Beatrice

One of Canada’s most celebrated author’s debut novel for young readers Beatrice, a young girl of uncertain age, wakes up all alone in a tree house in the forest. How did she arrive in this cozy dwelling, stocked carefully with bookshelves and oatmeal accoutrements? And who has been leaving a trail of clues, composed in delicate purple handwriting? So begins the adventure of a brave and resilient Black girl’s search for identity and healing in bestselling author Lawrence Hill’s middle-grade debut. Though Beatrice cannot recall how or why she arrived in the magical forest of Argilia—where every conceivable fish, bird, mammal and reptile coexist, and any creature with a beating heart can communicate with any other—something within tells her that beyond this forest is a family that is waiting anxiously for her return. Just outside her tree-house door lives Beatrice’s most unlikely ally, the enormous and mercurial King Crocodile Croc Harry, who just may have a secret of his own. As they form an unusual truce and work toward their common goal, Beatrice and Croc Harry will learn more about their forest home than they ever could have imagined. And what they learn about themselves may destroy Beatrice’s chances of returning home forever.

On the third afternoon of going to the library with her brother Henry, Beatrice finally finds something she enjoys doing.

Beatrice Chancy is set in 1801 in the Annapolis Valley of Nova Scotia. Beatrice is the daughter of a black slave who was raped by her white master. Raised in the master's house, Beatrice is beautiful, clever, kind, and cultured-her father's prize possession. Her declaration of love for a slave sparks tension that culminates in a monstrous act: the rape of Beatrice by her own father. From here, violence begets violence until her father is killed and Beatrice is hanged for his death. Thepassion and sorrow of Beatrice Chancy's story are matched only by the brilliance of the language used to express it."For booksellers uncertain about shelving this with plays or poetry, neither is apt. Beatrice Chancy is a singular creative work that should be shelved under tour de force or must read." --Quill & Quire Starred Review

The story of the rise of Beatrice Foods and of its decline.

Beatrice Cenci was executed in Rome in September 1599: she was said to be sixteen, and was hauntingly beautiful. Her crime was the murder of her father, a member of one of the greatest Roman families, but his cruel treatment of her, including incestuous rape, moved the people of the city to take her side. Weeping crowds lined the streets, and a special mass is still said in Rome on the anniversary of her death. She was at once innocent and guilty, the victim and the perpetrator of appalling crimes. From that time since, the ambivalent image of Beatrice has attracted writers and artists, and often their obsession with her fed their own self-destruction. In this compelling study, Belinda Jack takes on the dangerous challenge of bringing Beatrice to life, and of tracing her power over those who tried to resurrect her, from the tragedy of Shelley to the novels of Nathaniel Hawthorne and Herman Melville, from the sculpture of Harriet Hosmer and the photographs of Julia Margaret Cameron to the desperate drama of Antonin Artaud. As we follow the stories of their lives and ambitions, we see how they suffered critical condemnation for their works about Beatrice, and were sometimes pushed to the brink of insanity. Her story, which is one of lust, passion and violence, contains a powerful sense of the forbidden, the taboo that drives people over the edge. Beatrice's Spell is at once scholarly and utterly engrossing, carrying the power of her story through time.

The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession, which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait—Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives—is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti—and between thirteenth and nineteenth centuries, literature and painting, Italy and England—takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.