Bayard Taylor Berndt

In his foreword, John Schoonover, dean of Wilmington's storied art community, explains why Bayard Berndt was one of its leaders from 1950 until his death in 1987. In his introductory comments, Charles Allmond, Wilmington sculptor and friend of the artist, remembers Bayard's life-long interest in history and art and explains how Wilmington became a center for art. The artist's son, David Berndt, remembers his father in a charming narrative before discussing his art, which he presents in thirteen thematic collections. Bayard Berndt was taught to paint by Howard Pyle-trained illustrators: Thornton Oakley, Stanley Arthurs, N.C. Wyeth, and Frank Schoonover. His early works reflect his interaction with these illustrators while teaching at the Wilmington Academy of Art. Soon after marrying one of his students in 1935, Bayard and his wife Rita moved ten miles north of Wilmington to Fairville, Pennsylvania where they lived for the rest of their lives. David notices the transition that took place in his father's art after moving to the rolling hills of Chester County. Over the next 50 years, he painted hundreds of plein aire scenes along Brandywine Creek and in its surrounding countryside. After WWII Bayard became the proprietor of Wilmington's most popular art supply and framing shop. His freedom to paint was limited by his responsibilities as a businessman. During the following decade he developed two artistic styles fitting with his double career. He became colorist and brush virtuoso painting rapidly to capture fleeting outdoor light. His works in this genre are reminiscent of Charles Woodbury and George Bellows, and N.C. Wyeth. In his studio, he painted mural-like scenes of historic Wilmington. His works in this genre are reminiscent of Thomas Hart Benton, Grant Wood. The book contains many wonderful examples of both genres. David introduces each collection of paintings with maps that show where they were painted. Many paintings are accompanied by "asides" which highlight the forgotten past of a Brandywine Valley landmark. The book is thus an artistic travelogue through the Brandywine Valley. It is perfect for browsing and a delightful memorial to Bayard Berndt's love of art and history.

"Published in conjunction with the exhibition Dream streets: art in Wilmington 1970-1990. Organized by the Delaware Art Museum June 27-September 27, 2015"--Title page verso.

"Two-volume catalogue raisonne of Schoonover's entire oeuvre, from early sketches to final paintings. Chronologically organized and numbered by his daybook entries, it includes over 3000 full color and black-and-white images, a biography and timeline, lists of exhibitions and magazines illustrated, two additional bibliographies, and three indices"--Provided by publisher.

... all of the artist names listed ... on AskART.com ...

An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell.

Interpreting Du Bois' thoughts on race and culture in a broadly philosophical sense, this volume assembles original essays by some of today's leading scholars in a critical dialogue on different important theoretical and practical issues that concerned him throughout his long career: the conundrum of race, the issue of gender equality, and the perplexities of pan-Africanism.