites, such as the Silver Pavilion, the rock garden at Ryoan–ji Temple and the garden of the Heian Shrine, but also little–known areas off the beaten track. Much more than a guidebook, this volume tells the historical and cultural story of Kyoto's great monuments. The colorful tales, fascinating facts, larger–than–life characters and grand events that shaped the city and Japan at large will enthrall every reader. This updated and greatly expanded guide features over 100 color photos, full–color maps that trace each route and detailed diagrams of many individual sites.

There is a charm to Kyoto. Surrounded by lush green hills, the city feels alive with nature, history, culture—and tourists. At once ancient capital, modern city, and home to numerous cultural heritage sites, Kyoto looms large in the promotion of Japanese culture at home and abroad. In the wake of years of economic recession followed by the national promotion of “cool Japan” in popular culture and tourism of the twenty-first century, anthropologist Jennifer Prough sets out to examine how the city’s history and culture have been mobilized to create heritage experiences for today’s tourists. The heart of her book, Kyoto Revisited, centers on what it means to produce these for visitors, why seeing and feeling culture and tradition appeal to both domestic and international travelers, and the challenges faced by a heritage tourism city. As Prough’s study suggests, heritage has multiple meanings. It is created as interested parties—state and local, public and private—tell different stories about the past, which are marketed in response to tourists’ desire for face-to-face engagement in an experience economy. Her work examines several prominent features of Kyoto tourism, including promotion plans, heritage neighborhood renovation, the role of the seasons and traditional aesthetics in citywide events, the appeal of sites commemorating the Meiji restoration, and the trend of walking in the heritage district in a rented kimono. Throughout Prough brings together scholarship from Japanese studies, heritage studies, and the anthropology of tourism to highlight the interplay between the romantic desire for heritage tourism and the emphasis on “personal experience” (taiken) in the visitor industry today. Experience has long been an integral part of tourism—even as what counts as experience has shifted across time and place (from taking a photo to staying with locals to trying one’s hand at a traditional craft)—yet these touristic desires take on a new tinge in the experience economy. Kyoto Revisited demonstrates not only how the past has been used to construct the city’s identity and shape understandings of Japan for travelers, but also how these speak to broader trends in our contemporary moment.

Kyoto Animation, a studio with very humble beginnings, has gained recognition the world over as a uniquely inspired and inventive enterprise. This book examines Kyoto Animation's philosophy and creative vision with close reference to its anime. It focuses on the studio's choice of genres, themes and imagery while exploring its maintenance of high production values. The analysis highlights the studio's commitment to the pursuit of both artistic excellence and technical experimentation--and its reliance on the imagination and expertise of in-house staff.

Can an imperial city survive, let alone thrive, without an emperor? Alice Y. Tseng answers this intriguing question in Modern Kyoto, a comprehensive study of the architectural and urban projects carried out in the old capital following Emperor Meiji’s move to Tokyo in 1868. Tseng contends that Kyoto—from the time of the relocation to the height of the Asia-Pacific War—remained critical to Japan’s emperor-centered national agenda as politicians, planners, historians, and architects mobilized the city’s historical connection to the imperial house to develop new public architecture, infrastructure, and urban spaces. Royal births, weddings, enthronements, and funerals throughout the period served as catalysts for fashioning a monumental modern city fit for hosting commemorative events for an eager domestic and international audience. Using a wide range of visual material (including architectural plans, postcards, commercial maps, and guidebooks), Tseng traces the development of four core areas of Kyoto: the palaces in the center, the Okazaki Park area in the east, the Kyoto Station area in the south, and the Kitayama district in the north. She offers an unprecedented framework that correlates nation building, civic boosterism, and emperor reverence to explore a diverse body of built works. Interlinking microhistories of the Imperial Garden, Heian Shrine, Lake Biwa Canal, the prefectural library, zoological and botanical gardens, main railway station, and municipal art museum, among others, her work asserts Kyoto’s vital position as a multifaceted center of culture and patriotism in the expanding Japanese empire. Richly illustrated with many never-before-published photographs and archival sources, Modern Kyoto challenges readers to look beyond Tokyo for signposts of Japan’s urban modernity and opens up the study of modern emperors to incorporate fully built environments and spatial practices dedicated in their name.

The adoption of the Kyoto Protocol in December 1997 was a major achievement in the endeavour to tackle the problem of global climate change at the dawn of the 21st century. After many years of involvement in the negotiation process, the book's two internationally recognised authors now offer the international community a first hand and inside perspective of the debate on the Kyoto Protocol. The book provides a comprehensive scholarly analysis of the history and content of the Protocol itself as well as of the economic, political and legal implications of its implementation. It also presents a perspective for the further development of the climate regime. These important features make this book an indispensable working tool for policy makers, negotiators, academics and all those actively involved and interested in climate change issues in both the developed and developing world.

This introduction to Tanabe Hajime (1885–1962), the critical successor of the “father of contemporary Japanese philosophy” Nishida Kitaro (1870–1945), focuses on Tanabe's central philosophical ideas and perspective on self, world, knowledge, and the purpose of philosophizing. Addressing Tanabe's life-long study of the history of Anglo-European philosophy, Takeshi Morisato explores his notable philosophical ideas including the logic of species, metanoetics, and philosophy of death. He sets out Tanabe's belief that the Anglo-European framework of thinking is incapable of giving sufficient answers to the philosophical questions concerning the self and the world together and discusses the central ideas he developed while working in both Judeo-Christian and Mahayana Buddhist traditions. Featuring comprehensive further reading lists, discussion questions, and teaching notes, this is an ideal introductory guide to Tanabe Hajime for anyone interested in Japanese and World philosophies, as well as the early development of the Kyoto School.

Before the twentieth century, Japanese religious and cultural life was shaped by a variety of yearly ceremonies, festivals, and customs. These annual events (nenju gyoji) included Shinto festivals in which participants danced through the night to boisterous music and Buddhist temple practices that honored deities, great priests, or temple founders with solemn rituals and prayers—and sometimes, when the Buddha was invoked, raucous dancing. Temples also hosted popular fairs, where holy objects and artwork were displayed to the faithful and curious. Countless other celebrations were held annually at the residences of the nobility and military elite and at commoner domiciles. Kyoto, the imperial—and cultural—capital since the eighth century, was the center of many of these events. From Kyoto festivals, rituals, and celebrations diffused to other parts of the land, ultimately shaping religious, artistic, and everyday life as a whole. By the seventeenth century the Kyoto public wished to inform itself more accurately about nenju gyoji and their dates and meanings. As a result, a growing number of guidebooks and almanacs were written and published for the urban populace. This volume is the first to present translations of two such publications. Introductory chapters explain Japanese conceptions of time and space within which annual celebrations took place and outline how ceremonies and festivals in and about Kyoto were chronicled, described, and interpreted from the earliest times to the seventeenth century. The final two chapters offer annotated translations of writings from the seventeenth century that catalogue and describe the dates, sites, meanings, and histories of many Kyoto annual events. The two works, one largely historical, the other more ethnographic in nature, indicate not only when and where observances and commemorations took place, but also how their authors understood the significance of each. Both translations feature a large number of illustrations depicting events as they appeared in Kyoto at the time.