Backstage Playtime

Will and Roger are co-stars, in a little independent buddy-movie. There's no reason for them to be engaging in a folie à deux about old classic Cary Grant movies, or fighting a battle about whether Roger will start treating Will like a lady, or Will will begin dressing like one, first. There's no reason. But it's happening anyway. The only question is, how will Will look in skirts?

When Lisa Gee's six-year-old daughter, Dora, goes to an open audition for the West End production of The Sound of Music, it's just a fun way to occupy some time in the Easter holidays. But when Dora unexpectedly lands the role, Lisa soon learns that Dora's brush with fame has less to do with paparazzi and lucrative paydays and more to do with endless rehearsals and outsize egos. Part fairy tale, part cautionary tale, this is the hilarious, engaging account of one child's step into the limelight. From the initial try-out with over a thousand Von Trapp hopefuls to performing on the London stage with Connie Fisher and an encounter with Julie Andrews, mother and daughter navigate the minefield of rehearsals, auditions and fame. This is a heart-warming glimpse into the sometimes not-so-glamorous world of show business and the delicate balance between being proud and being pushy. Stage Mum is a story for every parent who dreams big and every child who dreams bigger.

Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. He made innovative and challenging comedies while achieving international box office success and attaining a devoted following. In Play Time, Malcolm Turvey examines Tati’s unique comedic style and evaluates its significance for the history of film and modernism. Turvey argues that Tati captured elite and general audiences alike by combining a modernist aesthetic with slapstick routines, gag structures, and other established traditions of mainstream film comedy. Considering films such as Monsieur Hulot’s Holiday (1953), Mon Oncle (1958), Play Time (1967), and Trafic (1971), Turvey shows how Tati drew on the rich legacy of comic silent film while modernizing its conventions in order to encourage his viewers to adopt a playful attitude toward the modern world. Turvey also analyzes Tati’s sardonic view of the bourgeoisie and his complex and multifaceted satire of modern life. Tati's singular and enduring achievement, Turvey concludes, was to translate the democratic ideals of the postwar avant-garde into mainstream film comedy, crafting a genuinely popular modernism. Richly illustrated with images from the director’s films, Play Time offers an illuminating and original understanding of Tati’s work.

**WINNER OF THE POLARI PRIZE 2019** ‘Vivid, accessible and honest, sometimes uncomfortably so’ Alan Bennett, London Review of Books In these intimate, sometimes painfully frank poems, Andrew McMillan takes us back to childhood and early adolescence to explore the different ways we grow into our sexual selves and our adult identities. Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood. McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

With a divorce looming, antiques picker and P.I. Jane Wheel has been spinning her wheels, unsure what to do with herself. She could use a good shove in the right direction, and while she may know this, she isn't about to admit it. Luckily, her best friend, Tim Lowry, has her interests at heart, and he has the perfect answer. Not only does he have a mansion he needs help prepping for an estate sale, but he has unearthed an old play, a murder mystery, that he's dying to put on. The play would be just the thing to get Jane back on track—that is, if it weren't cursed. Thankfully, Tim isn't buying into any curse and pushes forward in spite of the ominous notes that keep showing up in the actors' scripts warning against a performance. It's only when the show's carpenter dies in a suspicious accident that Jane is convinced someone definitely doesn't want the show to go on and might be willing to kill to stop it. Lively and intriguing as ever, Sharon Fiffer's Backstage Stuff is as much fun for the puzzling mystery as it is for sneak peek at all of the surprises that Jane has collected backstage for the big show.

Troy Morgan is at the top of his game in this sexy tale of love, danger--and the one woman who may finally tempt him to change his single status. . . Groomed for success, gorgeous Gabriella Stone is now a #1 pop sensation. She's also her controlling daddy's princess, and when she marries it will be to a man who can expand her empire, not some ordinary guy. Of course, Troy Morgan, founder of Morgan Security, is far from ordinary. Papa Stone just doesn't know it yet. . . When it comes to guarding the country's VIPs, Troy Morgan is the man. But when he's hired to protect Gabriella, her father makes it clear he won't be her man--no matter how hot their attraction. With her future on the line, will Gabriella risk it all to go from being daddy's little girl to Troy's one and only woman? "The pages of Body By Night are dripping with fire and desire." --The RAWSISTAZ Reviewers "Day writes with zest and sensual appeal." --Publishers Weekly on What Love Tastes Like

They are all legendary entertainers who made stops in Vancouver, BC, leaving flakes of stardust behind. A wonderful horde of showbiz lore has accumulated over the decades but has been jealously guarded by industry insiders. For example, Coquitlam's Steelhead Lodge, a secluded fishing retreat, was frequented by the likes of Clark Gable and Kim Novak, whose surnames grace street signs in the neighbourhood to this day. Celebrated stage and screen star Sarah Bernhardt also came for the fishing, while African-American opera singer Marian Anderson loved attending hockey games. Comedians Jack Benny and Dick Martin met their future wives in Vancouver, and swashbuckling actor Errol Flynn met his maker. As Canada's first rock 'n' roll DJ, Red Robinson was a spirited and essential fixture of Vancouver's golden age of entertainment, meeting and befriending an all-star lineup of the twentieth century's top performers, and amassing a brilliant collection of photographs along the way. Backstage Vancouver collects these rarely seen photographs for the first time, and presents them in a breathtaking pictorial hardcover.

Experience the definitive biography of one of the greatest singer-songwriters of the twentieth century with this eye-opening book featuring a foreword by Gabrielle Drake and over 75 photos, many rare or previously unseen. In 1968, Nick Drake had everything to live for. The product of a loving, creative family and a privileged background, he was not only a handsome and popular Cambridge undergraduate, but also a new signing to the UK’s hippest record label, Island. Three years later, however—having made three well reviewed but low-selling albums—Nick had been overwhelmed by a mysterious mental illness. He returned to live in his family home in rural Warwickshire in 1971, and died in obscurity in 1974, aged just 26. In the decades since, Nick has become the subject of ever-growing fascination and speculation. Combined sales of his records now stand in the millions, his songs are frequently heard on TV and in films, and he has become one of the most widely known and admired singer-songwriters of his generation. Nick Drake: The Life is the only biography of Nick to be written with the blessing and involvement of his sister and estate. Drawing on copious original research and new interviews with his family, friends, and musical collaborators, as well as deeply personal archive material unavailable to previous writers—including his father’s diaries, his essays, and private correspondence—this is the most comprehensive and authoritative account possible of Nick’s short and enigmatic life.