Boardwalk Gangster

For the first twenty-five years of his career, Lucky Luciano was a vicious mobster who became the king of the New York underworld. For the next twenty-five, he was a fake, his reputation maintained by government agents. Boardwalk Gangster follows him from his early days as a hit man to his sex and narcotics empires, exposing the truth about what he did to help the Allies in World War II, and revealing how he really spent his twilight years. Drawing on secret government documents in the United States and Europe, this myth-busting biography tells a story that has never been told before—in which the American Mafia becomes entangled with foreign war and Cold War conspiracy.

The romanticised American gangster of the Prohibition era has proved an enduringly popular figure. Even today, names like Al Capone and Lucky Luciano still resonate. Robb explores the histories of key figures, from gangs in the Old West, through Prohibition and the Great Depression, to the likes of John Gotti and Frank Lucas in the 1970s and 1980s. He also looks at the gangster in popular culture, in hit TV series such as Boardwalk Empire. Although the focus is strongly on the archetypal American gangster, Robb also examines gangsters around the world, including the infamous Kray twins in London, French crime kingpin Jacques Mesrine, the Mafia Dons of Sicily, and the rise of notorious Serbian and Albanian gangs. Infamous Australian outlaw Ned Kelly makes an appearance, as does Colombian drug lord Pablo Escobar, while other sections provide details of the Chinese Triads and the Yakuza in Japan. Robb also explores the gangster in popular culture, especially in film and television. Recent hit TV series such as The Sopranos and Boardwalk Empire and blockbuster movies like Public Enemies and Gangster Squad show that the gangster is here to stay.

The great founding figures of organized crime in the 20th century were born and bred in New York City, and the city was the basis of their operations. Beginning with Prohibition and going on through many illegal activities the mob became a major force and its tentacles reached into virtually every enterprise, whether legal or illegal: gambling, boxing, labor racketeering, stock fraud, illegal unions, prostitution, food service, garment manufacturing, construction, loan sharking, hijacking, extortion, trucking, drug dealing – you name it the mob controlled it. The men who organized crime in America were the sons of poor immigrants. They were hungry for success and would use whatever means available to achieve their goals. They were not interested in religious identity and ethnic identity. Their syndicate of criminals was made up, primarily of Italians and Jews, but also Irish and black gangsters who could further their ambitions. Their sole objective was always the same – money. It began with Arnold Rothstein, who not only helped to fix the 1919 World Series, but who also mentored and financed the individuals who would control organized crime for decades. Individuals such as Frank Costello, Lucky Luciano, Bugsy Siegel, Joe Adonis, and Meyer Lansky, who would then follow suit setting up other criminal organizations. They established rules of governance, making millions of dollars for themselves and their cohorts. All the organized crime bosses and their cohorts had the same modus operandi: they were far-seeing opportunists who took advantage of every illegal opportunity that came their way for making money. Big Apple Gangsters: The Rise and Decline of the Mob in New York reveals just how influential the mob in New York City was during the 20th century. Jeffrey Sussman entertainingly digs into the origins of organized crime in the 20th century by looking at the corporate activity that dominated this one city and how these entrepreneurial bosses supported successful criminal enterprises in other cities. He also profiles many of the colorful gangsters who followed in the footsteps of gangland’s original founders. Throughout the book Sussman provides fascinating portraits of a who’s who of gangland. His narrative moves excitingly and entertainingly through the pivotal events and history of organized crime, explaining the birth, growth, maturation, and decline of various illegal enterprises in New York. He also profiles those who prosecuted the mob and won significant verdicts that ended many careers, responsible for bringing many organized crime figures to their knees and then delivering a series of coups de grace – such as Burton Turkus, Thomas Dewey, Robert Kennedy, and Rudolph Giuliani.

For the first time ever the full story of how Charles “Lucky” Luciano—the U.S. Mafia boss who put the “organized” into organized crime—was recruited by U.S. Naval Intelligence in 1944 to aid the Allied war effort in the U.S. invasion of Sicily that was a turning point in WWII. In 1942, fears were growing that New York Harbor was vulnerable to sabotage. If the waterfront was infested with German and Italian agents, the U.S. Navy needed a secret plan just as insidious to secure it. Naval intelligence officer, Commander Charles Radcliffe Haffenden had the solution: recruit as his own spies, members of La Cosa Nostra. Pier to pier, no one terrified the longshoremen, stevedores, shopkeepers, and boat captains along the harbor better than the Mafia gangs of New York, who controlled the docks in Manhattan and Brooklyn. Haffenden was prepared to make a deal with the devil—the man who put “organized” into organized crime. Even from his cell in Dannemora State Prison, former Public Enemy #1, Charles “Lucky” Luciano still had tremendous power. Luciano was willing to wield it for Uncle Sam in exchange for a fullpardon. Haffenden, though, wanted something in return—Luciano’s contacts in Italy to track the Nazis’ movements. The victorious U.S. invasion of Sicily in July 1943 might have turned out differently without Luciano’s help. Operation Underworld is a tale of espionage and crime like no other, the unbelievable, first-ever account of the Allied war effort’s clandestine—and improbably—coalition between the Mafia and the U.S. Government to help the Allies win World War II.

This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.

Though detectives denied it, the Italian mafia was operating in Detroit as early as 1900, and the city was forever changed. Bootleggers controlled the Detroit River and created a national distribution network for illegal booze during Prohibition. Gangsters, cops and even celebrities fell victim to the violence. Some politicians and prominent businessmen like Henry Ford's right-hand man, Harry Bennett, collaborated closely with the mafia, while others, such as popular radio host Gerald Buckley, fought back and lost their lives. Social scientist and crime writer James A. Buccellato explores Detroit's struggle with gang violence, public corruption and the politics of vice during the tumultuous first half of the twentieth century.

Through most of the 20th century, Atlantic City, New Jersey, was controlled by a powerful partnership of local politicians and racketeers. Funded by payoffs from gambling rooms, bars and brothels, this corrupt alliance reached full bloom during the reign of Enoch 'Nucky' Johnson - the second of the three bosses to head the Republican machine that dominated city politics and society. In Boardwalk Empire, Nucky Johnson, Louis 'the Commodore' Kuehnle, Frank 'Hap' Farley, and Atlantic City itself spring to life in all their garish splendour. Author Nelson Johnson traces 'AC' from its birth as a quiet seaside health resort, through the corruption, notorious backroom politics and power struggles, to the city's rebirth as an international entertainment and gambling mecca where anything goes. Boardwalk Empire is the true story that inspired the epic HBO series starring Steve Buscemi, Michael Pitt and Kelly Macdonald. 'As good, if not better, than the television series' Independent

Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements.